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Much more than a simple record label, the TRAX experience coordinated from 1981 to 1987 by Vittore Baroni and Piermario Ciani represented a very original contribution to the "networking culture" that, making its first steps with Fluxus, Mail Art and other avantgarde circuits of the Sixties and Seventies, largely anticipated the advent of Internet and its interactive modalities. Twenty years after the end of a project that involved over 500 international artists and musicians in the creation of p…
The debt that modern guitarist composers owe to the late Robbie Basho can hardly be overstated. Though Fahey invented the genre and Kottke proved its marketability, it was Basho's technique, vision, and self-image that resonated most strongly with Will Ackerman and the so-called New Age guitar movement he founded. It's a crime Basho's music hasn't been available on record for many years. Now older guitar fans can welcome back an old friend and newer ones can learn where it all came from on this …
Aidan Baker's I Wish Too, To Be Absorbed is a 2-disc compilation of tracks from various out-of-print, limited edition releases spanning the last 10 years of Baker's output, ranging from his very first release to material that was featured on the soundtrack to a book of his poetry. Toronto based composer Aidan Baker works under his own name, under the name Nadja along with bassist Leah Buckareff and also with the trio ARC. Hailing from the Great White North, Baker incorporates guitar, drums, bass…
...Female Blues Singers - Rarities 1923-1930. The Sub Rosa label presents a collection of works from obscure and forgotten female blues singers, exploring the question: what can be said about a singer whose entire work fits on a single-sided 78rpm record? What circumstances led to this recording? Who decided to do it? For whom was it intended? Why wasn't it followed by more recordings? Hypotheses get lost in places and moments themselves forgotten. What remains are these miraculous voices that h…
84 page Hardcover book with embossed cloth cover & spine, also includes 12 page cd-booklet. Recorded & mixed between 1988 and 1995. Sound sources are stones collected all over the world. Beautiful artist book by Giancarlo Toniutti in collaboration with Siegmar Fricke, that comes with a nice CD (with an extra booklet) "speaking of "KO/USK," there has been a double trajectory in composing/recording it. On one side, following a decision implying the use of such sound sources (stones), a decision li…
NEU! was/is/will be a big deal in the history of 20th century music. They laid the foundation for scores of musicians who followed them. But why were Neu! so great? Part of their appeal lies in the fact that their music was so simple, so natural and so easy to listen to and absorb. Each of their pieces draws you in with its own unique mood. The music is emotive in so many different ways: the icy melancholy of Weissensee and Leb'wohl, the tranquil yet sinister brooding of Im Glück, the rage and s…
Recently voted one of the Top 100 British Albums of all time by the OMM, this CD re-release of Vashti Bunyan's 'Just Another Diamond Day' features the likes of Robert Kirby (of Nick Drake fame), Robin Williamson (Incredible String Band) and the Fairport Convention's Simon Nicol and Dave Swarbrick, it is also regularly cited as inspiration by Devendra Banhart, Joanna Newsom and Scout Nibblet... Possibly sounding a bit naïve in retrospect, much of 'Just Another Diamond Day' seems to exist somewher…
The definitive recording of Conlon Nancarrow’s Studies for Player Piano, originally released on LP by 1750 Arch Records, newly remastered in spectacular sound, representing the most faithful reproduction of what Nancarrow heard in his own studio. This is the only available recording utilizing Nancarrow’s original instruments: two 1927 Ampico player pianos, one with metal-covered felt hammers and the other with leather strips on the hammers. The 4-CD set includes a 52-page booklet with the origin…
Historic release. Originally released as an LP in 1966 by Mass Art, this is Allen Kaprow, father of The Happening explaining how to do it, and what is - and is not - a Happening. Simple in construction, yet profound in context, How to Make a Happening is Allan Kaprow delivering 11 rules on how, and how not, to make a Happening, an movement begun by Kaprow in the late fifties that is known for its unpredictability, open scores, and constantly-evolving form. On the first track, Kaprow speaks plain…
