We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Reissues

The Ultimate Prophecy
**140-Gram Vinyl. This edition is presented in a gatefold sleeve and includes a CD of the entire LP with an additional eight rare non-album bonus tracks including both sides of the elusive debut-single** J.D. Blackfoot's The Ultimate Prophecy, originally released on the Mercury label in 1970, is widely regarded as one of the top US psych albums of all time. The band, which was from Columbus, Ohio, began as a combination of two local groups, The EbbTide and Tree, the latter winning a recording co…
Which Way You Goin' Billy?
Which Way You Goin' Billy?, released in 1969, was the first album from Vancouver, British Columbia band The Poppy Family. The Poppy Family were the Canadian duo of Terry and Susan Jacks, who were husband and wife at the time. Terry Jacks, who four years later would release the ubiquitous "Seasons in the Sun," wrote the song whilst Susan sang lead. Terry was a big Buddy Holly fan, and started writing the song in his pre-Poppy days with the working title "Which Way You Goin' Buddy?" He had the mel…
Jazz Rock
They say you can't judge a book by its cover, and going by 'Jazz Rock’, nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'yō music performed on the koto and shakuhachi. Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost …
No Tracks in the Snow
**Grey Marble Vinyl, Edition of 100** "No Tracks in the Snow" is a collection of tracks from the early days of Drekka’s history; the third offering for Dais Records and an appendix between the second and third parts of the 'Tarwestraat' trilogy of LPs for the label. For over twenty years, Mkl Anderson has curated a vast archive of recorded material for his cinematic ritual ambient industrial project, Drekka. He works with memory not only as a subject but also as a healing process, continually de…
Unbeknownst the The Participants at Hand
"Unbeknownst to the Participants at Hand" is Drekka’s second offering in a trilogy of full-length releases on Dais Records. Continuing his work with memory not only as a subject but also as a process, Michael Anderson has culled many of the sounds on this record from the past. But this is not a record of rehashed material or remixes. Rather, Drekka's music is made through continually delving into an archive, digging up and repurposing old recordings, live performances, and forgotten snippets of …
Phantoms of Place
**Edition of 200 copies, black and silver screen-printed sleeve, housed in a heavy duty library style plastic sleeve with re-sealable strap flap** Timber Rattle's most cohesive and essential release, 'Phantoms of Place' is an exploration of physical space, place and tradition, and an interpretation of life and death in the arcane wild. Timber rattle is a kind of "pyche-pastoral" hymnal which seems to be as informed by noise shows in west coast basements or the revolutionary spirit of poet Jean G…
Golden Braid
**Edition of 300** Ambient tone loop collage by Mike Adams (Crossroads of America, Burnt Toast Vinyl, Sounds Familyre, Joyful Noise)... special one-time LP that can be played forwards and backwards. Original source tapes provided by MklAnderson (Drekka, Dais Records), Jared Cheek (Flannelgraph), Tyler Damon (Thee Open Sex, Tashi Dorji, Darin Gray), JohnDawson (Thee Open Sex, Magnetic South), Greg Dixon (Quixod), Phil Elverum (Mount Eerie, Microphones, K Records), & Rachel Yoder (Madera Wind Quin…
Verjaardag
**Art Vinyl edition limited to 250 copies** Appearing prominently on many of Drekka's releases, including both recent Drekka Lps for Dais Records, Belgian singer, Annelies Monseré has long been a collaborator, muse, and source material for Drekka’s sonic explorations and dream-cinema soundscapes. Primarily the work of Mkl Anderson, Drekka's sound owes debts to the poetic soundscapes of Cindytalk or Coil, to the Artemiev soundtracks for the films of Tarkovsky, and to the gravity of early industri…
Einstein on the Beach
**180 gram audiophile vinyl. Deluxe Lift-off Box Set and it includes a 24-page booklet.** Composer Philip Glass and director Robert Wilson's Einstein on the Beach, widely credited as one of the greatest artistic achievements of the 20th century, launched its creators to international success when it was first produced in Avignon, France, in 1976, with subsequent performances in Europe and in New York at the Metropolitan Opera. It is still recognized as one of their greatest masterpieces. Einstei…
Maledetti (Maudits) - Color LP
**2020 Remastered Reissue. Red Vinyl** 1976 was a year of flux and change. For the recording of the fifth Area album, the core membership of Stratos, Fariselli, Tofani and Tavolazzi were present, but drummer Capiozzo only appears on about half of the album, replaced on various tracks by either Walter Calloni or Paul Lytton. Steve Lacy augments the band, as do several other studio musicians (including a string quartet). Perhaps it was the contributions of this eclectic group of guests that gives …
Biglietto Per L'Inferno
**2020 stock** Born in 1972 in Lecco, in northern Italy, from the ashes of Gee and Mako Sharks, Un Biglietto per l'Inferno are still regarded as one of the most influential Italian prog bands, despite a single LP release, their magnificent eponymous album from 1974.  The band had an intense live activity, that took to a very powerful sound driven by the twin keyboards of Baffo Banfi (of  Klaus Schulze fame) and Cossa and the lead guitar of Mainetti, with flute intermissions by singer Claudio Can…
Hero
This is an excellent progressive recording by the Italian Hero trio, originally released in 1974 for an obscure German label. A very pleasant music style overall, at times close to harder New Trolls, but mainly influenced by the hard-prog style of the British bands of the 70s released on the historic Vertigo label.  One of the very first releases on AMS, this album is now printed on LP for its first legit reissue on this format!
