Electronic / Early Electronic

*In process of stocking. First ever release* ADN Ckrystall is the pseudonym of French synth experimentalist Érick Moncollin. Armed with a Crumar, Multiman 52 with brass pedal and sustain/volume pedal, two Kawai Synthi 100-F, Roland CR-65, Korg PS-3200, Roland Jupiter-4, a Boss flanger, MXR phasing and a TEAC 8-track recorder he produced his first LP, Jazz'Mad, with the help of synth expert sound engineer Benoit Hutin. The LP was self-released in 1982 to critic aclaim and generated a fan base tha…

*2022 repress. In process of stocking* Bruce Haack's The Electric Lucifer is rightly considered one of the masterworks of 20th century electronic music. Originally recorded in 1968-69 (released in 1970), it's an eminently listenable work where pop-psychedelia and Moog/musique concrete sounds coalesce. Acclaimed upon its original release (one of Rolling Stone's favorite albums of 1970) yet unavailable for over three decades, The Electric Lucifer is presented here for the first time on LP. Remaste…

A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959-2001) with art by Zofia Kulik.  “Would it sound just as bad if you played it backwards?” assembles a collection of audio experiments created at the Polish Radio Experimental Studio (PRES) from 1959 to the beginning of the millennium.  These exceptional works are presented alongside images from the Polish artist Zofia Kulik, whose career reached its apogee between the late 1960s and early 70s.   Polish Radio Experimental…

In short, some of the most breathtaking, intrepidly advanced electronic music ever recorded. A truly precious survey of a lone, pioneering voice in electronic music. Cardboard slipcase housing a CD jewel case and a 184-page booklet in German and English. Karlheinz Stockhausen – “Zyklus” (1959) / “Refrain” (1959) / “Kontakte” (1959 – 60). "Krakabang! Prrrrrrrrrr! Plipprrring! Swooossssh! Goooong! Wuawuawuawua! You’re in the middle of it right from the start, with nowhere to hide. Maybe that’s how…

Iannis Xenakis Edition volume 2 of electronic works: Polytope de Cluny and Hibiki hana ma, remixed to stereo by Gerard Pape, and the ensemble score for the 1957 film Fer Chaud, remastered from its soundtrack.

On the cover modular synth pioneer and legendary Buchla twiddler Suzanne Ciani.

Marking 100 years since the invention of The Theremin in this edition of Electronic Sound. Russian boffin Leon Theremin was meant to have been constructing a sonar system when he came up with his iconic electronic instrument.

This eidtion of Electronic Sound main feature tells the astonishing story of Joe Meek, the king of space age pop and one of the most extraordinary characters in British music history.

* 2021 stock, nice price * A Student of Eimert, Reinhold Weber produced several records of his own, two between 1969 and 1971, both of which are total weird and wild electronic, handmade, pre-synthesizer. Topped with crazy German language monotone lyrics. For fans of Cluster, Eimert, Stockhausen and people generally interested in the weird side of music.

**last copies - reduced price** One of the most essential collections of early electronic music ever compiled!! Raymond Scott's 'Manhattan Research Inc' boxset from 2000 is one of the finest reissues to have appeared in the last ten years. This new set from Basta is the unofficial follow up, easily their most perfectly realised project to date consisting of 4 cd's, seven booklets, posters, stickers, transcriptions and a time chart all contained within a high gloss stiff card box. It focuses on t…

Originally released in 1960 and 1962 on two unique formats with over-lapping tracklists, the seminal Music From Mathematics Showcase Project marked the phonographic introduction of computer generated music for the first time in the public arena. Almost exclusively created at Bell Laboratories using an electronic to sound transducer and a state of the art IBM 7090 (complete with a gargantuan 32KB of disposable memory!) Music From Mathematics featured multiple random-not-random sound assaults prec…

2020 repress, originally released in 2013. Recollection GRM assembles Greek experimental composer Iannis Xenakis' works for Groupe de Recherches Musicales circa 1957-1962. "Concret PH" (1958) was assembled for the Brussels World Fair. The industrialist Philips commissioned Le Corbusier's famous "Philips Pavilion": "I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, color, and rhythm." Iannis Xenakis designed the architectural blueprint and composed "Con…

An Anthology of Greek Experimental Electronic Music 1966-2016 aspires to map the heterogenous landscape of Greek experimental electronic music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception: it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both "Greeks" and "experimentalists". Experimental electronic music is generally expected to be highly v…

Sixth volume in the Acousmatrix series. Features: Herbert Eimert, Robert Beyer, Karel Goeyvaerts, Paul Gredinger, Gottfried Michael Koenig, Henri Pousseur, Bengt Hambraeus, Franco Evangelisti, György Ligeti, Giselher Wolfgang Klebe, Herbert Brün

