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** Special Time-Limited Offer ** The intrepid free jazz pianist Cecil Taylor produced some of his best work for Blue Note Records, including his explosive 1966 label debut Unit Structures featuring Eddie Gale on trumpet, Jimmy Lyons on alto saxophone, Ken McIntyre on alto saxophone, oboe, and bass clarinet, Henry Grimes and Alan Silva on bass, and Andrew Cyrille on drums. Over the course of four extended original pieces by Taylor—“Steps,” “Enter, Evening,” “Unit Structure/As Of A Now/Section,” a…
** Special Time-Limited Offer ** Herbie Nichols was one of the most original pianists and composers in Jazz history. Blue Note founder Alfred Lion considered him to be as unique and important a voice as Thelonious Monk, another singular talent who Lion was the first to record a few years before he signed Nichols in 1955. Little-known during his lifetime, recognition has begun to grow in recent decades for Nichols’ incredibly hip, angular compositions, each of which were miniature marvels built w…
** Special Time-Limited Offer ** On April 29 and May 7, 1968, iconoclastic saxophonist Ornette Coleman brought a dynamic quartet with tenor saxophonist Dewey Redman, bassist Jimmy Garrison, and drummer Elvin Jones into the studio to record what would yield his final two albums for Blue Note: New York Is Now! and Love Call. The alchemy of this group, which combined Coleman’s first-time two-saxophone pairing with a rhythm team deeply associated with John Coltrane, produced thrilling results.UHQ-CD…
Limited to 200 hand-numbered copies. Packaged in a squashed can with 2 sets of nuts and bolts holding the package together. Inside the package is a paper strip insert. The essence of Aube's artistic philosophy has never been more distilled, more physically incarnate, than in Squash, the 1995 cassette that transmutes the humble sound of compressed metal into a meditation on materiality, reduction, and sonic design.
Originally released in a limited run of 100 copies on Chocolate Monk UK via Aube'…
On The Shout, Rupert Hine turns a psychological horror into a study of sound itself, fusing electroacoustic experiment, synth eeriness and musique concrète into a score that feels as invasive as the film’s infamous, landscape-shattering scream.
Last Wish is one of those records where Himukalt turns autobiography into something sharper, stranger and more confrontational than confession. Framed as fiction but sparked by the collapse of a sexless relationship, the album channels not heartbreak but a more corrosive residue: contempt, pity, unresolved rage. The narrator admits that by the end “I didn’t love her; I just felt pity for her,” yet the anger remained, and Last Wish becomes the space where that anger is stretched, tested, and held…
* Limited edition cassette - 50 copies with banner * The legendary soundtrack to Kenneth Anger's occult masterpiece, now available in a limited cassette edition on Kieh Kieh. Composed and performed by Bobby Beausoleil with his prison band The Freedom Orchestra, Lucifer Rising was recorded between 1975 and 1979 at Tracy Prison (Deuel Vocational Institution) in California. Working under extraordinary circumstances, Beausoleil crafted a 45-minute psychedelic symphony using instruments built in the …
Re-issue of Danish cult classic from 2006 with new artwork by Martha Hviid and AK. 12" vinyl feat. oliver hoiness - andreas führer - anders lauge meldgaard yoyooyoy / lolita industri 2008 og 2006
lo-fi wizard oliver hoiness. the ever-cheerful kalle del what the hey. the evergreen supermelle aka. fresh fruit
Originally released on CD in 2002, this LP features archival recordings dating back to 1959 alongside recordings made by Hal Willner in January 2001 (Jan 7th - 10th). For the fi rst time ever on vinyl, `Die On Me' has been re-mastered & newly edited by Kramer. Within this historic collection are the last voice recordings of the legendary Beat poet Gregory Corso. Intimate and raw, he muses on his life in conversation with friends Allen Ginsberg, Marianne Faithfull, and the legendary Chicago write…
Some 42 years after its initial release, Circle X’s Prehistory returns to the vinyl format. New listeners to this music will discover, in addition to the roiling compulsion in its odd, dance-damaged clockwork and instinctive joining of feral and aestheticized values, a refined understanding of the width andbreadth of “post-punk” music, both in and out of its time. In and out of time, Circle X operated between 1978 and 1995, formed in Louisville, KY, but existing largely as a New York-based colle…
The long-overdue revival of Bim Sherman’s catalog begins here. These essential recordings will become widely available again for the first time in decades, opening a new chapter in the appreciation of one of Jamaica’s most distinctive voices and representing a major moment for reggae and dub aficionados around the world. This reissue series will not only preserve his legacy but will also offer listeners the chance to experience the depth and timeless resonance of Sherman’s work in its full glory…
Philip Glass’s seminal 1982 album Glassworks remains one of the most influential and accessible works in contemporary classical and minimalist music, bridging the worlds of concert hall and popular listening with timeless elegance.
