Reissues
WBAI Concert, New York, Sept. 12th 1964
This CD highlights an exceptional document, a performance recorded by radio station WBAI in New York on September 12th, 1964. This event superbly represents the type of repertoire that Charlotte Moorman and Nam June Paik cultivated and proposed in the U.S., in the years following their meeting, in their memorable "duo" exhibitions. The program of the concert presented several true war-horses of their exhibitions like "26'1.1499 for a String Player" by John Cage, "Duet II" by Toshi Ichiyana…
Surrealism Reviewed
Surrealism Reviewed is a collection of spoken word recordings by Surrealist artists, writers and poets. Made between 1929 and 1963, these historic audio recordings include poetry readings, interviews, lectures and manifestos. Most are in the English language, though some are in French (marked FR below). The remarkable contributions by Robert Desnos and Herbert Read were feared lost for several decades, unheard since they were cut onto acetate discs in the 1930s.
Running for 74 minutes, wit…
Festival Paris Dada
A unique anthology of piano music directly linked to the Dada avant-garde art movement in Paris between 1920 and 1923, Festival Dada Paris is based on the piano repertoire performed at two landmark Dada events in Paris, namely the Festival Dada on 26 May 1920, and the infamous Soirée du Coeur â Barbe on 6 July 1923, an event disrupted by violent confrontation between Tristan Tzara's Dada faction and the Surrealist vanguard lead by Andre Breton.
Music from the 1920 event includes two pieces by Ge…
Le Groupe des Six: Selected Works 1915-1945
This 160 minute anthology features selected piano and orchestral works by Les Six composed between 1915 and 1945, including collaborations with Jean Cocteau, Guillaume Apollinaire, Max Jacob, Marcelle Meyer and Denise Duval. Highlights include a digitally remastered cast recording of the Surrealistic opera Les Mamelles de Tirésias, co-created by Francis Poulenc and Apollinaire, and new recordings of Dada-related works performed by Peter Beijersbergen van Henegouwen.
All selections were re…
Futurpiano
Futurpiano showcases three influential avant-garde composers associated with the Futurist movement, by way of piano music composed between 1913 and 1933.
Arthur-Vincent Lourie was the first Russian Futurist musician, and a signatory of the original St Petersburg Manifesto in 1914. The five Syntheses written that same year offer a form of dodecaphony, while Formes en l'air from 1915 is a Cubo-Futurist conception using an innovative form of notation, dedicated to Pablo Picasso.
Born in the Ukraine…
Par Hasard: Chance Composition 1913-1951
Par Hasard is a unique collection of avant-garde music by Marcel Duchamp, Francis Picabia, Georges Ribemont-Dessaignes and John Cage, all composed during the first half of the 20th century using chance techniques and operations.All selections are performed on piano. Iconic French conceptual artist Marcel Duchamp conceived both of his Musical errata in 1913. One consists of notes drawn at random from a hat; for the second, balls are dropped through a funnel into wagons drawn by a toy train. "Exec…
Cold Worlds
last copies around....A collection of Horror-Electronics, supernatural soundscapes and sinister library muzak from Australian composer Don Harper. Centring on the library music re-recording of the 1968 Doctor Who soundtrack The Invasion (A dark otherworldly Sci-Fi jazz suite) Cold Worlds is also a focus on the electronic music of this largely unsung composer. Like many Australian film composers (Ron Grainer, Dudley Simpson, Don Banks) Don Harper based himself in the UK during the 1960…
John Perreault
Long unavailable only documentation of the tape work by conceptual artist John Perreault on Slowscan's collectable artist's records series, limited to 300 copies.
