Reissues
Starring LeChat
An FM dial tuned to Japan, 1985 - then fed through the loudest band the country has ever produced. Kyonetsu No Hatsune Kaidan, issued by Alchemy Records in 2018, was the first new studio album in three and a half years from Hatsune Kaidan - the union of noise legends Hijokaidan and the Vocaloid singing synthesizer Hatsune Miku - and it aims its feedback at a very specific target: the golden age of Japanese pop, from anime themes to the classic kayokyoku songbook.
By 2018 the project had settled …
Dove Va La Tua Strada?
A road that waited fifty-two years to be walked. Recorded in Trieste in 1973 and never released, Dove Va La Tua Strada? is the lone document of Exit - a band that vanished without leaving an official trace, now resurfacing through Black Widow Records in a highly limited edition of 400 copies. This is Italian prog archaeology of the purest kind: not a reissue, but a first appearance, half a century late.
The story of its recovery has something novelistic about it. In the summer of 2021, at the Tr…
String Band Featuring Isao Suzuki
On My Spare Time, Isao Suzuki steps out front on piccolo bass in a luminous set of standards and ballads, wrapping bossa, Ellington and songbook classics in a warm, conversational post‑bop glow with some of Japan’s finest players.
A Journey Through Sound, Silence and Return (Monograph) (Book)
Few figures in experimental music embody rupture as completely as Maurizio Bianchi. A Journey Through Sound, Silence and Return traces his arc from ferocious early industrial extremism to a radical withdrawal and enigmatic comeback, revealing an artistic ethic where creation, renunciation and re-emergence form one continuous, troubling gesture.
The Classic Sound of Miles Davis & Friends
Nicely assembled compilation with some early Miles plus specific collaboration with Sonny Rollins, Michel Legrand, Gil Evans & Cannonball Adderley
Chet Baker Sings
10" coloured vinyl edition. Ten tracks drawn from the 1954-56 Pacific Jazz sessions. Chet Baker Sings is a record that arrived too early for its own audience. In 1954 a twenty-four-year-old trumpet player set down his horn, leaned close to the microphone, and sang as if confiding something he wasn't sure he wanted overheard. What the era received as a flaw - a voice too soft, too high, too undefended for a man - is exactly what now sounds like the future turning up ahead of schedule.
There is al…
Baby Huey Story
*2026 repress* This is the only solo album by American soul singer James "Baby Huey" Ramey. He died at the age of 26 while recording his solo debut, and the album was finished and released posthumously. A quarter century after its release, The Baby Huey Story went on to become a cult classic among soul musicians and fans. Its single "Hard Times" has been sampled many times by a lot of artists and was covered by John Legend and the Roots in 2010 for the album Wake Up!
The Kid!
Harold Ousley’s The Kid! is a superb example of early-1970s soul-jazz and jazz-funk, putting the spotlight on the saxophonist’s distinctive tone and commanding presence. From the first notes, the album radiates energy and character, marrying dynamic phrasing with a deeply confident sense of swing.
The record thrives on infectious grooves, a tightly locked rhythm section, and spirited improvisation that keeps the music moving at every turn. Seamlessly blending the worlds of jazz, funk, and soul, …
Black Tape II
The first full-length document of Rotting Telepathies, the group of the late post-punk figure Michio Kadotani and Asahito Nanjo. Recorded live in February 1982 and long buried on a tiny La Musica cassette, it captures the most band-like peak of Kadotani, the man Nanjo called the only real punk in Japan.
Chasing Light
Moses Yoofee Trio, the Berlin group of pianist Moses Yoofee, drummer Noah Fürbringer and bassist Roman Klobe, came up through clips of their jams posted online, which drew a following and led to the 2023 mini-album Ocean on LEITER and a German Jazz Prize for live act of the year. Their 2025 debut album proper, MYT, expanded the improvised concept with fuller arrangements, landed on year-end lists and a German Jazz Award nomination, and sent them touring through Asia, the US and Europe.
