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*2025 European press* ‘Araya Lam’ marks the third album from The Paradise Bangkok Molam International Band. Following their releases ‘21st Century Molam’ and ‘Planet Lam’, the band delves even deeper into the roots of Isan music, collaborating with traditional musicians on vocals as well as instruments like the Pong-Lang, Pi, and Sor. Each element adds a fresh dimension to the band’s distinctive reinterpretation of Molam.
The album also sees the band expanding their sonic horizons — nodding to N…
In the autumn of 2022, knowing his time was running out, Ryuichi Sakamoto summoned every ounce of his remaining strength to give us one last, definitive performance. Opus is that performance - a solo piano concert capturing one of the world's greatest musicians in his most vulnerable and transcendent moment. Curated and sequenced by Sakamoto himself, the twenty pieces wordlessly tell the story of his life and his vast body of work. The selection spans his entire career: from his pop-star period …
Belonging to an incredible, audiophile reissue initiative dedicated to the seminal Jazz Actuel series - one of the greatest depositories of 1960s free jazz - at long last we're gifted one of the greatest of them all: the first ever fully authorized reissue of Jacques Coursil's towering 1971 LP, Black Suite, fully remastered from the original 1969 analog master tapes. Featuring an all-star line-up of Anthony Braxton, Arthur Jones, Burton Greene, Beb Guérin, and Claude Delcloo, it has long remaine…
Jazz enthusiasts rejoice: the legendary Never Let It End by Albert Mangelsdorff Quartet, a seminal 1970 album hailed as one of the most important in the European jazz canon, receives a fresh vinyl pressing from MPS Records. Originally recorded on March 23, 1970, at Walldorf Studio in Frankfurt under producer Joachim Ernst Berendt, this free jazz masterpiece captures Mangelsdorff's innovative trombone mastery alongside Heinz Sauer on saxophones, Günter Lenz on bass, and Ralf Hübner on drums.
The…
You will be aware of the work of James McKeown and his Hawksmoor project. A catalogue of 13 significant and substantial records made in less than a decade. James can be said to be operating in the realm of ambient music. There are song structures and often beautiful melodies deployed - and more often than you might expect. He can be psycho-geographical, and woozily hauntological at times. There are shades of Eno, Tangerine Dream, Cluster and Michael Rother - but nothing is ever copied. It's deta…
With two deeply cherished compilations already in the bag, Luke Una steps up for the third volume in his É Soul Cultura series on Mr Bongo. A love letter to the dancefloor and its power to unite people from all corners of society amid growing division and extremist politics. Genre-spanning in nature, the 17 tracks travel between cosmic soul, boogie, proto-house, slo-mo technoid grooves, drum machine afro, astral bass-bugging futurism, jazz funk, dance, and disco. Each having the ability to move …
When it comes to Latin soul, Bobby Matos And The Combo Conquistadores 'Tema De Alma Latina', has to be up there as one of the heaviest tracks ever recorded. This much-loved Latin workout has been rocking dancefloors for years with its infectious, driving energy and pulsating rhythms. Released in 1968, the 'My Latin Soul' album on Philips Records now receives a welcome reissue on Mr Bongo. It’s a sheer delight throughout and a premier example of the Nu Yorican sound that was thriving in New York …
Next up in Mr Bongo's Groove Merchant Records reissue series, we present the only solo album saxophonist Ramon Morris recorded as a bandleader. Having cut his teeth playing with the iconic band Art Blakey & The Jazz Messengers and working with other jazz greats, including Reuben Wilson, Shirley Scott, Rashied Ali Quintet, and Woody Shaw, 1973 saw Ramon take the step into solo territory. The resulting album Sweet Sister Funk became a certified classic and a landmark showcase of the cherished ‘70s…
Next up in our Cuban Classics series, one of the jewels of record label Areito’s extensive and sought-after catalogue. Ricardo Eddy Martinez’s Expreso Ritmico from 1978 is a prized album fusing funk, disco, and orchestrated influences with Afro-Cuban percussion, Latin breaks, and lush vocal harmonies. Whilst maintaining its distinctive Cuban identity, Expreso Ritmico is one of the more American / Western-influenced Cuban titles of the time drawing inspiration from jazz funk, disco, and library m…
