Reissues
Roll 'Em Smoke 'Em Put Another Line Out
The third and most untamed chapter in the brief, brilliant life of Patto. Originally issued in October 1972 on Island, Roll 'Em Smoke 'Em Put Another Line Out arrives via Guerssen in a remastered vinyl edition, faithful to the original cardboard sleeve and accompanied by an insert with detailed liner notes by Ralph Heibutzki and rare photos and memorabilia.
Patto formed in London in 1970 from the ashes of Timebox - the lineup uniting vocalist Mike Patto, bassist Clive Griffiths, drummer John Hal…
Songs Before Bed (2022)
Songs Before Bed (2022) marks Otto Benson’s first physical release under his own name, following earlier work under aliases including Memo Boy, OTTO, and Pudding Club.
Originally published as a digital-only release through Otto's own WNOADIARWB website and platforms on New Year's Eve 2022, Songs Before Bed bridges the gap between the more experimental psychedelic electronic works of OTTO and his most recent release, the acclaimed Peanut, released on NYE 2025. Blending brief pop fragments with me…
One
Anonymous transmissions from a spectral, dead-of-night mystery zone. Recorded in 1996 and originally release by Japan's enigmatic La Musica Records label on limited cassette. A group that deconstructs and liberates the chance nature of contemporary classical and noise music enough so that their boundaries blur. Available for the first time on vinyl and digital. Recorded in 1996 and released without any identifying credits in an essentially private cassette edition, Bibiotheca Hermetica's sole re…
Duo
On Duo, Bugge Wesseltoft and Henrik Schwarz erase the line between jazz club and club culture, weaving live piano and deep house sensibilities into a remastered, 180g hymn to groove, melody and open‑ended improvisation.
United for Live 8
On United For Live 8, Pink Floyd's classic lineup - David Gilmour, Roger Waters, Richard Wright and Nick Mason - reunite at Hyde Park on July 2, 2005 for a charged, twenty‑minute set that proves both redemptive and bittersweet, the first time in twenty‑four years and the last ever together.
Across The Borderline
On Across The Borderline, The Byrds blaze through a November 1971 Vancouver concert at PNE Gardens, captured in a limited bootleg edition that documents the band's late‑era country‑rock sound as it stretched between cosmic Americana and road‑worn grit.
Live
2026 Record Store Day Reprise of the 1968 album 'live' by the 13th Floor Elevators. Panned at the time for being billed as "live" when in fact it was a compilation of previosuly recorded studio masters, outtakes and alternate mixes. The "very loud" crowd noise was overdubbed and was actually taken from a boxing match and wholly inappropriate for the purpose. Now, almost 60 years on, the album masters are available, in their original sequence, without the crowd noise, to be enjoyed in their full …
Doway Do Doway Do !?!!
Australian progressive fusion-jazz-symphonic rock act Pantha burst from the mid‑1970s with a uniquely spirited record, Doway Do Doway Do !?!!, a thrilling hybrid of rock, jazz, Latin American rhythms, West Indian grooves and occasional Zappa‑styled eccentricity. Originally released in 1975, the album showcases the group’s deft ability to marry virtuosic musicianship with irresistible danceable energy.
Doway Do Doway Do !?!! draws on the Santana hallmark of driving rock over Latin beats but expan…
Live at the It Club
On Live at the It Club, Thelonious Monk and his classic quartet - Charlie Rouse, Larry Gales and Ben Riley - burn through two nights of Los Angeles brilliance in 1964, turning familiar originals and standards into angular, swinging explorations now fully restored in a complete edition.
Voyeur Tape
101 Copies. Recorded in July 1980 and issued shortly thereafter on Andrew Cox's YHR Tapes with the catalogue number YHR 005, Voyeur Tape was the first MB cassette to cross the Channel into the British industrial underground, preceding by a matter of months its companion Cold Tape, which would follow on the same imprint as YHR 006 before year's end. Together the pair formed Maurizio Bianchi's decisive entry into the small mail-order network through which European industrial music was circulating …
Delitto sull'Autostrada (7")
Tava Tava Rare is pleased to announce the first release on 7" of Franco Micalizzi's main theme to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”. The mus…
Live in Europe 1968 & 1972
On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free jazz and chamber‑like intimacy.
Sonic House Reunion
On Sonic House Reunion, Bobby Bradford, Mark Dresser and Hafez Modirzadeh reconvene a long‑running alliance, turning cornet, five‑string bass and hybrid reeds into a quietly radical chamber unit where Ornette‑rooted lyricism, spectral tuning and deep listening pull the music in multiple directions at once.
Sun's Blessings
On Sun’s Blessings, Sunny Murray and Sabu Toyozumi meet as a double‑drum frontline, turning a 1999 Sapporo concert into a two‑part ritual where clattering polyrhythms, rolling thunder and sudden hollows of space make free improvisation feel both volcanic and oddly tender.
Keeping It In Context
On Keeping It In Context, Daniel Carter, Sabir Mateen, William Parker and Lou Grassi turn a 1996 Context Studios session into a blazing, deep‑listening workshop, with twin reeds, singing bass and restless drums stretching free jazz language without losing its earthy pulse.
Jazz Harpist
*2026 repress!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by Allmusic as her first and best album, period!
Hip Harp
*2026 repress!* Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swinging voice able to drive a whole jazz rhythm section. Recorded in 1958 by master Rudy Van Gelder and originally released on the Prestige label, Hip Harp is a perfect example of Ashby’s artistry. At the head of a fine quartet featuring the great Frank …
Sinfonia Do Rio De Janeiro
Dive into the roots of Brazilian musical innovation with the reissue of Antonio Carlos Jobim's Sinfonia Do Rio De Janeiro, a visionary work composed by the legendary Brazilian masters Tom Jobim and Billy Blanco. Originally released in 1954, this album stands as an early, bold experiment in fusing jazz, classical, and pop elements into a vibrant Latin soundscape—years before the bossa nova revolution took the world by storm.
Lavish string arrangements weave seamlessly between sweet choral melodie…
Nara
*Repress* Originally released in Brazil in 1963, "Nara" marks the stunning debut of Nara Leão, an artist celebrated as the Muse of Bossa Nova. This remarkable album has been reissued, inviting a new generation to experience the charm and elegance that defined an era. "Nara" represents a profound artistic statement, showcasing a tapestry of Brazilian music steeped in warmth and emotion. The album features exquisite arrangements crafted from solid compositions by legendary names, including Edu Lob…
A Distracted God
For more than six decades, Beatriz Ferreyra has been building worlds out of sound. Born in Córdoba in 1937 and based in France since the early 1960s, the Argentine composer entered the GRM at the invitation of Pierre Schaeffer in 1963, contributing alongside him to the foundational texts and recordings that would define an entire discipline of listening, among them the Solfège de l'Objet Sonore. From 1970 onward she has worked independently, composing in absolute fidelity to her own ear. Issued …