Electronic / Electroacoustic

A crucial historical anthology, Dix Ans d'Essais Radiophoniques Du Studio Au Club D'Essai : 1942-1952 documents the decade in which Pierre Schaeffer laid the foundations for musique concrète, capturing the birth of modern sound art and experimental m…

A book on Francis Bayle's compostion 'Erosphère' (1978-80), including in depth analysis, images of the score, etc. (french language only). The DVD-Rom (multilingual: french, englsh, japanese, portugese, chinese) has a great animation of the whole 64 …

Long awaited new album by the enigmatic composer Angelo Petronella, in a superb piece of electroacoustic microsound, intertwining scrupulous minimalism, environmental recordings, and an intense drone nebula.  The liner notes to Rimandi E Scoperte are…

This record gathers a selection of recent compositions from the french electroacoustic composer J.M. Rivet. His work follows the path of french pioneers of ‘musique concrète’ with an emphasis on the intrinsic beauty of captured sounds and poetic comp…

Astonishing Box-Set of Giancarlo Toniutti’s 3 early works “Wechselwirkung", Metánárkôsis and Das Todesantlitz which have all been published by Toniutti on cassette tapes in 1982-83 in a very limited numbered edition. The Box also includes a 10" vinyl…

Recent issue of Japanese electronic music made by NHK electronic music studio after EXPO'70. This CD consists of 4 works assisted by engineer Tsutomu Kojima who assisted many electronic works of avant-garde composers. (Jean Claude Eloy's well known c…

2009 release ** Limited edition of 50 copies. "This Aspec(t) album is very noisy and rather edgy, Gabola's sax often sounds very saturated, there are no concessions to melody even by mistake, SEC_ on the synth and electronics moves in a very fragment…

Since the very first notes, this music appears to be about memory, decay and subversion. It is a deep investigation on the ability of sounds to freely attract or reject each other, in accordance with their own nature and disposition, and still mainta…

Long out of print, beautiful CD with pioneering electronic music from the period 1964 – 1971, which is a period when the somewhat lighter hand of Nikita Krushchev was replaced by the much sturdier and more repressive totalitarian reign of Leonid Ilyi…

2006 release ** "On their second album, the Italian duo formed by Enrico Marani (Le Forbici di Manitù) and Fabrizio Tavernelli (ex Afa) – dedicated to an avant-garde electronics that is not sung, but rather recited – continues to explore new language…

Half-book, half-screen, this François Bayle's composite work is meant not only to be read, but also to be heard-seen as well as perused in order to navigate through it more easily. The reader’s ear is solicited through diverse modalities that will br…

The first album in a trilogy of new material, Sanctus represents the new architecture of the Organum sound. Recorded utilizing an implicit graphic score, the album is comprised of four discrete parts, each a variant of the others. These are not parts…

This CD comprises the text-sound works (1974-1980) on which Ingram Marshall concentrated throughout the seventies and falls into two parts: the works from the Fragility Cycles period (Cries Upon the Mountains, SUNG, Sibelius in His Radio Corner, and …

First complete disc of Frances White's electroacoustic works, five first recordings for electronic sound alone or with viola, double bass, shakuhachi and string quintet, inspired by a bridge over the Delaware River.

Kuniharu Akiyama (1929-1996) was well-known as a music critic, mainly of modern and contemporary music. However, his career was not only in the music field -- he was also a very well-regarded avant-garde artist (he especially related to the early Flu…

Two versions of David Tudor's electronic environment Rainforest, issued commercially for the first time: Version I (1968), made for the Merce Cunningham Dance Company with Takehisa Kosugi, and Version IV (1973), an electro-acoustic environment.

Six works from 1986 to 1994 in which Yves Daoust turns everyday sounds and borrowed classics into music: Chopin recorded note by note, Schubert under Radio-Canada archives, Montréal church bells and dripping icicles.

Yves Daoust's 1991 disc of works built on fragments of the classical repertoire: pieces for piano, flute and accordion with tape on the theme of the performer's solitude, a baroque suite for a harpsichordist-actress, and the Bourges-winning Quatuor.

Yves Daoust's portrait of Montréal through its noise, the three-part Bruits (1997-2001), with Impromptu 2 on Chopin's Fantaisie-Impromptu, the 1981 analog-synthesis piece La gamme and Ouverture, a GMEB commission on Québec history.

Humeur de facteur, a six-movement acousmatic cycle by harpsichord builder Yves Beaupré, conceived as an ordre after François Couperin and built from six hours of recordings made in his workshop: tools, saws, strings, tacks and the resonating case.