Reissues
A L'Entrée Du Temps Clair
Veronique Chalot’s A L'entrèe du Temps Clair, released in 1982, is a luminous exploration of early French folk traditions. Backed by Italian musicians and employing instruments such as hurdy-gurdy, bouzouki, and bagpipes, Chalot’s distinctive voice and delicate arrangements breathe new life into ancient ballads, fusing medieval atmospheres with timeless musical sensitivity.
Friends
H&F Recordings’ album Friends, sometimes known as Fragile, is a rediscovered gem of early 1970s British psych-folk. Crafted by Peter Howell and John Ferdinando, this collaborative project—originally issued as a private press—displays gentle harmonies, intricate acoustic textures, and a disarmingly intimate approach, now remastered for fresh ears after decades of semi-mythical obscurity.
Profondo Rosso 50th Anniversary Box Set
This Box Set brings together Goblin’s legendary horror soundtrack, a new six-track LP from Calibro 35, the LP-sized English book "Nel Rosso più Profondo" by Fabio Capuzzo, and a striking lenticular image, all housed in a deluxe slipcase. The set melds remastered classic material, insightful essays, and collectible visuals, offering a rich tribute to fifty years of cinematic innovation and musical legacy.
Elph vs Coil: Worship The Glitch
2025 stock Coil’s cultishly acclaimed Worship The Glitch features the group in dialogue with the ghost in the machine, an element they named ELpH and considered as much a part of the group as any physical member. Aye, you’d probably be right in assuming they were taking a lot of drugs during the creation of Worship The Glitch, and consequently the results stand out among their trippiest releases, comparable with the rugged space of early Pan Sonic and slightly later Mika Vainio releases as much …
Carcinosi
"Originally issued as a private LP in an edition of 400 copies in 1983. MB de-composition for bionic organisms and concrete sounds. A sound that refuses both the cold logic of the fetish electronic computer-man-of-the-year and the sterile exasperation of the negative. A sound that dilutes and coagulates, eluding the listeners with minimal variations that make the cyclic style of Phillip Glass resemble a carousel of colors. This CD also features two untitled tracks first issued on compilation cas…
The Tape Masters Vol. 2 - Soul Power West Germany
The Tape Masters Vol. 2 – Soul Power West Germany by Peter Thomas Sound Orchester is a rare deep dive into the group’s soulful and funky cuts from the late ‘60s and early ‘70s. This compilation unearths cinematic grooves, Afro-American influences, and unreleased tracks recorded for Munich’s GI club scene, combining infectious rhythm sections, vocals, and rich sonic detail from master tapes.
Shipwreck Radio Volume 1 Part One
First vinyl edition of Stapleton's aquatic transmissions. Hypnotic environmental sound dredged from oceanic depths: warped radio signals, spectral electronics, mechanical groans
Scott Seskind
Ebalunga!!! is thrilled to announce the first official reissue of the self-released, self-produced, and self-titled 1985 LP Scott Seskind. The album is a lo-fi singer-songwriter jewel. Don't miss it.
Electric Taal Band
Electric Taal Band, the eponymous debut from Electric Taal Band, is a vibrant Toronto project that forges unexpected connections between Punjabi percussion, cosmic jazz, and modern electronics. Channeling inspirations from Little India crate-digging to club experiments, the record traverses rhythms and textures with a fearless, exploratory spirit.
A Gradual Awakening
A Gradual Awakening by Danna and Clement is a landmark Canadian ambient album created in and with the wilds of Ontario during the early 1980s. Built with analog synthesizers and field recordings, the duo’s introspective soundscapes reflect deep environmental and personal connection, evoking both spirit and subtle change across gently unfolding musical landscapes.
Beach of the Pliocene
Beach of the Pliocene, a sought-after release by Ken-ichiro Isoda, epitomizes Japanese ambient’s capacity to conjure landscape and memory. The album blends flute, guitar and environmental sounds in a meditative journey that merges gently melodic lines with the resonance of the ocean, functioning equally as a balm for modern anxieties and a portal for contemplative listening.
The Tinnitus Chorus
The Tinnitus Chorus, a new album from Michael Scott Dawson, is a collaborative ambient project reflecting on his personal experience with tinnitus. Joining forces with an eclectic cast from the worlds of experimental folk, jazz, and electronics, Dawson weaves tape loops, gentle melodies, and field recordings into a quietly unified journey through sound and vulnerability.
Ajomasé
Ajomasé marks the influential debut of Gasper Lawal, legendary Nigerian percussionist, now presented in a vibrant reissue by Strut Records. Originally released in 1980, the album bridges Yoruba traditions and Western funk, propelled by layered drumming and energetic ensemble playing. Each track is infused with rhythmic invention and charismatic flair.
Allen's Soul Bag
Allen’s Soul Bag is a standout reissue from Allen Kwela Octet, capturing the spirit and sophistication of South African jazz in the early 1970s. The album, newly remastered from vinyl and pressed in a limited run, offers emotive ensemble playing and rich melodic invention, showcasing Kwela’s expressive guitar against vibrant horns, piano, and rhythm section.
Pita Parka, Pt. II: Nim Egduf
Pita Parka, Pt. II: Nim Egduf, the latest release from Dun-Dun Band, is a hypnotic excursion through polyrhythmic landscapes and global traditions. Guitarist Craig Dunsmuir leads a ten-piece ensemble in Toronto, weaving intricate ostinato riffs with jazz, Afrobeat, and ambient influences, resulting in a set of four expansive compositions that enchant and provoke.
Everything Is Possible
Everything Is Possible, the third album from Peace Flag Ensemble, pushes the boundaries of jazz improvisation and ambient experimentation. Led by Jon Neher’s lyrical piano and complemented by subtle electronic flourishes from Michael Scott Dawson, the group’s ensemble dialogue traverses gentle melodic passages and unexpected textural turns, resulting in a collection that is both introspective and quietly assertive.
Orbital
Orbital is the debut album from Orbital Ensemble, a Toronto-based jazz fusion group melding psychedelic grooves, Brazilian MPB influences, and intricate improvisation. The resulting LP weaves together melodic openness, vintage moods, and crisp ensemble playing, offering an immersive sonic experience that feels both exploratory and deeply rooted.
Broken Shoes
Broken Shoes, the reissued LP from Soweto, thrives on the vibrant interplay of jazz and funk, capturing an era where rhythmic conversation takes precedence over polished surfaces. With each groove, the band conjures a sense of lived experience, reframing classic township forms in a manner both contemporary and respectful of the genre’s roots.
Mother Africa
Mother Africa by Byard Lancaster radiates with spiritual energy and improvisational daring, weaving together free jazz, blues, and soulful overtones. The album’s exploratory language and deep sense of groove reflect Lancaster’s boundary-pushing ethos, resulting in a vivid listening experience that braids together African themes, fluid ensemble interplay, and Lancaster’s distinctive melodic sensibility.
Us
Us by Byard Lancaster is a vibrant suite of improvisations driven by searching melodic motifs and propulsive rhythms. In a compact yet dynamic trio format, Lancaster’s alto saxophone and flute navigate territory mapped equally by jazz tradition and the pursuit of abstraction, making the album a crucial benchmark for fans of adventurous 1970s jazz.