We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
**Original 1977 copies * Beautiful artist book based on Melody III (1975) for tape and slide projections Rather than a musical score, the work in this book is a graphic realisation of the structure of a musical composition. The pattern which unfolds takes on elements of landscape and architecture in stark black and white.
This video and book are based on Dan Graham’s Rooftop Urban Park Project, which opened as an extended exhibition at Dia Center for the Arts in 1991. Re-released as a VHS and packaged with the original 1992 publication, this title includes an essay by the artist and a 20-minute video.
2024 restock. Filmmaker Chantal Akerman presents A Family in Brussels, a fictional stream-of-consciousness text encompassing multiple subjectivities and laced with autobiographical references. This is the first English-language publication of the work, which Chantal Akerman wrote and first performed as a monologue in Paris and Brussels. The accompanying CDs document the theatrical reading that took place at the Dia Center for the Arts, New York, in October 2001. In them, the listener can hear Ak…
"Thirty-eight works by twenty-five musicians come together in this anthology. Contributors to this collection come from the United States, Canada and Switzerland, and reflect the international aspect of the Deep Listening community. The range of work in this anthology demonstrates further diversity: scores using common practice Western musical notation, graphic symbols and images, interwoven with texts, textual instructions for performance, guided meditations, commentary on the creation and use …
The Deep Listening Anthologies are collections of work by musicians and artists from around the world who have embraced the ideas of Deep Listening in their own ways. Inspired by DL's tenets of listening, openness and play, these volumes contain a wonderful variety of interpretations and integrations of global ideas into individual practices. This volume is the second Deep Listening Anthology, containing mostly instructional scores by composers, along with scores in traditional notation, poetry,…
** Edition of 500. Reverse board print. Fold-out poster insert ** Muslimgauze's gem from the late 80s. Cinematic, minimal, noisy, hypnotic, and gloomy. Probably not so overtly Middle Eastern as his later works, though definitely bearing an influence. Backed by electric drones percussion forms a living, breathing atmosphere of impending menace. For a strange reason, this album was missed in VOD's Chasing The Shadow Of Bryn Jones 10xLP Box-set. Now you have a chance to complete your Muslimgauze di…
Two names to conjure with collided live in Tokyo on 14th March 2019, with sprawling psychedelic masters Acid Mothers Temple coming together once more, a full decade after the release of the live album Underdogg Express in 2009, with the founder of the legendary Krautrock band Guru Guru. ‘A fiery psychedelic collaboration recorded in the spirit of early Guru Guru’ ensued. Edited neatly into four tracks – two per side of vinyl – it’s being released on limited edition vinyl for the French ‘Disquair…
Acid Jazz Records continue their exclusive licensing agreement with Albarika Store, the legendary record label that defined the sound of Benin and influenced the entire region of West Africa and beyond. Albarika Store is home to many rare recordings, from more traditional folkloric and Sato styles, to the funk, blues and psych inspired workouts of the All Mighty Orchestre Poly Rythmo de Cotonou, as they referred to themselves. Many of the original records are sought after by DJs and collectors a…
Acid Jazz Records continue their exclusive licensing agreement with Albarika Store, the legendary record label that defined the sound of Benin and influenced the entire region of West Africa and beyond. Recorded and issued in 1974, Le Sato is one of the earliest releases on the Albarika label and it is also one of the deepest. Sato is the term for the traditional rhythms that soundtrack Vodun (Voodoo) rituals and ceremonies in Benin. Performance of Sato is reserved for these sacred rites, which …
** Issued in a 6-panel Digisleeve with a 16-pages booklet ** Mute and Spoon Records are delighted to announce the release of Can Live in Stuttgart 1975. Originally recorded on tape, these carefully restored live albums will comprise the entirety of each show in the format of a story with a beginning, middle and end, with Can's performances taking on a life of their own. Can Live in Stuttgart 1975 will be available on limited edition triple orange vinyl and will include a booklet with extensive …
There are constellations within the grooves of Cymbalom Solos. Innumerable points of light, rendered audible in glowing, radiant sound. There are entire worlds too - undiscovered, yet familiar -- both terrestrial and celestial. There are moments of quiet comfort and exultant discovery. And all of it conjured by one man with a handful of ancient and invented instruments, recorded mostly-live, with precious few overdubs. Michael Masley has been a fixture of Berkley, California, since he arrived fr…
