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Compilation CD with Francisco Lopez, Giancarlo Toniutti, Jeph Jerman, Seth Nehil & toy.bizarre, Kiyoshi Mizutani, MNortham, Eric La Casa. A confrontation of different ideas, views, about nature … and sound… From the electroacoustic deep soundscape of Eric La Casa to the droney stones of Giancarlo Toniutti, from the rough fresh stream field recordings of Kiyoshi Mizutani to the heavy processed insects, wood and grass sounds of Seth Nehil & toy.bizarre… from the silent nature of Francisco Lopez to…
These pieces were recorded between 1963 and 1973 at the NHK electronic music studio, Tokyo. Includes 12-page booklet with liner notes in Japanese. This version was withdrawn from sale due to objections from Takeisha Kosugi. His track was then replaced by one by Michael Ranta, and the album was re-released under a different catalog number.
1. “Divertimento” Keitaro Miho This is a live performance of live percussion instruments and electronically produced percussion instruments. Until then, …
The 3rd issue of early Japanese electronic music made by NHK (Nippon Housou Kyoukai : National Broadcasting association) electronic music studio. Engineer Satou assisted many electronic works of avant-garde composers. Contents : Makoto Moroi 'Shosange' (1967), Minao Shibata 'Display '70' (1969), Toshiro Mayuzumi 'Mandara with source of Voice and Electric sound' (1969), Joji Yuasa 'Voices Coming' (1969), Makoto Shinohara 'Broadcasting' (1973)
1. “Small Confession” Makoto Moroi The works ar…
Early Japanese electronic music made by NHK electronic music studio. Engineer Satou assisted many electronic works of avant-garde composers. The following works (except Yuji Takahashi) had released in 1967 and 1969 on LP (Victor VX-52, VX-99), and they are very rare now.' Contents : Yuji Takahashi "Phonogene" (1961), "Yori-Aki MatsudairaTrangent '64" (1964), Minao Shibata "Improvisation for the electronic sound" (1966), Joji Yuasa "IKON on the source of White Noise" (1965), Toshiro Mayuzumi "Cam…
A documentary of pieces performed at the Inventionen Festival in Berlin, 1998. Features: Unsuk Chin, Patrick Kosk, Werner Cee, Francois Donato, Robin Minard, Wolfgang Mitterer, Francis Dhomont, Erik Mikael Karlsson, Trevor Wishart. "Not as much as a bringer-up to speed (or yet another history lesson at that) as a fine cache of current keepers of the crop. New ('93-98), complete pieces from Trevor Wishart (northern-UK composer/programmer known and loved these days for his mid-70's works such as M…
"The pieces on this CD are all based on the ideas in Larry Polansky's four voice canons, a series of pieces he began in 1975. These canons are usually "mensuration canons," which means that the tempi of successive voices is proportional to their start times, so that the voices end together. They also use simple ideas of moving through a list of permutations, and applying the elements of those permutations to various musical parameters. A set of Polansky's canons was produced on Cold Blue Records…
A lucky restock of one of the most important archival releases in experimental music: "Apollo and Marsyas: Het Apollohuis 1980-1997, an Anthology of New Music Concepts" - a stunning double CD documenting nearly two decades of radical sound art and experimental performance. Het Apollohuis in Eindhoven was one of Europe's most vital centers for avant-garde music, and this anthology captures the extraordinary scope of programming curated by Paul Panhuysen from 1980 through 1997. From over 500 perfo…
Volume 2 of the CD documentation of the Berlin festival "Inventionen" (volume 1 containing Horatiu Radulescu's string quartet no. 4)a various artists retrospective sampler including recordings of works by the following composers: Hildegard Westerkamp, Salvatore Sciarrino, John Cage, Sainkho Namtchylak, Joe Jones, Giacinto Scelsi, Masanori Fujita, John Driscoll.Hildegard Westerkamp: Whisper Study (1975-79, Tape work, Inventionen 1986)Salvatore Sciarrino: Codex purpureus, Trio per archi (1968-1983…
Co-founder of Pogus with Al Margolis, Gen Ken Montgomery is often unfairly disregarded when assessing the history of radical music in the last half-century. This collection – another clarification of a unendingly probing creativity – examines works from the decade in which the American composer’s terminology was first met by yours truly, at that time seriously hooked in the unearthing of entrancing materials of post-industrial derivation. But don’t let this piece of news mislead you: Montgomery’…
"Triangles offers you more of the powerbook electronics sounds we're all digging on so much, and from speaking comparatively from the field as it stands today, Triangles sounds quite good, really amazing, in fact. Despite falling into the, dammit, start saying it -- 'melancholy electronics,' hole that you clearly need filled, Triangles stands on it's own. Need more? Try this -- Triangles occupies the space between powerbook extrapolations (quite reminiscent of the sole person in America w…
