We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
In April 2011 the two couples formed by Kommissar Hjuler & Mama Baer and Ninni Morgia & Silvia Kastel ventured for a tour in the UK; it was the first time they played together but their shared common visions, attitude and general craziness actually gave life to an inspired team. Every show was different; in Edinburgh, they decided to perform a piece originally written by Ninni Morgia & Silvia Kastel, Jericho, that Papa Baer liked. So before the show, the group pre-recorded a tape in a big …
Part 14th in the ongoing re-release series of all early Asmus TietchensVinyl albums between 1980-1991. 'Stupor Mundi' (Discos Esplendor GeometricoEGD 018) was originally released in 1990. This re-release comes with another poster booklet and feat. 4 Bonus tracks of unreleased material from the same period. Joint release with Auf Abwegen. 600 copies. Asmus Tietchens about the album: 'The opener of the album cites: 'Gitarren spielen kann ich leider noch nicht...' ('Unfortunately I can't play any…
Both of these projects hardly need an introduction. Merzbow is since the late '70s the project of Masami Akita working in the field of noise music, having released a few hundred CDs/LPs/cassettes by now. In 1987 Kapotte Muziek was then the solo project of Frans de Waard, after Christian Nijs left the group early '87. De Waard concentrated on working with other musicians, and started trading tapes with a few musicians he was already in contact with, and one of them was Merzbow. The first release …
180 gram LP version. "Commercial Schnitzler? How quickly, how prematurely are opinions and judgements bandied about when an artist suddenly changes the form of his work. Conrad Schnitzler fell under such a cloud when, after 1978, his songs, for a time at least, did not exceed the catchy compactness of pop songs, while their harmonies and rhythms seemed to be drifting towards pop. Produced by Peter Baumann (Tangerine Dream) the Con (1978) album and the Auf dem schwarzen Kanal 12" EP (1980) u…
"This work is not music in a conventional sense, it does inhabit that world, but in a new way. The cello is treated fundamentally, as a resonating body, transmitting sounds elementally. The bow on a string, the flux of weight, pressure, speed and angularity releases a myriad of complex sound phenomena. The juxtaposition of multiple sounds on adjacent strings creates fluctuating and rhythmical beatings. The detuning of the instrument increases its pitch potential and basso profundity. In combinat…
Now this a strange one. I never would've thought I would be paired with Jaap Blonk... it seems an unlikely combination. But when Tijs van Trigt asked us to perform at his AMPsnacks event in Arnhem, we had such a blast that we decided to do some recording together. This cd is a selection of three hours of improvisation we recorded at STEIM in Amsterdam. Quite a rollercoaster I'd say!
2009 release ** "A long and almost solemn track built with reverberated piano notes, a slow and rhythmical flow leaned on a background made of clashing hisses and vague, distant, rustling ambient noises. A brief interval based on obscure drones moving in circles, inexorably entangled on themselves. Then another long piano-based track, this time more dilated, confused, ethereal and prim, so much that it takes the distinguishing features of an indecipherable sonic mass, abstract and booming, estra…
**Absolutely incredible early 80's spiralling DX-7 synth vortices and exotic 808 drum machine hallucinations - limited edition of 500 copies** Stunning Finnish electro-jazz-psychedelia from '78-'85 rescued from the tape archives of The Sperm's Pekka Airaksinen. This definitely isn't Harmönia's usual Skweee fayre, yet neatly contextualises their wave of quirkily futurist (often absurd) electro-fonk in line with Pekka's pioneering work experimenting with drum machines and synths, perhaps be…
"From 1972 to 1973, I was based in New York for my creative activities and live performances. New York at this time was in its golden age of experimental music. Towards the end of my stay, I held a live performance entitled Event '73 to sum up my creative works in New York. The venue for the performance was The Kitchen of the Mercer Arts Center that provided spaces for innovative and emerging artists. This CD consists of a mixture of sounds that were created at a studio prior to the live …
"NNF debut (after an EP on 100% SILK) by this Iowa City electronic maximalist. M.R.E.M. is the first purely solo Cuticle release, after working with a series of part-time collaborators, and it's freed him to let loose his wildest and weirdest impulses."