Originally conceived as a “Walkman‑suitable” work, Glassworks was designed for intimate, personal listening on cassette, with a special headphone‑oriented mix that brought listeners deep inside Glass’s intricate, pulsing sound world. The album’s six short, vividly con…
** Special Time-Limited Offer ** Unity is one of the great organ records precisely because it refuses to behave like one. Larry Youngbrings the Hammond into a post‑bop, modal context alongside Woody Shaw on trumpet, Joe Henderson on tenor saxophone, and Elvin Jones on drums. The tunes – including originals by Young and his bandmates – are harmonically rich and structurally intriguing, offering the soloists wide latitude. Young’s playing is astonishing: he voices chords in unexpected clusters, sp…
** Special Time-Limited Offer ** On Life Time, Tony Williams upends expectations of a drummer’s debut, convening shifting ensembles that include Sam Rivers, Bobby Hutcherson, Herbie Hancock, Ron Carter, and Gary Peacock. Rather than a showcase of drum solos, the album is a series of explorations in texture, space, and form. Williams’ playing ranges from explosive to whisper‑soft, but always with an acute sense of placement: each cymbal stroke, roll, or accent is structural, not ornamental. The o…
** Special Time-Limited Offer ** Further Explorations pairs Horace Silver’s piano with Art Farmer on trumpet and Clifford Jordan on tenor sax, plus Teddy Kotick on bass and Louis Hayes on drums. Silver’s blend of blues, gospel, and hard‑bop sophistication is very much in evidence, but the writing nudges things into slightly more intricate territory. Catchy themes, smart modulations, and rhythmic hooks abound, yet everything feels natural and unforced. Farmer and Jordan bring contrasting horn col…
** Special Time-Limited Offer ** On The All Seeing Eye, Wayne Shorter expands his canvas to a large ensemble that includes Freddie Hubbard, James Spaulding, Grachan Moncur III, Herbie Hancock, Ron Carter, Joe Chambers, Alan Shorter, and Gene Bertoncini. Conceived as a musical cosmology, the album uses layered brass and reeds, intricate voicings, and shifting rhythmic underpinnings to explore themes of creation, judgement, and human frailty. Shorter’s own solos rise out of dense textures rather t…
** Special Time-Limited Offer ** Juju finds Wayne Shorter working with McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – essentially the John Coltrane Quartet’s engine repurposed. The tunes, many with subtly African‑inflected rhythmic ideas, open broad spaces for exploration while maintaining clear thematic profiles. Shorter’s improvisations wind through these spaces with a storyteller’s sense of pacing, lingering on simple motifs before leaping into unexpected intervals. …
** Special Time-Limited Offer ** On Speak No Evil, Wayne Shorter fronts a quintet of Freddie Hubbard on trumpet, Herbie Hancockon piano, Ron Carter on bass, and Elvin Jones on drums. Shorter’s compositions are haunted and luminous: melodies that are instantly memorable yet subtly elusive, harmonies rich with unresolved tension, forms deceptively straightforward. His tenor lines slide between inside and outside, often stating a theme in stark tones before twisting it into ambiguous shapes. The ba…
** Special Time-Limited Offer ** Newk’s Time captures Sonny Rollins in a quartet with Wynton Kelly on piano, Doug Watkins on bass, and “Philly” Joe Jones on drums, midway through one of the most fertile stretches any saxophonist has enjoyed. Rollins brings his huge, flexible sound and restless imagination to a set of standards and originals, bending them to his will without ever disrespecting the material. Rhythmic play is central: he toys with the beat, displaces phrases, and locates unexpected…