Chasing L…
交響組曲 もののけ姫 = Princess Mononoke Symphonic Suite
Princess Mononoke (1997) is set in a mythic late-medieval Japan of iron foundries and forest gods. The young prince Ashitaka, cursed while killing a boar god maddened by hatred, travels west and finds himself caught between the people stripping the forest and the wolf-raised girl San who defends it, a story Hayao Miyazaki refuses to resolve into simple sides. Joe Hisaishi's music met that scale with his grandest and grimmest writing for Miyazaki to that point.
The film score, recorded with the T…
Salò, or The 120 Days Of Sodom
The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of "Salò, or The 120 Days Of Sodom", Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote 'Addio a Pier Paolo Pasolini' (Goodbye to Pier Pa…
Timeless Records: From the Archives (1974-1991)
On Timeless Records: From The Archives (1974–1991), Antal rethreads the Dutch label’s glory years into a double‑LP of modal and spiritual fire - from Pharoah Sanders to Art Blakey, Woody Shaw and beyond - built for dancers, diggers and late‑night headphones alike.
Fela Ransome Kuti and his Koola Lobitos
Before Afrobeat, there was Highlife-Jazz and Afro-Soul. Highlife music, originally from Ghana and widely popular across West Africa, dominated the music scene in Lagos when Fela Kuti returned to the newly independent Nigeria in 1963. Fela had been studying trumpet at Trinity College of Music in London where he met drummer Tony Allen, who also joined him in new group Koola Lobitos as they sought to mix things up by introducing the sounds they had heard in the capital's jazz clubs. The music of Fe…
Stranded
Stranded gave Roxy Music their first UK No’1 album and brought with it an undeniable presence that would eventually see Roxy Music’s American audience take note! It was becoming all too clear that Roxy Music were indeed a band ahead of their time.
Moanin'
Moanin’ is the sound of Art Blakey turning a band into a congregation, with Lee Morgan’s trumpet, Benny Golson’s tenor saxophone, Bobby Timmons’s piano, and Jymie Merritt’s bass all testifying over Blakey’s unmistakable cymbal crashes and press rolls. From the call‑and‑response of the title track to the burning hard‑bop vehicles that follow, the record distils church‑infused, blues‑drenched celebration into a small‑group format. Each soloist brings a distinct voice – Morgan’s bright fire, Golson…
Out To Lunch!
Out to Lunch! remains one of the most strikingly original statements on Blue Note. Eric Dolphy marshals Freddie Hubbard on trumpet, Bobby Hutcherson on vibraphone, Richard Davis on bass, and Tony Williams on drums into a unit that treats his knotty compositions as springboards rather than straitjackets. Themes like “Hat and Beard” arrive full of angular intervals and odd accents, while the rhythm team tilts and lurches under them, propelled by Williams’ restless cymbal work and Davis’ flexible g…
Empyrean Isles
Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums—Takin’ Off, My Point Of View, and Inventions & Dimensions—before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock’s artistry into a sweeping 35-minute musical journey. Joining Hancock on the voyage were three of his closest collaborators: …
Maiden Voyage
On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Modal harmonies, open forms, and long, swelling melodies create a sense of expanse; Carter and Williams suggest tides and undertows, while Hubbard and Coleman trace arcs that feel both exploratory and inevitable. Hancock’s piano balances delicacy with fo…
Power On!
The first ever reissue of one of the great hidden artifacts of early prog and fusion: 'Power On!', the second and final full-length by the little-known Frankfurt ensemble From, originally issued by the German arm of CBS in 1972 and now returned to print by Free Flow Archive. Building upon and radically expanding creative ground pioneered by Miles Davis on 'In a Silent Way' and Herbie Hancock on 'Mwandishi', alongside roughly contemporaneous efforts by Soft Machine and The Nice, the sounds of Fro…