Karlheinz Stockhausen – “Cosmic Pulses” is the last electronic composition by Karlheinz Stockhausen, and it is number 93 in his catalog of works. It is the 13th "hour" of Stockhausen's originally-planned 24-part cycle Klang ("Sound") which is based on the 24 hours of the day. This electronic work is composed of 24 layers of synthesizer-generated melodic material, with each layer having a different speed and pitch register. The layers enter one by one, starting from the lowest/slowest layer, a…
* 2021 Stock * Packaged in two double CD cases suited in a card slipcase along with a 46 pages booklet that includes texts in german and english. Karlheinz Stockhausen – “Elektronische Musik Von Sirius” Realisation at the Studio for Electronic Music of the West German Radio in Cologne from July 1975 to March 1977 using an EMS Synthi 100 synthesizer.. "In connection with the composition ‘Sternklang’ I closely watched the star constellations in Kürten. From my study as well as from the kitchen my …
*2022 Stock.* Karlheinz Stockhausen – “Musik für Posaune und Euphonium (Music for Trombone and Euphonium)” In Freundschaft (Für Posaune) for trombone – Signale Zur Invasion (1992) for trombone, electronic music and sound projectionist – Kinntanz (1983 / 89) for euphonium, percussionist, synthesizer player and sound projectionist "Stockhausen’s birthday gift composition for Suzanne Stephens - In Freundschaft - has been played by a number of soloists over the years, i.e., on different kinds of so…
*2022 Stock.* Karlheinz Stockhausen – “Synthi-Fou / Dienstags-Abschied ” "A double –CD like this one falls right into that crystal clarity, giving yet more insight into how his art is achieved, piece by piece, structurally – but as it is with human beings or a flower or an Earth sun rise, the result is much more and something else altogether than the sum of all the parts… and somewhere in that realm lies the real mystery; that elusive, vibrant core of beauty and truth which can’t be accounted fo…
*2022 Stock.* Karlheinz Stockhausen – “Oktophonie ” Realized at the Studio für Elektronische Musik, WDR, August 23 - November 30, 1990 & Aug. 5-30, 1991. " (...) Stockhausen also points out that the production and spatialization are described in the separate OCTOPHONY score. This score is indeed a very meticulous and detailed one, indispensable for aficionados who will want to enter the inner workings of the OCTOPHONY structure. It is an extreme score in this aspect, in the minute details of its…
Karlheinz Stockhausen – “Donnerstag aus Licht” (“Thursday from Light”); opera in three acts, a greeting and a farewell for 15 musical interpreters (4 solo voices, 8 instrumental soloists, 3 solo dancers), chorus, orchestra and magnetic tapes (1978 – 1980) " It arises in a silvery, calm motion of wind instruments – obviously preparing us for something of importance and vast durations. It is “Donnerstag-Gruss” (“Thursday Greeting”); the start of “Donnerstag aus Licht” (“Thursday from Light”); the …
*2022 Stock.* Karlheinz Stockhausen – “Sirius” eight-channel electronic music and trumpet, soprano, bass clarinet, and bass is a music-theatre composition by Karlheinz Stockhausen, composed between 1975 and 1977. "It begins with a slowly emerging hum - like a disturbance in the wiring of your sound equipment -; then evolves into a murmur of great timbral depths, finally releasing itself into a spinning, swooshing, disturbing sound of higher frequencies in the foreground, panning between the spea…
*2022 Stock.* Karlheinz Stockhausen – “Musik im Bauch (Music in the Belly) ” is a piece of scenic music for six percussionists and music boxes composed by Karlheinz Stockhausen in 1975. "The origin of “Musik im Bauch” and “Tierkreis”, as far as can be traced, goes back to 1967, when Stockhausen’s daughter Julika was around two years old. Stockhausen explains that all kinds of minute sounds were coming from the little girl’s insides, and Stockhausen joked with her and said: “Julika, you really ha…
*2022 Stock.* Karlheinz Stockhausen – “Mantra” was composed in 1970 and premiered in autumn of the same year at the Donaueschingen Festival. The work is scored for two ring-modulated pianos; each player is also equipped with a chromatic set of crotales (antique cymbals) and a wood block, and one player is equipped with a short-wave radio producing morse code or a magnetic tape recording of morse code. "The real basis for “Mantra” is a thirteen-note motif; formula, allotting each note specific ch…