Reissues

With Bluebeard (1972), Ennio Morricone explores the gothic absurdity of Edward Dmytryk’s erotic thriller through a score oscillating between melancholy, parody, and psychological unease. By blending chamber restraint and baroque flamboyance, Morricone transforms the infamous tale into a study of decadence, control, and the seductions of death.

In Per le Antiche Scale, Ennio Morricone sculpts a haunting and cerebral score for Mauro Bolognini’s 1975 psychological drama. Through mournful strings, dissonant gestures, and lyrical fragments, Morricone captures the fragile border between reason and madness, crafting one of his most introspective and emotionally complex film soundtracks.

With La Disubbidienza, Ennio Morricone crafts an austere and sensual soundscape for Aldo Lado’s 1981 film. The score balances chamber intimacy and languid melodies, exploring moral tension through sparse orchestration and unexpected harmonic turns. It’s a work where desire and restraint coexist in fragile, hypnotic equilibrium.

Limited edition of 50 copies on purple vinyl. A meeting of two uncompromising sound artists, Carlos Giffoni and Joachim Nordwall, New Music fuses pulsating electronic rhythms, immersive drones, and abstract textures into a vivid, physical listening experience. Emerging from the outer edges of techno, noise, and electro-acoustic composition, both artists channel their distinct sonic vocabularies into a shared space of tension and transformation. Giffoni's deep synth drones collide with Nordwall's…

The experimental landmark Opera by FNTC returns in a remastered CD edition, nearly forty years after its original cassette release on Staalplaat in 1987. A striking document of Europe's late 80s cassette underground, Opera captures the collective at their most adventurous - merging spontaneous composition, sound collage and performance art into a single immersive experience. As a member of the Fluxus movement, Willem de Ridder brought his conceptual sensibility to the project, pushing the bounda…

From the viral Severance TV dance party to spiritual jazz explorations, this vinyl compilation spans five decades of the Poughkeepsie legend's most electrifying moments. Funky grooves, cosmic transcendence, and raw improvisation collide.

A decade after its long-awaited release, Coil's landmark album Backwards returns in a special 10 year anniversary vinyl reissue. The black vinyl edition comes in a gatefold matt-laminate sleeve with silver detail, honoring the album's elusive, mercurial nature with understated elegance. After the ground-breaking release of 1990's Love's Secret Domain, Coil were not dormant - far from it. The main project was Backwards, which was started in 1992, updated considerably between 1993 and 1995, and tr…

Perception is the 1973 second album by Catalyst, the Philadelphia jazz-funk quartet whose blend of soul jazz, fusion, and avant-garde set them apart as a cult phenomenon. Featuring Zuri Tyrone Brown (bass), Onaje Sherman Ferguson (drums, percussion), Nwalinu Odean Pope (tenor saxophone, flute), and Sanifu Eddie Green (electric piano), the album stretches from spacious, electric fusion to driving, groove-forward funk and episodes of free improvisation. Recently reissued to renewed acclaim, Percep…

By All Means is the new album from Aaron Parks due for release on November 7, 2025 via Blue Note Records, expanding the acclaimed Parks-Street-Hart jazz trio into a luminous acoustic quartet with the addition of tenor saxophonist Ben Solomon. This set of seven original compositions explores Parks’ signature mix of modern jazz innovation and tradition, highlighted by tender dedications to his wife and son and the sly, swinging lead track “Parks Lope”.​

Coil's third album, from 1991, a dense and psychedelic electronic record, expanded to three LPs with ten rare and mostly unreleased tracks and alternate versions from the same period.

Faust left Wümme's anarchic freedom for The Manor's professional constraints. Virgin wanted a hit. Faust IV was the answer: their most paradoxical album, accessible yet destabilizing, part studio work, part salvage. The sessions stretched, the budget vanished, the result endures—uneven, restless, compelling. Fifty years later: still mid-sentence, still profound, gloriously incomplete.

*2025 Stock* "In 1998 Staalplaat and Muslimgauze were on a conquering spirit. Bryn Jones (1961-1999), the man behind Muslimgauze delivered new works, almost on a weekly basis and was more than happy to see them released straight away. Unlike others, Staalplaat was never shy to release larger works, lumping various works together, such as the 9CD “Box Of Silk & Dogs”. Allowing free reign in editing, the 4LP box set ‘Tandoori Dog”, contained the LP of the same name, which saw only eight out of the…

*2025 Stock* Jerusalaam plus the two extra tracks make up unused material from the Return of Black September sessions. The contrast, even for someone with as wide a range as Muslimgauze had, is stunning. The original Jerusalaam fits in with much of Bryn Jones’ classic work, with a heavy emphasis on hand percussion, bass-heavy distortion, sharply clipped loops, and the seething his of static. The two otherwise unnamed Return of Black September tracks, however, follow that album in taking a much m…

*2025 Stock* 'Speaking With Hamas' was compiled by Bryn Jones himself early 1997 and he thought it would be nice to include a new, previously unreleased track. In his words:"It's for people who don't deserve it". "A tourist asked Ali muhamad, a second-hand camel salesman, why camels look so dam supercilious. He replied the Arabs know 99 names for god. But only the camel knows the 100th."