Extremely great reissue of the previously-semi-available-but-not-so-for-quite-a-l ong-time October Music CD (which itself was a reissue of the 1977 LP on Wishart's own Yes imprint, along with the piece 'Anticredos' for 6 voices, from an LP on Hyperion, 1982). Recent developments in Wishart's street cred (contributing to Or Some Computer Music Issue One, being name-dropped by Richie Devine on several occasions, Aphex Twin's use of CDP) seem to suddenly make Trevor... relevant to a younger set of …
The Japanese underground band Johari was create in 1990 by the magic duo Asahito Nanjo (High Rise) and Makoto Kawabata (Acid Mothers Temple) and will became later, in 1995, this shamanistic avant-garde formation Toho Sara. “Hourouurin” is their third opus, after two albums on PSF “Eastern most” (1995) and “Mei Jou Tan Sho” (1999) and some live performances in Europe during the years 1996 and 1997. “Hourouurin” is a weird unit who attempt to achieve a mystic fusion of ethnic music and rock, accor…
Originally released in 1989, Violin Solo documents Takehisa Kosugi's improvisations with electric violin and miscellaneous sounding objects, recorded September 3-4, 1989. Kosugi's approach has a sense of emerging from the bottom of a spiritual unconscious. From this place comes a music based more on the feeling of sounds than conscious arrangement. Memory, physical action, tactile perceptions, environmental conditions, and awareness of subconscious microcosmic and macrocosmic extremes inform his…
Awesome anthology of Sten Hanson text-sound composition..."Fylkingen has, in the course of its many years of activity, become a familiar factor in Swedish, as well as international, musical life, a unique forum for the presentation of experimental art. Since very early it began to work in collaboration with an electronic music studio in Stockholm for the creation of technically satisfactory performance possibilities. The movement within Sweden in sound poetry/text-sound composition took hold in …
2024 stock 33 1/3 is Smegma''s tribute to their 20th century avant-garde and out-jazz influences. The title is one part reference to the happy revival of passionate vinyl listening in the 21st century and one part celebration of their long hard slog of 33 1/3 years of being one of the most free thinking and original American underground groups. Their focus, ideas and determination has brought them through more than three decades and to this day they remain unparalleled, original and highly influ…
Volume 2 of the music of RUNE LINDBLAD (1923-1991). This cd consists of the remainder of the long out of print Radium double lp. These works cover the years 1962-1988. Lindblad, a Swede began composing music in 1953. Ignored by the musical establishment in Stockholm, Rune went his own merry way, composing over 200 works of electronic music. Limited in the early years to often primitive equipment, he carved out his own musical niche. The sounds were often raw, occasionally scary.
This release reissues Robert Rutman's Pogus Lp (P201-1) and includes an additional track. Rutman (b. 1930) has been building and performing on his homemade metallic instruments for many years. This recording features his buzz chime, steel cello, and bow chime, along with tabla, Tibetan horn, and Rutman's vocal chants. Rutman caresses the metal, drawing out eerie drones and overtones that buzz and trumpet. The music in turn can be as fragile as glass or reach the depths of resonance, as if one ha…
"'String Quartet Describing The Motions of Large Real Bodies' was composed as the potential orchestra for a Robert Ashley opera based on the text of 'In Sara, Mencken, Christ and Beethoven There Were Men And Women'. When the work was composed, in 1972, it was clear that a huge change in electronic instrumentation was just beginning, a change that would involve computers and sound producing devices as yet undreamed of. The piece consists of an electronic orchestra of 42 sound producing modules. T…
2005 release. Following the ground-breaking work, Dust (LCD 1006CD), godfather of experimental opera Robert Ashley returns with Celestial Excursions. Ashley's endeavor explores remarkably uncharted territory -- the kind of language that is common among "old" people who talk all the time or not at all, to anyone passing by or to themselves. The opera premiered at the Hebbel Theater in Berlin, before coming to The Kitchen for its U.S. premiere in April 2003. Celestial Excursions delves into the wi…
Richard Lerman has spent over four decades gathering sounds that most of us never notice, amplifying the mundane until it reveals itself as magic. This deluxe two-CD set, featuring his classic 1982 Folkways LP Travelon Gamelon (Music for Bicycles) plus selected works spanning 1964 to 1987, offers an essential survey of one of American experimental music's most questing spirits. Born in 1944, Lerman belongs to the John Cage and David Tudor continuum of composers for whom all sound is potentially …