We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Pioneering, magisterial compilation, which turned many of us here onto Mustafa Ozkent, Fikret Kizilok, Erkin Koray, Temiz and co, a decade ago. Still dazzling, fresh, essential.
When a limited edition 45 single landed on the desk of Jazz Room Head Honcho Paul Murphy he contacted the guys straight away. "Do you want a 45 piece of wax released on Jazz Room Records?" Bells were ringing! The A Side is a Latin Afrosound version of the Sun Ra Classic "Watusa". Featuring members of the Los Angleles based Afro Latin Beat Collective "Jungle Fire". You might have noticed this getting quite a few spins on the Gilles Peterson show on BBC 6 Music. The B Side is a funky version of th…
With Réminiscences (2017–2019), Jean-Claude Éloy embarks on an ambitious journey through memory, transformation, and pure listening. This vast electroacoustic cycle—comprising Incantation, Confrontation, Contemplation, and Oppression-Libération—draws deeply from the sound world of his seminal work Yo-In. Éloy recycles and reworks electroacoustic materials originally created at the Institute of Sonology (Utrecht, 1979/1980) and incorporates an extraordinary archive of percussion samples recorded …
A landmark archival release documenting Jean-Claude Éloy’s radical 20th-century innovations. This collection brings together three seminal works showcasing the French composer’s dual mastery of concert hall abstraction, cinematic narrative and GRM-era experimentation.
A long-awaited reissue of one of the most compelling scores in 1970s French cinema. Originally released in 1973, L'héritier reveals Michel Colombier at his most cinematic and experimental—blending downtempo funk, psych-prog atmospheres, and early electronic abstraction into a rich, dramatic soundworld. Now officially reissued for the first time by Transversales Disques, this deluxe 2025 edition restores the original recordings and expands the experience with five previously unreleased tracks fro…
Two masters of free improvisation—Evan Parker and Jean-Marc Foussat—meet live in Insolence. Soprano sax and electronics intertwine in deep, lyrical tension. A vital transgenerational document.
A delirious plunge into absurdist tape collages and haunted electronics, this long-buried artifact resurfaces with eerie timeliness—a disorienting mix of degraded loops, dark humor, and fractured noise. A grotesque masterpiece of West Coast sonic dadaism.
Unearthed mid-’90s tape/noise experimentations by Stuart Dennison (Ramleh, Skullflower). Recorded in solitude with loops, delay, and whispers, Autonomous Rex is a raw dispatch from the uncompromising fringes of UK underground sound.
A captivating compilation of eight tracks by Drissi El-Abbassi, Rai Sidi Bel Abbes – Volume 2 explores the fusion of traditional Raï music with modern electronic elements, highlighting El-Abbassi's soft vocal style and innovative approach to the genre's evolution
Zulu Guitar's Pioneering Tricksters, but for this compilation of rescued songs masterfully restored from rare 78 rpm shellacs, few could imagine the diversely beautiful roots of Zulu Guitar Music emerging during the period 1950 – 1965. Story-tellers and master musicians appropriate outlaw personae, re-purpose country and western, Hawaiian and other styles, to stretch and challenge our notion of “the Zulu guitar”. Twenty-five songs (18 on vinyl) plunge us into the depths of the migrant experience…
On October 2 1958, after over 60 years of colonial rule, Guineans voted overwhelmingly for their independence, and Guinea was declared a Republic with Sékou Touré as President. Guinea was the first of West Africa’s Francophone colonies to gain independence. To free Guinea from its colonial legacy, president Touré sought to restore dignity to his nation and give cause for Guineans to take pride in their culture, history and newfound freedom. To achieve this, he instructed his government to implem…
A deluxe 4-CD box set bringing together the seminal Columbia recordings of Terry Riley. A landmark reissue from one of the most pivotal figures in 20th-century music. The Columbia Recordings brings together the four seminal albums that Terry Riley created for Columbia Masterworks between 1968 and 1980—a body of work that redefined the possibilities of minimalism, electronic music, and compositional freedom. The deluxe 4CD box set includes In C (1968), A Rainbow in Curved Air (1969), Church of An…
Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents the definitive, remastered reissue of Ennio Morricone’s complete score for Elio Petri’s 1973 film La proprietà non è più un furto (“Property Is No Longer a Theft”). This darkly satirical drama—starring Ugo Tognazzi, Flavio Bucci, and Daria Nicolodi—marks the final chapter in Petri’s celebrated “trilogy of neurosis,” following Indagine su un cittadino al di sopra di ogni sospetto and La classe operaia va in…
Quartet Records, in collaboration with GDM and EMI General Music Publishing, presents a fully remastered edition of Berto Pisano’s iconic and long out-of-print score for the 1971 action-adventure film Kill!, directed by novelist Romain Gary and starring Stephen Boyd, Jean Seberg, James Mason, Curt Jürgens, and Aldo Sambrell. Kill! is a wild, pulp-infused thriller set against a backdrop of Interpol investigations and international intrigue, now regarded as a cult favorite for its over-the-top plo…
Quartet Records, in collaboration with GDM and EMI General Music Publishing, proudly presents the first complete, expanded, and remastered edition of Armando Trovajoli’s infectious score for Ettore Scola’s 1969 film noir Il Commissario Pepe, starring Ugo Tognazzi and Silvia Dionisio.
A highlight of the legendary partnership between Trovajoli and director Ettore Scola, this score captures the film’s bittersweet, urban atmosphere and moral ambiguity with a memorable blend of jazz, lounge, and pop.…
After the groundbreaking Comme à la Radio, energized by the free jazz tumult of the Art Ensemble of Chicago, Brigitte Fontaine and Areski Belkacem produced six albums together or separately between 1972 and 1977. While French pop of the time was marked by lush orchestrations, Fontaine and Belkacem’s songs were often recorded live, typically accompanied only by guitar and percussion, or performed a cappella. This minimalist approach focused attention on the subversive poetry of the lyrics and the…
By the end of the 1970s Linval Thompson had cut out a successful dual career for himself as both singer and producer. Naturally he moved in the dub field as well, getting further use out of rhythms he used in his other works. Dub had begun strictly as an album format with limited pressing runs for scene insiders, but it had swiftly gained the interest of the rank and file reggae buffs. 'Negrea Love Dub', originally released in 1978, is a cornerstone in the reggae dub scene.
Linval Thompson produ…
First released in 1969 on the Advanced Recordings label, this album represents Richard Maxfield’s music manifesto. A wild collage of highly manipulated sonic events from an extreme variety of analog sources.