The excellent Public Information label really comes into its own with this revelatory collection of early concréte tape music by F.C. Judd - a much overlooked British electronic music pioneer and contemporary of Daphne Oram. Born in Woodford, East London in 1914, Frederick Charles Judd served in the RAF coastal command during WWII working with highly secret radar equipment. After being demobbed he applied this knowledge and skilled engineering background to his musical interests, and with the ad…

"One of the most prolific composers of contemporary music in The Netherlands, Henk Badings was born in Indonesia in 1907, the son of an East Indies Company army officer, and orphaned at an early age. Back in Holland, Badings worked as a mining engineer and paleontologist, but abandoned this career to devote his life to music, making an impact in 1930 with the performance of his first cello concerto. The composer of various symphonies that made use of unusual music scales and uncommon harmonic st…

In the course of their first few albums, Paul Beaver and Bernie Krause broke a lot of ground in the art of recording the synthesizer, still a young and futuristic instrument in the late 1960s and early 1970s. It's sometimes overlooked, however, that the records were not solely vehicles for synthesizer experimentation, but also varied musical statements drawing from numerous strands of popular styles. Just as their first Warner Brothers LP, In a Wild Sanctuary had differed from their earlier reco…

A double CD collecting three classic albums from Beaver & Krause’s Warner Brothers period circa 1970-1972, featuring the celebrated Moog-friendly collaborators’ quirky mix of early electronics, found sound and musical dalliances from Blues to Soul and Rock to Gospel.Featuring the seminal “In A Wild Sanctuary” (1970), the haunting “Gandharva” (1971) and the wonky pop of “All Good Men” (1972), underlining the indelible mark the duo made on contemporary music. Filtering Scott Joplin and Bach throug…

"The Institute of Sonology in Utrecht has earned its international reputation mostly for pioneering work in the field of computer-assisted algorithmic composition and digital sound synthesis by composers such as Gottfried Michael Koenig, Werner Kaegi, Paul Berg, and Barry Truax. Anyone familiar with the music of these composers would have to admit that even within this 'genre' there were no stylistic dogmas. The stylistic range of the Institute's artistic output becomes even broader when …

2014 repress. Recollection GRM is one more label within the Editions Mego family of labels. Its aim is to make available on vinyl the vast archives of Groupe De Recherches Musicales (GRM). Being released in batches of two every three months, it will present both known and lesser-known works. All releases will be re-cut at Dubplates & Mastering and packaged in new artwork by Stephen O'Malley, featuring bi-lingual (French/English) texts. Some of these pioneering works have been out-of-print …

Very beautiful electronic pieces from the late 1950's by the founder of the WDR electronic music studio and mentor to Karlheinz Stockhausen, released on Wergo's great "Studio Reihe Neuer Musik" experimental music series in the 70's. Essential early electronic music. With insert.

Milestone reissue! Jean Schwarz has always been the wild man of the Grm, and also of Celia, his own label. His musical domiciliary rights are not only in the realms of electroacoustics, but also in jazz and extra-European traditions (through his engagement in the Department of ethnomusicology at the Musée de l’Homme in Paris). These varied influences result in a very peculiar electroacoustic music. The influences are not always immediately traceable, but the attitude in Schwarz’s works is maybe …

Recollection GRM presents two electroacoustic works by Croatian composer Ivo Malec. Triola (1978): "This piece marked my return to the studio after several years of absence, a return, which for unknown reasons, needed to be part of a rather ambitious project -- a strictly personal idea. This is how my mind slowly turned towards the design of a musical narrative meant to stand for a relearning of the trade, the temptation to use purely electronic material so as change it into something other…

the pure union musician, was the sawtooth performer with the occupation musician who serves the oboe player of the los angeles symphony. it attends the musician of the band companion in the back, announcing the extremity of sawtooth performance with the transcendent tech which is lined to the beauty consciousness and professional ability of western classical music. the elegant solo album 1985 indicates one direction of sawtooth music. the japanese first appearance. the booklet attachment of valu…

An amazing CD that compiles most of the Maderna electronic music production on magnetic tape from 1956 to 1962, all tapes created at the Studio di Fonologia Musicale della RAI Radio televisione Italiana in Milan. Bruno Maderna is yet regarded as one of the giants of post-war modernism, becoming one of the first Italians to produce electronic works. But it was not in technical progress that he saw music's future. Like his contemporaries, he also adopted 12-tone writing in the 1950s, yet Maderna r…

The spread of electro-acoustic music in Hungary was hindered for a long time by the lack of a studio of adequate technical standard. At first Zoltán Pongrácz has his own studio, then a few years later, in 1972, a modestly equipped workshop was established with the guidance of Iván Patachich. After two years' experimental work, the Hungarian Radio electro-acoustic music studio came into being in 1975 as part of the Hungarian Film Producing Company. During the 1970s the circle of composers began t…