The edition is limited to 287 and vinyl comes in three different colors: marble orange, marble white, and black. The record is housed in a 12" cloth bag, with front, back and inner fully screen-printed with artwork reproducing a painting by Roberto Opalio. Secret messages are written between the grooves and both sides' center labels, that feature mysterious, full-color portraits of Ramona and Roberto respectively on each side. Each copy hand-…
The two major focal points in the creation of composer Duane Pitre's Feel Free, his new work for a unique sextet combination, were rhythm and melody. An open yet orderly system intended to produce potentially infinite variations of self-generating rhythm and melody was carefully created for this piece, allowing the sextet musicians to approach these factors in a freer manner. This 'musical system,' combined with the fixed elements of the composition, in turn, spawned a rich foundation of harmony…
180 gram LP version with free download code. "Antworten (meaning: answer) is the third installment in a trilogy of Qluster music, following on from the Fragen (BB 076CD/LP) (meaning: question) and Rufen (BB 075CD/LP) (meaning: call) studio albums. The fact that the music on Antworten was created before Rufen and Fragen were recorded is less of a paradox than it might at first appear. For the expansive piano fantasies of their 2007 recordings had already provided a clear answer to the two musicia…
This CD is a remastered reissue of a very limited CD-R released by Omega Point in 1999. This is the sixth volume in Edition Omega Point's Experimental Music Of Japan series. Atsuhiro Ito was born in 1965. He launched his career as a visual artist in the late '80s, and in '98 began presenting sound performances at art exhibitions. Ito made use of fluorescent lighting (which is also an element of his art installations) in the creation of an original musical device called the Optron. In addition, I…
Mind-stretching analog synth wizardry from the legendary Matsuo Ohno, sound designer for Astro Boy and many other Japanese films and TV programs. His first non-soundtrack release, from 1978, is a massive, undulating galaxy re-released here on CD with a bonus mini-CD reissue of a rare 1970 flexi-disc Play On Animals, rated as one of 2011's top releases by Byron Coley of The Wire. This reissue of his stellar 1978 LP I Saw The Outer Limits presents him at the peak of his powers, combining his maste…
NNA is proud to present the debut LP by Diamond Catalog, the new duo of Lala Conchita and “Glamorous” Pat Maherr (Indignant Senility, Expressway Yo-Yo Dieting, and so on). This full-length is the definitive statement of Diamond Catalog’s concoction of cross-bred dance music and mutated, swirling noise bricolage. “Magnified Palette” seems to exist in five dimensions of sound, with factory-booming beats creating a mechanical-yet-organic framework for devious sonic chatter to wind its way through. …
*300 copies limited release* Seventh in a on-going series of twelve electronic meditations on the zodiac of Decimus Magnus Ausonius (310-395) as played by Pat Murano of No Neck Blues Band, K Salvatore, Malkuth and Key of Shame.This one is for sure the creepiest and most disturbing chapter of the series so far, with swathes of electronics melting with the highest tones of misterious lullabies from somewhere far away, keeping the listeners ear firmly at ground level.
James Rushford and Joe Talia are two of the most exciting musicians active in the Australian experimental scene, engaged in major collaborative projects with figures such as Jon Rose and Oren Ambarchi. On Paper Fault Line, they use strategies from contemporary composition, improvisation and electro-acoustics to create a sensuous and approachable, yet subtly disturbing, 30-minute suite. Eschewing the homogenized sound palette and dynamic conventions of post-GRM musique concrete, the record is str…
Steinbrüchel’s Narrow is an album of reduction and transformation. Like much of Steinbrüchel’s recorded work, the genesis of Narrow stems from a singular idea concerned with the notion of ‘static development’. Working with a limited palette of source material Narrow’s elegance is in its varying perspectives on related sonic materials. The title track is the nexus here - a somewhat more organic sound palette than heard previously in Steinbrüchel’s work - Narrow is a subharmonic oceanic-like compo…
Million Year Spree is the first in an occasional series of shared LPs where two like-minded souls meet under one umbrella. Hamilton, Ontario's Fossils have long been the reigning kings of no-fi acoustic sewage, producing an endless stream of outstandingly dire handcut confusion. Calfornia's Darksmith came to public attention last year via their peerless Total Vacuum LP (Hanson). Wilting electronics, floppy turntableism and sun-baked cassette protocol are combined and destroyed in a claustrophobi…