We are thrilled to announce the reissue of the most precious hidden gems of Soul Jazz / Spoken Word albums from a key era. Originally released in 1974 as a private pressing of fewer that 100 copies, Touching Your Feelings by Jim Marks is a crucial missing piece of the proto-rap era lying firmly between Gil Scott Heron and Amiri Baraka, with whom he made a strong friendship. Jym Marks' mix of deep, expressive poetry and solid jazz sits on the edge of works by The Last Poets and fellow west coast …
** 200 Copies. Includes printed inner sleeve with lyrics and credits. ** Cut it up. Stick it back together wrong. This is Magazzini Criminali at their most deliriously inventive - a Florence-based theater collective that understood William Burroughs's cut-up method as an operational principle for sound itself. Released in 1983, Notti Senza Fine is their second LP, a document where theater becomes indistinguishable from electronic collage, where the stage disappears into tape loops and reassemble…
*Special discounted pricing. 2026 stock* The third album by this combo from Bologna is the apotheosis of their histrionic verve. Directed in studio by Italian progressive rock luminary, Paolo Tofani, Kinotto was released in 1979, and as Freak Antoni himself declared, the album was closer to new wave than previous efforts and its best-known track, "Mi Piaccion Le Sbarbine", was soon on heavy rotation. With Kinotto came also the artistic consecration of Skiantos, who went from being a cult band to…
*2026 stock* Originally attached to the new version of the book "Skiantos una storia come questa non c'era stata mai prima e non ci sarà mai più" by Gianluca Morozzi & Lorenzo "Lerry" Arabia, now available wiithout the book.
This triple disc release documents Stefan Goldmann's earliest electroacoustic works. These clear-cut algorithmic compositions, mostly created between 1999 and 2001, were built entirely with the TC Fireworx processor's internal synthesizer and effects. Generated and recorded anew for this release with the original programs, a central component of Stefan Goldmann's sound aesthetic is revisited and becomes available in pure form for the first time. His proprietary Fireworx algorithms feature pr…
Extraordinary double LP of solo guitar music by Hans Reichel (1949-2011), curated by Oren Ambarchi. Twenty-three pieces from 1973-1988 documenting Reichel's radical instrumental rethinking: custom-built guitars with additional strings, moveable pickups, special capos. Sounds simultaneously strange and beautiful, from romantic lyricism to alien sonorities. Essential.
Singular 1967 Elektra Records gem by Clear Light, LA psychedelic band featuring future Doors bassist Doug Lubahn and CSNY drummer Dallas Taylor. Double-drum setup creates uncanny soundscape, it blends folk, rock, psych, classical. Undiscovered at release, now cult classic.
Huge Tip! Originally issued in 1978 by Cetra, Follie Del Divino Spirito Santo emerges from a singular moment in Antonio Infantino's artistic practice - a moment when his early immersion in international Beat circles and avant-garde gestural music had crystallized into something entirely his own: a ritualistic and shamanic engagement with the musical traditions of Southern Italy.
From 1964 onward, Infantino had moved through collaborative circles with Vittorio Gelmetti, Sylvano Bussotti, Pietro G…
Blurt was founded in Stroud, UK, in 1979 as part of the post-punk movement by poet, saxophonist und puppeteer Ted Milton along with Milton's brother Jake, formerly of psychedelic group Quintessence, on drums and Peter Creese on guitar. After three albums Creese left the band to be replaced by Herman Martin on synthesizers who, after a year of constant touring left the band, and was replaced by Steve Eagles, former member of Satan's Rats, The Photos and Bang Bang Machine. Shortly thereafter Jake …
On Raw Power, Iggy And The Stooges compress lust, nihilism and amplifier abuse into eight songs that still feel like a structural flaw in rock itself, James Williamson’s scorched‑earth guitar and Iggy’s feral charisma defining the template for punk and everything unwholesome that followed.