Reissues
Solo Music
Recordings of Contrary Motion and Two Pages by Philip Glass during February and March 1975 in New York City. Performed by Philip Glass (electric organ) and Michael Riesman (acoustic piano on Two Pages). Only one copy available.
Atlas Eclipticalis With Winter Music
Featured compositions: "Atlas Eclipticalis' (1961, for chamber ensemble); "Winter Music" (1957, for 3 pianos); "Atlas Eclipitcalis" (1961, for orchestra); "Winter Music" (1957, for 20 pianos). Cage's relationship with the Cornish Institute in Seattle dates back to the 1930s, when he taught there and performed as accompanist for many dance pieces. Cornish was also the scene of several of his musical discoveries and innovations. Cage's celebrated return to the Cornish Institute in 1983 led to thes…
Concert Percussion For Orchestra
Pieces By A. Roldan, L. Harrison, W. Russell, H.Cowell and J. cage, performed by the Mahattan Percussion Ensemble under Paul Price and John Cage. Only one copy available.
Sonatas And Interludes / A Book Of Music
Sonatas And Interludes' for prepared piano (1946-48) performed by Joshua Pierce. 'A Book Of Music' for two prepared pianos (1944) performed by Joshua Pierce (left channel) and Maro Ajemian (right channel). Only one copy available.
Etudes Australes For Piano
Etudes Australes is a set of etudes for piano solo by John Cage, composed in 1974–5 for Grete Sultan. It comprises 32 aleatoric pieces written using star charts as source material. The etudes, conceived as duets for two independent hands, are extremely difficult to play. They were followed by two more collections of similarly difficult works: Freeman Etudes for violin (1977–90) and Etudes Boreales (1978) for cello and/or piano. Only one copy available.
Electronic Music
First in a series of albums from the mid-late 1960s consisting of contemporary classical composers in the experimental/electronic field. It contains Fontana Mix by John Cage, Visage by Luciano Berio and Agony by Ilhan Mimaroglu.
Bleecker & MacDougal
Last copies, reduced price. Japanese pressing of his 1965 folk classic from the Elektra period, his second album for that label. Neil has been seriously ignored in the CD era and this is highly in demand. Originally from Florida, Neil was heavily factored in the early days of the East Village folkie boom (Bob Dylan played harmonica for him at Cafe Wha? in 1961). His recording career went from 1964 to about 1971, peaking with Everybody's Talking on Capital (featured in the film Midnight Cowboy). …
Harlekin
Karlheinz Stockhausen's 'Harlekin' ('Harlequin') for clarinet; and 'Der Kleine Harlekin' ('The Little Harlequin') for clarinet (performed here by Suzanne Stephens). Only one copy available.
mmmr
As members of Sonic Youth, Thurston Moore and Lee Ranaldo continue to pump the most radical tenets of American experimentalism into the heart of rock music; in recent years they have also extended their reputations as world- class improvisErs. French phenom Jean-Marc Montera records for the legendary FMP label, and has collaborated with an amazing host of free-music luminaries, including Evan Parker, Paul Lovens and Han Bennink. However it is the keening blues wail of Loren Mazzacane Connors tha…
Sound Works 1982-1987
Sound Works is the first collection of Jed Speare's long-form musique concrete compositions. Speare is a crossover artist who has been working in sound, video, and performance for over thirty years. The music here reflects his investigation and uniquely expressive practice of analogue sound-field recording, editing, combining and mixing during that era. He is the creator of the Smithsonian Folkways LP Cable Car Soundscapes (1982). In the early 80s he recorded with the San Francisco groups, Resea…
Con Brio
Described as a "strange mechanical ballet for Androids" - " Con Brio " reveals one more time that Conrad Schnitzler, usually described as a " mad-berliner" is first a poet, a sculptor, & a painter...who expresses himself through musical pieces.
Trigger Trilogy
Trigger Trilogy consists of three discs each selected from hundreds of hours of Schnitzler's private recordings. Each represents a one of the few unique approaches that Schnitzler takes to recording, each uniquely identified and defined by Schnitzler. Within each of these recordings one can hear how Schnitzler influenced a generation of artists not only in Germany but the world around and how he's brought those sounds into the modern day. It's also apparent in these recordings that Schnitzler is…
Smegma Plays Merzbow
An awesome CD resulting from mail collaboration between experimental two noise legends. A dynamic mix of whirr, crystalline drones, and staticky noise abstractions.1-26: Electro Smegmacousic Music Merzbow used Smegma tapes. All composed by Masami Akita using MA-tape, audio generatior, teleband tranceiver & mixer. 27-50: Smegma Plays Merzbow Composed 1996 at Smegma Studios using Merzbow tape, tape loops, record players, wood flute, vocals, optigan, mussette & frequency analyzer. Recorded & mi…
Ultimatum
A lost jewel in the crown of the French underground. Mosaic made this, their only album, in 1978. You'll hear similarities to Zeuhl bands, Hatfield and the North, King Crimson, National Health. The music is mostly instrumental fusion/progressive performed on acoustic and electric guitars, synths, cello, double bass, electric bass, keyboards, drums and percussion. This reissue includes their 1977 demo tape Cuvée 77 and two additional bonus tracks.
Stimmung (Singcircle Version)
In each section a new overtone melody or 'model' is introduced and repeated several times. Each female voice leads a new section eight times, and each male voice, nine times. Some of the other singers gradually have to transform their own material until they have come into 'identity' with the lead singer of the section by adopting the same tempo, rhythm and dynamics. When the lead singer feels that 'identity' has been reached, he or she makes a gesture to another singer who leads the next sectio…
Live 1972
Second Rallizes bootleg on this label, the most "overground" of all Rallizes' affiliated labels. "Legit" or "authorized" material from this mythical group is seen about as frequently as Loch Ness himself. There are only 2 words printed anywhere on this CD (besides the group's name): "live" and "1972". Say no more. "Live material from 1972. This band was a major inspiration to groups like High Rise, Kousokuya, Acid Mothers Temple and Keiji Haino. The absolute peak of Japanese psychedelia." Offici…
Concert for the Comet Kohoutek
Recorded on December 22, 1973 in New York City at the famous Town Hall, this eclectic ESPDisk-sponsored celebration of the Comet Kohoutek featured a fire eater, talking drums, and dancers in platform shoes, in addition to Sun Ra's Arkestra. After taking the stage ninety minutes late, the band expertly navigates its way through cosmic free playing, big-band romps, and didactic vocal numbers. Compared to the original pressing, this re-issue is digitally remastered by Joe Phillips and includes brie…
Nothing Is...
Recorded during the 1966 tour of New York State colleges by celebrated classical engineer David Jones, this version of Nothing Is... contains over 20 minutes of newly-discovered material from the same date as the original album. Live set recorded during what many consider to be Sun Ra's most interesting period.
The Night of the Purple Moon
The second deluxe Ra reissue in the new o-card format from the UMS, released in conjunction with El Saturn Records is here: Sun Ra rocks out on his ultra-rare 'Roksichord' record, a small group outing from 1970 with an alternate take PLUS three mind-bending, never issued Wurlitzer solos from '64. Long-awaited & available on CD for the first time!" "The Night of the Purple Moon is Sun Ra's great 'Roksichord record.' It's also one of his most delightful, upbeat, and accessible outings -- full of b…