If ‘Satyajit Eye’ (which is released at the same time on Staalplaat) only blinks at Indian culture, the album ‘Al Jar Zia Audio’ does this with both eyes open. It is known that Bryn Jones, the man behind Muslimgauze, looked further than the Palestinian conflict and used extensively the rhythms of India, Pakistan and other Eastern cultures. Like crossing borders in the bigger Islam regio, Jones takes whatever comes at hand and moulds into his own trademark sound – often imitated, never surpassed.…

*2025 Stock* “Sulaymaniyah is part of Staalplaat’s ongoing Muslimgauze archive series, masters originally submitted in 1997, then “replaced” by what became Vampire of Tehran released early in 1998. It was not uncommon for the prolific Bryn Jones to replace masters with what he believed to be a more fit release. Short of two tracks, “Fez Tishan” and “Hamas Pulse of Revenge”, this is Vampire of Tehran with nine additional, unreleased tracks. Because Sulaymaniyah was “replaced”, it was stored in St…

*2025 Stock* Recorded and mixed at Abraham Mosque, Manchester 1996, this is a re-release of Muslimlim 009, only C2 taken from stdc 001.  Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples. It's a…

Italian Library Songbook Vol. 1 | Alessandro Alessandroni by Jessica Duncan, pAd, and Alessandro Alessandroni inaugurates Four Flies Records’ new series reimagining Italian library and soundtrack music as modern pop. Revisiting Alessandroni’s soulful archives, the EP bridges vintage jazz-funk and contemporary Balearic groove with refined sensuality and cinematic warmth.

Essential Re-issue of this stone cold classic .First released in 2006 Written and produced by Mika Vainio in Turku 1992-1993. Mastered at Dubplates & Mastering by Rashad Becker.

Green Is Beautiful by Grant Green is a lively jazz-funk album recorded in 1970 at Van Gelder Studio and released on the Blue Note label. Marking a shift from his hard bop and soul jazz roots, Green embraces energetic funk grooves, supported by a stellar lineup including Blue Mitchell, Claude Bartee, Jimmy Lewis, Idris Muhammad, and organists Neal Creque and Emmanuel Riggins. The album’s five tracks, including covers of James Brown and The Beatles, showcase Green’s distinctive, melodic approach a…

The album delivers masterful arrangements, inventive rhythms, rich harmonies, and a perfect balance of flute and saxophone interplay. Funk, Jazz, Gospel, Afro, and traditional elements all merge seamlessly into something unique and timeless.Joshua Sithole (1947–1999) was a self-taught multi-instrumentalist and vocalist from South Africa who first started busking with the Kwela kids in 1959 and then went solo in 1978. He became popular in the 80’s, performing widely in Durban and Cape Town. Origi…

Favorite Recordings is proud to announce the release of Endless – Universal Cosmic Sounds, a visionary compilation celebrating a decade of musical archaeology and a special milestone: the thirteenth release curated by Charles Maurice since his debut in 2015. Endless is an immersive journey through cosmic soundscapes, where jazz-funk, pioneering electronics, and ambient experimentation merge into a unique listening experience. The collection features 10 rare recordings, meticulously selected from…

Monitor, the 1981 solo album by Gianni Leone (Leonero), stands at the crossroads of Italian New Wave and progressive rock, offering a singular listening experience that both anticipates and transcends its era. Conceived in California following Leone’s transformative years with Balletto di Bronzo and his ventures in New York, this release embodies a synthesis of transatlantic influences and personal artistic exploration.​

Luurankolauluja is Uusi Aika’s deep dive into spiritual fusion, where Nordic folk, modal jazz, and raga-like improvisations meet. Rooted in forest myth and cosmic calm, the album’s six compositions form a slow-burning suite of luminous, contemplative beauty.

6 Days in Leysin showcases Greg Foat in a quietly adventurous mood: drawing inspiration from the Swiss setting, he gathers a small ensemble to record original pieces defined by warmth, melodic transparency, and a delicate blend of acoustic and electronic jazz elements. The collection is a testament to Foat’s ongoing search for fresh forms in contemporary jazz, rooted in lyrical minimalism and atmospheric production.