The second and the last album by Annexus Quam originally released in 1972 on the Ohr label. Sound engineer: Dieter Dierks. Reissue with elaborate miniature paper sleeve of the original LP (full color print, coated sleeve). 2008 digital remaster version, limited to 1,000 copies!After the release of their debut album Osmose and much playing in jazz festivals, Annexus Quam fronted some personnel changes and settled down to a quintet. The band was now Hans Kämper (trombone, Spanish guitar, flute), H…
EXCLUSIVE ADVANCE RELEASE! A could-have-been classic from John Terrill, cofounder of Bloomington's the Dancing Cigarettes. Unlike the wiry art-punk of his late-'70s band, "Frowny Frown" is a far more intimate set of homespun pop-psychedelia, recorded between 1989-99 and only hand-pressed for close friends. A halcyonic journey with rich layers of vocal harmonies (perhaps a sly nod to "Smiley Smile") that fans from Bobb Trimble to Galaxie 500 will find much to love. Includes a bonus track from '84…
Another great installment in Sonic Youth's SYR series, this one features two engrossing, lengthy pieces : 'J'Accuse Ted Hughes' and 'Agnes B Musique'. The former was recorded at All Tomorrow's Parties 2001, when the band were premiering material from their NYC Ghosts & Flowers album, and takes the form of a ragged twenty-two minute noise jam featuring free association lyrics by Kim Gordon ("I sent my poem to Good Housekeeping. They paid me ten dollars" she imparts). Meanwhile, the more composed,…
It must have been quite some years since I last heard music by Simon Wickham-Smith, but there was a time when I played it a lot, especially the various albums he recorded with Richard Youngs. But I guess that's how things go. Interest shifts I assume. To be honest, again, I have no idea when I left off, or why. But its good, as well as strange perhaps to see him back on Pogus Productions. On the cover I read that 'not satisfied with making music, he has also been a Buddhist monk in the Tibetan t…
Stellar duo head on collision bet ween Kaoru Abe and free hitter/ skin mangler Toyozumi. The interaction between the t wo of them creates fire works of improvisational exquisiteness, free rambling seat sniffing combustion that on some occasions instigated Abe to divert his attention from his beloved sax to wards marimba and piano hammerings joined with harmonica blo w-outs. Ferocious, ghastly and kerosene charged head slamming action bet ween t wo of Japan's first wave free jazz terrorists.. Tak…
Mort à Credit shows Kaoru Abe in a fascinating period of transition, moving forth to something complexly and identifiably new, yet intransigently rooted in what had come before. It consists of two alto improvs from a show on October 18, 1975, and five more (three on alto, two on sopranino) from another performance a couple of days earlier. Released by Kojima on 2LP in 1976, it can be said to mark a significant change in Abe's style. Abe is here a little soften from his usual urgency - this can p…
Alga Marghen presents Modern Shit, a very singular chapter in the Amos/It's War Boys / Milk From Cheltenham / Homosexuals history. Directly taken from the original It's War Boys catalog, here is one of the most obscure sonic works of the early 1980s, Modern Shit! First "issued" on tape, this work circulated only privately among the close friends of the label and was never officially distributed. Actually, it represents one of the most intense and experimental outputs of this creative London…
Amazing music by one of the French piano legend Georges Arvanitas, in the company of George's fantastic rhythm duo of Charles Saudrais on drums and Jacky Samson on bass
Electro-Acoustic Solo Works (1984-95) collected assorted compositions of musique concrete and interactive computer music (Chatterlings of april 1995 for sampler and drums, and an excerpt from Aivilik Rays of may 1990, originally more than one hour long).
Previously unreleased recordings from 1971. Admira is sourced from original master recordings discovered by Kluster member and Tangerine Dream engineer Klaus Freudigmann. Along with Vulcano, also being released at the same time on Important, Admira is presented here for the first time in this deluxe package. These intense sessions were made with Schnitzler at the helm, as always, after the departure of Mobius and Roedelius from the group. Conrad Schnitzler founded Kluster in 1969 along with Roed…