REAL LIFE Magazine
REAL LIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists’ projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions. The development of the magazine t…
Bitter Music
It is an astonishing gift of fate when a creative artist, known to the world for a particular achievement, is suddenly shown in a quite different light thanks to the existence of a single document that has somehow escaped the ruthless culling mechanisms of time. Harry Partch's Bitter Music is such a document, a “diary of eight months spent in transient shelters and camps, hobo jungles, basement rooms, and on the open road”. This long-lost journal of Harry Partch's wanderings during the Great Dep…
Planes
Wah Wah Records proudly presents a luxury vinyl reissue of this rare 1974 private pressing. Cool long electronic experiments splitted in two tracks, one on each side. Recorded in one take and offering an astounding combination of synth drones, wordless vocals, ambiental electric organ and ethereal guitar arpeggios.An outstanding work that moves away of the more classical kraut cosmische sounds to walk darker paths, yet retaining some early Kluster reminiscences.The Wah Wah reissue comes to life …
Analog Archives
A leading figure in the UK’s electronic music scene, Mark Jenkins has played with White Noise, Arthur Brown and members of Can, Gong, Van Der Graaf Generator and Tangerine Dream. He is the author of the acclaimed books Analog Synthesizers and iPad Music (Jenkins became the first musician in the world to release a CD created entirely on the Apple iPad)."Analog Archives" is a collection of recordings from the early to mid eighties. Armed with his Moog Sonic Six, Sequential Prophet 600, EDP Wasp & …
People's Opera aka Aerosol/or The Computer That Couldn't Hear
Liam O'Gallagher's audio work, People's Opera aka Aerosol/or the Computer That Couldn’t Hear: An Inter-Media Opera, features nine transistor radios (four tuned to FM stations and five to AM stations), a telephone system, and soloists on tambourine, flute, oboe, and French horn. Here are the notes on the presentation, by O'Gallagher's himself: “The ‘conductor’ signals the operators of the radios to approach the microphones or recede from them. Soloists play according to any predetermined plan. Tw…
Live in Paris 28.05.1975
The subject of many poor quality bootlegs, this concert - one of only a handful undertaken by Fripp & Eno - is routinely described as legendary. Hearing the tapes in fully restored audio quality, it's easy to understand why it attracts such reverence now and perhaps, why the shows attracted such hostility then. No Roxy Music hits, No King Crimson riffs, just a duo sitting in near darkness with a reel to reel tape recorder, improvising over the pre-recorded loops with a filmed background projecti…
Murder By Guitar
*Reissue on Superior Viaduct* "San Francisco's first and only rock n' roll band, Crime loomed over the entire Mabuhay Gardens scene with their blistering 1976 single "Hot Wire My Heart." Crime's loose, damaged rock n' roll was as immediate as it was controversial. They were Punk by any definition, yet shunned the label with a guttersnipe sneer. Their meticulously cultivated aesthetic of S&M graphics and police uniforms produced some of the era's most indelible imagery. One of their finest…
Tokyo 1972
Tip! *2022 stock* Some of the best recordings from Sydney's vibrant exploratory/spontaneous music scene ever released. Teletopa was “one of the earliest recorded examples of improvisation in Australia“. The trio was formed in Sidney in 1970 by Peter Evans, David Ahern and Roger Frampton, with various guests for each performance. Using conventional instruments like flute, saxophone, piano and percussion, Teletopa explored extended technique, unusual ways of playing, dissonances and silences, in …
Hootonics
MILESTONE! After being mooted for several years, the soundtrack to Arthur and Corinne Cantrill's 1970 feature-length film Harry Hooton is finally available. Features the groundbreaking music/sound created using a variety of musique concrete/tape techniques, collage, and treated recordings of early CSIRO mainframe computers. Hooton was a poet, futurist and thinker associated with the Sydney Push, and a formative influence on the Cantrill's artistic view, as detailed in Arthur's liner notes. T…
Angels And Demons At Play
Sun Ra's Angels & Demons at Play is a diptych created by merging two recording sessions. The first is a laid-back introspective affair ("angels?") recorded in 1960. Even frolicsome, these bouncy melodies follow the percolating rhythms with a gently leading reed, as Marshall Allen exemplifies on flute in "Tiny Pyramids." Also dating from before the truly experimental Sun Ra period, the last three tracks were recorded at RCA Studios in Chicago in 1956. Still very accessible, here several horns, am…
Zeus joueur de flutes
Alvise Vidolin (live electronics), Roberto Fabbriciani (flute)
Blat Brut
Amazing previously unreleased 1976 recordings by psychedelic progsters Blat Brut. Highly touched by the works of Jimi Hendrix, Traffic, John Mayall, Pink Floyd or Jethro Tull, the band melted all their influences into a unique sound and delivered extended heady instrumental jams with a tight, ferocious drum & bass backline under guitar pyrotechnics and psyched-out flute arrangements. This band was not only formed by its four musicians, their line-up also included two sound engineers who built th…