Kybernetische Musik II
The second volume of Kayn's cybernetic works, a single CD holding two long pieces: Assemblage (1984) and Refractions (1995). Music not composed and practised but set going, arising from merged control loops and feedback in a system that can be entirely autonomous.
Kybernetische Musik III
The third volume, six pieces from 1986 to 1996 across two discs: Cybernetic Serendipity, Transfluxion and Syntropie on the first, An Artificial Acoustic Environment, Syzygy Dynamical Units and Equivalence Sonor I on the second. A decade of self-regulating systems at work.
Gärten Der Lüste / Cybernetics II / L'Innominata
Two long pieces from the turn of the millennium, Gärten Der Lüste (1999-2000) and L'Innominata (2000), each in two sections, with the early Cybernetics II (1969) set between them on the first disc. Thirty years of Kayn's electronic practice in a single pairing.
Invisible Music / Hommage a K. R. H. Sonderborg
Invisible Music (2003) spread over three parts across two discs, followed by Hommage a K. R. H. Sonderborg from the same year. Late Kayn, sound with no visible source, left to a self-regulating electronic system to unfold at its own pace.
Etoile du Nord / Ghyress Für Ilse-Emily Kayn
Two long pieces from 2004: Etoile du Nord in two parts on the first disc, Ghyress für Ilse-Emily Kayn on the second, named for the daughter who would later reawaken her father's label. Among the last titles Kayn issued on Reiger Records Reeks himself.
Requiem pour Patrice Lumumba, Interations, Composizione AD
Issued under Kayn's Multiplex Sound-Art heading: Requiem pour Patrice Lumumba (2002) and Interations (2003) on the first disc, the four-section Composizione AD (2002) and Prismes Reflectes (2002) on the second. Among the most recent pieces the composer completed.
Ultra / Redundancy TR / Megaphonie
Also under Kayn's Multiplex Sound-Art heading: Ultra (2001) and Redundancy TR (2003) on the first disc, the three-section Megaphonie (2001) on the second. Three of the last pieces Roland Kayn completed and released on his own label.
UkabazUmorezU
**2019 stock** "Sugai Ken follows in the vein of RVNG Intl’s Visible Cloaks release with an exquisite meditation on traditional Japanese percussion and 4th world electronics ruptured by unpredictable runs into more abstract terrain.UkabazUmorezU works like a stage set or a variegated series of sonic scenarios, at once smartly demonstrating his compositional versatility as well as a dilated vision of the connections between Japanese tradition and western-rooted electro-acoustic practice. In a way…
Orbit
**300 copies, 2019 stock** "Orbit titles the intersection of bassist / composer Scott Worthington and Italian photographer Renato D’Agostin. Worthington’s minimal approach to sound, like D’Agostin’s to image, reveals the hidden complexities of interaction between bodies and the contexts of their transit. With an atmosphere that recalls the self-refractions of Stephan Micus, A Time That Is Also a Place fleshes out the flute of Rachel Beetz like vanes to a feather’s shaft, funneling into a quill h…
Photophonie
Since their launch in 2017, the Paris based imprint, Transversales Disques, has done the seemingly impossible. Not only have they carved out an entirely singular place in the contemporary landscape of reissues and archival releases, but they’ve raised the bar. Largely focusing on previously unreleased recordings and works, one after another, they’ve built an astounding catalog of efforts by seminal artists like Bernard Parmegiani, Philip Glass, François Bayle, Ennio Morricone, Igor Wakhevitch, a…
Scanning
Recorded in 1982-83 and heard in public barely once, Scanning is the largest of Kayn's cybernetic works: ten CDs, ten hours, twenty-four moments moving between shimmering harmonic ambience and raw droning distance. Remastered by Jim O'Rourke from the original recordings.
Rendez-Vous
**2019 stock** French group Un Drame Musical Instantané was founded in 1976. They present an original, unclassifiable, inventive music, which drifts from jazz to electronic sounds and contemporary music. Klanggalerie has started an extensive re-issue programme with these unqiue avantgarde pioneers which will bring back their classic albums but also side projects like this one.Rendez-Vous was recorded in 1981 but never released. This is what group founder Jean-Jacques Birgé has to say about the r…
RMX
**2019 stock** The Residents are fiddlers. Not fiddle players, just fiddlers. They like to play around and see different ways their songs could sound. They call this RMX. Some say RMX stands for "remix" but with The Residents, who knows? While the RMX concept is mostly associated with two album projects (The King and Eye RMX and WB:RMX), The Residents had also tinkered with individual songs. These were released as free streaming tracks on the band's official MySpace page (yes, they had one).In 2…
Himalaya
Following his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone quickly follows-up Baroo with a double-LP album of recent works, including the final section of Fujiken, his epic journey through southeast Asian field recordings and street cassette culture.On all six tracks, composed between 2013 and 2019, Stone’s pan-global playground of looping synths and Asian pop culture remains as fertile as ever, …
Baroo
"I have always been searching for a way to articulate the intangible area between the recognizable and the unfathomable, a feeling perhaps informed by some long-abandoned experiments with psychedelics. This has been a continued pursuit starting with my tape experiments in the 1970’s until the present, with technological evolution driving new ways of expression.With the exception of Xé May, which is performed on an Elektron Octatrack, these pieces were constructed for live performance using a lap…
Thalia
The concrète riddle of Thalia is the Nurse With Wound-listed and cultishly desired Roger Doyle album withdrawn by CBS Classics shortly after its release in 1978. Less than 200 copies reached shops some three years after his distinctive debut Oizzo No (1975) - which was reissued by Finders Keepers' Cacophonic label to receptive ears in 2018 - and in retrospect the resurfacing of Thalia follows that wonderfully odd LP to cement Doyle’s place among the outsider pioneers of ‘70s electronic and avant…
Dome 3
With the demise of Wire in 1980, founding members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio, Dome took the ethic of "using the studio as a compositional tool" and recorded and released three albums on their own label in the space of 12 months: Dome (1980), Dome 2 (1980), and Dome 3 (1981). A final fourth album, Will You Speak This Word: Dome IV was released on the Norwegian Uniton label in 1982. These albu…
Does the World Need Another Drum Solo?
**50 copies** Riccardo La Foresta is a percussionist, composer and improviser from Modena (Italy) whose interests range from improvisation and composition, sound performance and sound art. His research led him to use the drum as a wind instrument with a special self-made system, drastically moving away from traditional drumming. It's called Drummophone and was officially presented at Tempo Reale in 2017. In recent years it has been constantly touring Europe with Sho Shin Duo and his solo project…
Schleifen
**280 copies, 2026 stock** A publication for the exhibition Schleifen – November 10-24, 2016 – at «Kassette.für projekte» in Zurich, Switzerland. Book has 52 pages, 30 drawings, size A5 (148 x 210 mm), includes Audio CD. Cover: digital printing on black paper (Outside: white, Inside: varnish). Content: offset printing (silver mixed with black).
Pitched Intervention
Finally available on vinyl! Recorded in Los Angeles in February 2018, Pitched Intervention consists of a Concrete and collage session by Charlie Mumma and John Wiese with Don Bolles (The Germs, Ariel Pink) and Mitchell Brown (Gasp), and one session with Mitchell Brown and Joseph Hammer (Solid Eye, Joe & Joe, LAFMS). "For 20 years, Sissy Spacek, the LA duo of Charlie Mumma and John Wiese, have churned out excellent noise that runs the gamut from gut-wrenching drums / guitar / growl grindcore to h…