A crucial historical anthology, Dix Ans d'Essais Radiophoniques Du Studio Au Club D'Essai : 1942-1952 documents the decade in which Pierre Schaeffer laid the foundations for musique concrète, capturing the birth of modern sound art and experimental music through pioneering radio and studio experiments.
A book on Francis Bayle's compostion 'Erosphère' (1978-80), including in depth analysis, images of the score, etc. (french language only). The DVD-Rom (multilingual: french, englsh, japanese, portugese, chinese) has a great animation of the whole 64 minutes piece which let's you see and hear the whole piece and follow the graphic score; plus pdf files of the score (130 pages, fullcollour) including translations of the notebook; plus a photo album from the archives of the Ina GRM, portraying Bayl…
Long awaited new album by the enigmatic composer Angelo Petronella, in a superb piece of electroacoustic microsound, intertwining scrupulous minimalism, environmental recordings, and an intense drone nebula. The liner notes to Rimandi E Scoperte are esoteric to say the least, with statements like "In my place there is an arch, both an entrance and a barrier, both a passage and a wall" which clarify little in terms of how this music was made or what processes are involved. That's probably the wa…
This record gathers a selection of recent compositions from the french electroacoustic composer J.M. Rivet. His work follows the path of french pioneers of ‘musique concrète’ with an emphasis on the intrinsic beauty of captured sounds and poetic compositions that let your imagination go – very far from standardazed today production from well-established studios in France or in Canada. Each track focuses on one sound source from daily life (trains, a demonstration, a voice, …) and tells a story t…
Astonishing Box-Set of Giancarlo Toniutti’s 3 early works “Wechselwirkung", Metánárkôsis and Das Todesantlitz which have all been published by Toniutti on cassette tapes in 1982-83 in a very limited numbered edition. The Box also includes a 10" vinyl EP with previously unreleased tracks from that same very early period (1981-84). This work represents his early musical-work as solo composer. 1982-83 was the period, and experiments with early electronics, found objects, rough percussion and noise …
Recent issue of Japanese electronic music made by NHK electronic music studio after EXPO'70. This CD consists of 4 works assisted by engineer Tsutomu Kojima who assisted many electronic works of avant-garde composers. (Jean Claude Eloy's well known concrete music "Gaku-no-Michi" was also assisted by him.)
1. “Palace of Green Space for Electronic Music” Kiyotomi Yoshizaki (1979)
Opposite concepts such as “Science and Art, Yang and Yin, Symmetry and Dissymmetry” are generally constructed based on…
2009 release ** Limited edition of 50 copies. "This Aspec(t) album is very noisy and rather edgy, Gabola's sax often sounds very saturated, there are no concessions to melody even by mistake, SEC_ on the synth and electronics moves in a very fragmented, almost rhythmic way, no soft keyboard-like carpet as one would expect and finally Agenziano plays the guitar less and less as we have always understood it, to give it back to us so filtered that sometimes it is even difficult to understand who do…
Since the very first notes, this music appears to be about memory, decay and subversion. It is a deep investigation on the ability of sounds to freely attract or reject each other, in accordance with their own nature and disposition, and still maintain their meaning. Combining dense, multilayered sheets of synthetic sounds, treated bass, electronic percussion, the six tracks reveal their non-architectural principle as the music develops through warm textural details, reverberations, underlying m…
Long out of print, beautiful CD with pioneering electronic music from the period 1964 – 1971, which is a period when the somewhat lighter hand of Nikita Krushchev was replaced by the much sturdier and more repressive totalitarian reign of Leonid Ilyich Brezhnev. This CD is a great revelation to the world outside of Russia, giving insights to the experimentation of sound during that important period, when so much was happening in the U.S.A. (San Francisco Tape Music Center) and Europe (The Stockh…
2006 release ** "On their second album, the Italian duo formed by Enrico Marani (Le Forbici di Manitù) and Fabrizio Tavernelli (ex Afa) – dedicated to an avant-garde electronics that is not sung, but rather recited – continues to explore new languages suited to enhancing interpersonal communication and the representation of reality in all its modern complexity, without simplifications or trivializations. The album features a long list of guests, who contribute in varying degrees: there is Mass…
Half-book, half-screen, this François Bayle's composite work is meant not only to be read, but also to be heard-seen as well as perused in order to navigate through it more easily. The reader’s ear is solicited through diverse modalities that will bring into play the rapprochement of two intertwined approaches, however very different and opposable with the goal of observing the listening”. Bilingual : French-English. 151 musical examples grouped in 53 themes
The first album in a trilogy of new material, Sanctus represents the new architecture of the Organum sound. Recorded utilizing an implicit graphic score, the album is comprised of four discrete parts, each a variant of the others. These are not parts as in a movement or continuation of the composition, but rather four distinct audio canvases that represent a continuum of the elements at large. Composed in the spirit of the early Organum material, David Jackman has resurrected the droned-based, p…
This CD comprises the text-sound works (1974-1980) on which Ingram Marshall concentrated throughout the seventies and falls into two parts: the works from the Fragility Cycles period (Cries Upon the Mountains, SUNG, Sibelius in His Radio Corner, and IKON) and the earlier works (Cortez, Weather Report, and The Emperor’s Birthday).
“Cortez, Weather Report, and The Emperor’s Birthday
form a kind of trilogy representing my work with “text-sound” in the
early seventies. The techniques used to gener…
First complete disc of Frances White's electroacoustic works, five first recordings for electronic sound alone or with viola, double bass, shakuhachi and string quintet, inspired by a bridge over the Delaware River.
Kuniharu Akiyama (1929-1996) was well-known as a music critic, mainly of modern and contemporary music. However, his career was not only in the music field -- he was also a very well-regarded avant-garde artist (he especially related to the early Fluxus movement). This release consists of his three unknown tape music pieces. They are very strange. Excerpt from the liner notes: "'Environmental Mechanical Orchestra' (1966) was made for an exhibition called 'From Space to Environment,' carried out …
Two versions of David Tudor's electronic environment Rainforest, issued commercially for the first time: Version I (1968), made for the Merce Cunningham Dance Company with Takehisa Kosugi, and Version IV (1973), an electro-acoustic environment.
Six works from 1986 to 1994 in which Yves Daoust turns everyday sounds and borrowed classics into music: Chopin recorded note by note, Schubert under Radio-Canada archives, Montréal church bells and dripping icicles.
Yves Daoust's 1991 disc of works built on fragments of the classical repertoire: pieces for piano, flute and accordion with tape on the theme of the performer's solitude, a baroque suite for a harpsichordist-actress, and the Bourges-winning Quatuor.
Yves Daoust's portrait of Montréal through its noise, the three-part Bruits (1997-2001), with Impromptu 2 on Chopin's Fantaisie-Impromptu, the 1981 analog-synthesis piece La gamme and Ouverture, a GMEB commission on Québec history.
Humeur de facteur, a six-movement acousmatic cycle by harpsichord builder Yves Beaupré, conceived as an ordre after François Couperin and built from six hours of recordings made in his workshop: tools, saws, strings, tacks and the resonating case.