In October 1995, as part of the annual Polar Music Festival, Geir Jenssen of Biosphere and Bobby Bird of The Higher Intelligence Agency, were commissioned by Nor Concerts to collaborate together on a musical project to take place in Geir's home town of Tromsø, Norway. The brief was for them to perform three concerts, using sounds sourced from the area as the basis of the music - the machinery of the local mountain cable lift, the snow, the ice. The performances from which this recording is taken…

1978 Townes Van Zandt’s eighth studio album and his debut for Tomato Records - run by his long-term manager Kevin Eggers.Flyin’ Shoes features material from an aborted 1973 album titled 7 Come 11, finally released as The Nashville Sessions by Tomato in 1993. Townes picked up where he’d left off and several takes from 7 Come 11 were re-recorded for Flyin’ Shoes. Produced by the legendary Chips Moman at Nashville’s American Studios, this album contains some of the Texas troubadour’s strongest song…

The Book of Job is a boundary-pushing work by Super Grupa Bez Fałszywej Skromności, merging avant-garde jazz, spiritual recitation, and sound experiments. Conceived in martial-law Poland, the album is both requiem and protest—an immersive journey through collective struggle, transcendence, and artistic resilience.

Veruschka, composed by Ennio Morricone and performed by Edda Dell'Orso, is a landmark in Italian soundtrack tradition. The album, first released on CD in 1995 with 14 tracks and later expanded, encapsulates lounge moods, ambient textures, and avant-garde fragments, capturing the ephemeral world of fashion and introspection with atmospheric precision. Double transparent blue vinyl edition of 500.

Della Morte dell'Amore composed by Manuel De Sica, embodies a complex fusion of brooding electronics, subtle jazz, and gothic undertones, reflecting the film's darkly comic narrative. Spanning 34 tracks, the album stands out for its evocative mood shifts and meticulous attention to emotional detail. Limited purple vinyl edition of 500.

Limited transparent yellow vinyl edition of 500. l Medico della Mutua, composed by Piero Piccioni in 1968, delivers a brilliant soundtrack that fuses jazz, easy listening, and orchestral flourishes, mirroring the satirical verve of the film. Themes shift from playful marches to sultry tangos, amplifying both the absurdity and energy of the Italian medical system’s cinematic parody.

The soundtrack of “La Matriarca” is one of the finest examples of 1960s Italian musical comedy — ironic, sensual, and perfectly tailored to Catherine Spaak’s character. Trovajoli succeeds, like few others, in giving voice to the contradictions of an era through music — an Italy discovering freedom, yet with an ironic smile on its lips. Limited transparent Magenta Vinyl edition of 500.

Baa Records’ Thailand's Golden Sounds (80's Synth-Pop & Disco) is a vibrant compilation spotlighting the evolution of Thai pop as synthesized textures and disco grooves emerged from Bangkok’s Golden Sound studios. With a focus on overlooked 1980s gems, these tracks fuse local melodic sensibilities with Western production tricks, capturing a unique and danceable era both nostalgic and unexpectedly forward-looking.

Michaela Melián’s Music for a While is an immersive, genre-blurring debut that fuses ambient techno currents with classical elements and subtle pop inflections. Drawing on a palette of cellos, guitars, and synthetic textures, Melián crafts extended atmospheric meditations whose compositional wit never dilutes their approachable warmth, producing a record both refined and strangely inviting, nestled between art installation and intricate electronic composition.

Hitomi ‘Penny’ Tohyama’s Tokyo Funk Diva 1981-1988 introduces international audiences to one of Japan’s most charismatic exponents of funk and boogie. This capsule compilation, curated and newly remastered, captures her innovative blend of soulful vocals and sleek '80s production from a catalogue that shaped Tokyo’s underground dance music scene.

Vanessa Wagner breathes new life into Philip Glass: The Complete Piano Etudes, revealing the powerful lyricism and subtle turbulence of Glass’s minimalist language. Her interpretation brings emotional intensity and poetic nuance across all 20 etudes, reflecting over a decade spent exploring the repertoire and making for an immersive listening experience.

Edition of 80. Written in 1971, Tom Johnson's An Hour for Piano stands as a landmark of American minimalism, born from improvisatory sketches Johnson created in 1967 while accompanying a modern dance class at New York University. Johnson gradually expanded these sketches, creating a composition designed to be performed in exactly one hour at an absolutely steady tempo of quarter note = 59.225 beats per minute. Deceptively simple in its construction, An Hour for Piano comprises six basic textures…

Herpes Ö DeLuxe’s Kielholen dives headfirst into the murky waters of industrial decadence. With Hinterzimmer as its unsettling core, the record dissects German cold wave through rusted machinery and post-human irony, a claustrophobic yet hypnotic experience simmering between performance art and corrosion.

A bold statement in jazz, rock, and soul fusion, Definitely What! finds Brian Auger & The Trinity crafting intricate grooves with magnetic energy. Hammond organ brilliance, inventive arrangements, and fearless experimentation make this album a compelling testament to the group’s genre‑defying spirit and enduring creative fire.

Eight years since his last solo electric guitar record. Bill Orcutt returns to what made his playing essential: slashing chords, frenzied double-picking, angular runs that climb and ricochet. Recorded live at Cafe OTO. No computer loops. No gentle melodic glow. Just Orcutt and his four-string Fender through a tattered Twin Reverb.