Arrow Head
Osage Tribe were an Italian Prog band who released just one album in 1972, "Arrow Head", before splitting up and disappear - even if all bandmembers went on playing in other groups as Duello Madre, Capsicum Red, The Trip and Il Volo. The band was founded by Franco Battiato, who left right after the release of the single "Un falco nel cielo" to pursue a solo career that's still active nowadays. The other musicians then significantly changed their musical style, moving towards a hard rock-based pr…
Io Sono Murple
**2020 stock**Another band that deserved much more consideration than they got, Murple released a lonely beautiful album in 1974 on the German Basf label, one of very few Italian releases on this label, that didn't cared to promote the group at all and issued the record long after its recording. It's a shame, because Io sono Murple is a very regarding album, well presented in a fantasy cover and with lyric insert, and very well played by this experienced four-piece from Rome.  The album contains…
Jazz Piano
Roman pianist and film composer Armando Trovajoli scored over 300 feature films during his remarkable career. Starting out in the 1930s as a player in Orchestra Rocco Grasso and Sesto Carlini’s beloved jazz orchestra, in 1949 he represented Italy at the Festival du Jazz de Paris and he began composing films three years later. Jazz Piano, released by RCA in 1959, saw Trovajoli fronting a quartet with three of his regular orchestra members, namely drummer Sergio Conti, bassist/arranger Berto Pisan…
1972-1974
**Limited edition albums cut from the same hi-res masters used for the 40th anniversary CD/DVD-A series, pressed on 200g super-heavyweight vinyl, and presented in their original sleeves.** King Crimson 1972-1974 is a limited edition boxed set presenting the band’s celebrated trio of studio albums from that period - Larks’ Tongues In Aspic, Starless And Bible Black, Red - in their 40th anniversary edition mixes (by Steven Wilson and Robert Fripp between 2009-2012). A fourth album containing a com…
1969-1972
**Limited edition albums cut from the same hi-res masters used for the 40th anniversary CD/DVD-A series, pressed on 200g super-heavyweight vinyl, and presented in their original sleeves.** King Crimson 1969-1972 is a limited edition boxed set presenting the band’s celebrated quartet of studio albums from that period - In The Court Of The Crimson King, In The Wake Of Poseidon, Lizard, Islands - in their 40th anniversary edition mixes (created by Steven Wilson and Robert Fripp between 2009-2010).A…
Marching Songs Vol. 2
It's hardly surprising that Mike Westbrook reigned supreme in the latter quarter of the 1960s and early 70s. His big band was voted top of that category in the late-lamented Melody Maker British jazz polls for 1970 (and the two years either side of that). In the same year, his third album, Marching Song, recorded a year earlier came third in the category "LP Of The Year" (the number one album that year was John McLaughlin's seminal Extrapolation so there was exceptionally strong competition). Th…
Marching Songs Vol. 1
It's hardly surprising that Mike Westbrook reigned supreme in the latter quarter of the 1960s and early 70s. His big band was voted top of that category in the late-lamented Melody Maker British jazz polls for 1970 (and the two years either side of that). In the same year, his third album, Marching Song, recorded a year earlier came third in the category "LP Of The Year" (the number one album that year was John McLaughlin's seminal Extrapolation so there was exceptionally strong competition). Th…
An Elizabethan Songbook
In compiling a modern album of Elizabethan music, London Jazz Four were faced with both technical and interpretive problems. Musically they had to decide how far we could alter the original notation in order to allow ourselves a more modern basis for improvisation, and at the same time preserve the original character of the music. To achieve this, they concentrated on melodies that were strong enough to withstand at times rather violent re-harmonisation, without losing their Elizabethan flavour.…