Summons Of Shining Ruins
2008 release ** Limited edition of 100 copies. "Summons of Shining Ruins is a project of Shinobu Nemoto, who works with electric guitar, tape delay, old rhythm machines, stompboxes and 4-track-recorders. No computer or software is used to record this work. And you can hear that in every tone."
Eth
2007 release ** ""The enigmatic Luke Hazard emerges from the black woods of West Virginia with an album that sounds cursed and burnt up from the very beginning. Eth boldly marks the birth of the Install label and as you might expect, it doesn't fool around. At times primordial and cosmic, Ourson guides you through barren windswept landscapes of rock and mud while simultaneously ripping apart the stereo field like a crusty blood-stained cloth. Eth is a truly epic recording of both gentle and unfr…
Psalmodiam
2007 release ** Limited edition of 199 hand numbered copies with unique paste-on covers plus 16-page A5 booklet. "Together with Museo Della Tortura (although the cover just says M.B. + M.D.T.) Maurizio Bianchi made seven tracks, 'psalmodian', which on the cover is explained as an 'experimental way how to interpret the psalms'. All pieces are about psalm 63, which is when King David was alone in the desert and God was still with him. This desolation is captured quite well in the music. Sometimes …
Exactly As I Am
Exactly As I Am is the third and final release in The Hafler Trio's collaborative series with Jonsi Birgisson of Sigur Ros. Like the first two in the series Exactly As I Am is a double full length release and is comprised of all new material recorded in May/June of 2005. Exactly As I Am is lavishly packaged in a special die cut oversized package printed on two different types of parchment, meant to imitate small editions of French poetry ca. 1900.
Suspended feathers
1996 release ** Edition of 1000 hand-numbered copies. CD in a card sleeve held in an A5 (150x200mm) wraparound card folder. "Rarely an album comes along that elicits so many different feelings one is left speechless. Suspended Feathers achieves such sacred distinction. Executed with such meticoluos attention to detail, the music of Italy's Alio Die is afine art to behold. A splendid mixture of enchanting instruments, loops and environmental treatments combine to form a multiple layered ambience …
Memory Makes Noise
2006 release ** "With this release by Small Voices, Gianluca Becuzzi (ex-Limbo), for the first time, presents his work under his birth name, confining the aka Kinetix as an extension of his name. "Memory Makes Noise" is an important passage in the long carreer of our Tuscan sound-artist, projecting him to the achievement of his own creative dimension. Left the cold digital aesthetic, Gianluca Becuzzi, is focusing his re-search on electro-acoustic sounds, livening "Memory Makes Noise" with throbb…
I Wish Too, To Be Absorbed
Aidan Baker's I Wish Too, To Be Absorbed is a 2-disc compilation of tracks from various out-of-print, limited edition releases spanning the last 10 years of Baker's output, ranging from his very first release to material that was featured on the soundtrack to a book of his poetry. Toronto based composer Aidan Baker works under his own name, under the name Nadja along with bassist Leah Buckareff and also with the trio ARC. Hailing from the Great White North, Baker incorporates guitar, drums, bass…
Black Sea
Black Sea is the much-anticipated new album from Christian Fennesz, his first since Venice. Fennesz’s career has come a long way since Instrument, his debut for Mego in 1995, and his first solo album Hotel Paral.lel which followed in 1998. Endless Summer [Mego, 2001] brought him to a much wider audience and Venice underlined his mastery of melody and dissonance. His songs usually embody the skilful application and manipulation of dense sonic textures with a genuine feel for the live, and real-ti…
The Beauty Of The Steel Skeleton / Drifting Depths
The first 200 copies of this limited vinyl-only, packaged in handmade copper colored letterpress jackets. Important Records is quite pleased to be presenting this split release consisting of two new drone works from Pauline Oliveros and Eleh. Oliveros, an early American minimalist who has pioneered the technique of Deep Listening, has created a new work exlcusively for this release. Drifting Depths is a new improvised piece made on a harmonica being processed through Pauline's Expanded Instrum…
neutrino
2007 release ** "Here is a record that sounds so retro that it seems modern and obsolete. Be Invisible Now! is the musical project of Marco Giotto from Treviso, a guy with a past in various bands, a collaboration with With Love and a passion for vintage instruments from the 70s. Neutrino, his first record, is played entirely with deliciously old-fashioned analog instruments. Vintage Roland and Korg keyboards, tube synthesizers and theremins at full blast. The result is a cosmic kraut journey wit…
Iris
2005 release ** "During the seven-million years of the Cyclops' sleep, the rutile mountain became a flower. The ocean-cloud has crossed the Pangaea, transformed to the rainbow dewdrop of a petal. Spiracle: An aperture for breathing, such as a whale's blowhole, the opening behind the eye of sharks, rays, and skates, or the tracheal openings on the sides of the bodies of certain insects and spiders."
Four Full Flutes
Here is the complete CD catalog of this superior NYC composers collective label (aka Experimental Intermedia); although pretty low-profile, there are some amazing releases on this label in the spirit of long, droned tones and advanced new music composition. Don't let the title to this Niblock thing throw you off -- this is massive trance music and a key work in the unspecified field of "pure sound". "...adjacent tones beat violently against one another while clouds of harmonics hover above the w…
Three sparkling echoes
Doomy, magisterial drone works, xylophone tones dragged behind trucks ploughing straight through mountains of mud and some classically wasted drum/horizontal blades nod-out ritual ala Outside The Dream Syndicate from this inspired hook-up that pairs Campbell Kneale's orchestra with Anla Courtis of Reynols.