Hologram Observers
*20 copies limited edition*
Recorded in March 2024, in Pančevo, Serbiaby Dobrivoje Milijanović and Jovana Ivanac Milijanović
Figures of Speech
Oval Angle is the moniker of Geran Knol, a Dutch multidisciplinary visual artist and musician based in Antwerp, Belgium. His instrumental electronic music blends mellow and playful tones, characterized by plucky, offbeat sound design and wavering, askew melodies. Geran’s composition process is akin to a sketch on paper, slowly evolving and mutating as elements are added, subtracted, and altered. His debut LP for Moon Glyph, “Figures of Speech”, utilizes circular, melodic repetition found in mini…
Wormhole
Nicolas Gaunin, the moniker of Italian experimental electronic musician Nicola Sanguin, returns with his latest full-length “Wormhole”. This record bridges the gap between naturalistic polyrhythms and more expansive, cosmic technologies. Contrasted to his previous rain-soaked “Hulahula Kāne” LP, “Wormhole” has even more emphasis on unusual rhythms; propulsive and abstracted yet immediate. The sonic palette is diversified as well, incorporating synthetic real-world timbres alongside crisp and mor…
Hidden View
Leaving is the left-of-centre, electronics project of Rupert Thomas (Erasers), based in Perth, Western Australia. With a focus on hardware electronics, Thomas conjures immersive worlds of mood-driven synthesizer compositions that range from deep, slow moving ambience, to dense rhythms and hypnotic melodies. Forming over a decade ago as a home recording project on Whadjuk boodja (Perth, Western Australia), Thomas documented his early sound through a steady flow of CD-R’s and tapes before releasin…
Canoga to Haʻikū
We live in places and they live in us. Sometimes we’re in the same place, linked together by the elements and our immediate surroundings. Other times, we push off into farther flung spaces, but stay connected as though telepathically, treasuring the closeness that once was and will someday be again. Most of the humble music that comprises ‘Canoga to Haʻikū’ was recorded in a single sitting by Carlos and Jesse in Carlos’ studio in California. A little later, Jesse departed for Maui, where an acqu…
Seven Vignettes
The tracks presented here are studio works, edited and composed at my home in Manchester, UK, utilising a number of found or acquired objects. Strongly influenced by my parallel and supporting practice of field recording, they feature the small (and often internal) sound fields of particular things and the specific processes applied to them. The processes include combustion, excitation with an e-bow, plucking and blowing. Such sounds are often accessed by the use of contact microphones, amplific…
Tropismi
Tip! Gabriele Gasparotti’s second full length album, Tropismi, is a collection of mesmerizing compositions with masterful polyrhythmical textures and harmonies, strings, prepared piano, magnetic tape and field recordings. Gasparotti's unique style uses classical composition techniques such as counterpoint, canone inverso and serialism to create morphing expanding harmonies continuously. Tropismi features stunning cellotronics by Benedetta Dazzi, cellist and sound designer with which Gasparotti e…
Teared Up
"Defeat, resistance, betrayal, heroism, torture, execution and conspiracy were the topics of the first conversations he overheard."
The Play-Back
Lovingly packaged Lebanese CD of skillful turntablism from Dj Sniff on Annihaya.
Ear Bitten / No Vowels, No Bowels
Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends - although founder Tom Ellard would balk at being branded as such - Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies.
In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and ado…
Enochian Music For Beginners
What if Coil would have gone playing Black Metal music? Well, we cannot say it for sure, but probably the outcome could have been something very similar to some of these last Teatro Satanico tracks. Heavily influenced by explicit occult and esoteric topics, “Enochian Musick For Beginners" is an unforeseen psychedelic journey beyond the frontiers of the usual post-industrial noise. A true original mixture of electric and electronic frequencies. It got something new, something that inspires awe, s…
Micromegas
Seeing Matthew Erickson perform live is an impressive experience. The sound he gets by blasting his saxophone through his Fender Twin literally shakes you to the core. Erickson has a great ear for experimental music; exercising tasteful timing and restraint, which I am finding to be more and more important. Whether performing in the sax-guitar duo Sudden Oak, or solo as Radiant Husk, his sonic presence has earned the respect of many.
The ReR Quarterly Volume 4 Number 2
CD contains commissioned works by Q.R. Ghazala: Sacrifice To Isis, , Mike Hovancsek/Paul Guerguerian:Three Cold Floors, Tom Dimuzio: Inception, Marie Goyette: Short-Cuts: Brahms, Ken Ando: Danseuse, Robert Iolini: Congo, Zimbabwe, Giovanni Venosta: Le Ombre Di Otello, Keith Rowe/A. De Fillips: Feu Brilliant, Brian Woodbury's Variety Orchestra:Shenandoah/Innsbruck, Richard Barrett: The Unthinkable, Stevan Tickmayer: Heterophony, Volapuk: Des objets de la plus grande importance, Boris Kovacs: Extr…
The ReR Quarterly Volume 4 Number 1
On the CD: John Oswald/John Zorn, Biota, Cornelius Cardew, ZGA, If Bwana, Kalahari Surfers + Lesogo Rampolokeng, Koongoortoog (Tuva),Blitziods, Al Margolis, Tom Nunn, Thinking Plague, Adenoid Quartet, N.O.R.M.A., Les Sales Combles, R.Deutsch, Martin Burlas, Peter Machajdik, David Myers, Chris Cutler/Fred Frith. New, found and commissioned work.
The ReR Quarterly - Selections From Vol. 2
Commissioned materials from Robert Wyatt, Iva Bittova / Pavel Fajt, LA 1919, Jocelyn Robert, James Grigsby, J. Lachan, Henry Kaiser, Increase The Angle, Bill Gilonis, David Thomas, Jospeh Racaille, John Oswald, Musci / Venosta, Luciano Margiorani, 5UU'S, When, Jean Derome. Taken from Volume 2 of the influential Quarterly, remastered, with an exquisite book by Dirk Vallons. L
ReR Quarterly Vol 1 - Selections
Selections from Volume 1 of the ReR Quarterly,including the legendary recording of the so-called 'supergroup' Duck And Cover (Tom Cora, Chris Cutler, Heiner Goebbels, Fred Frith, Alfred Harth, Dagmar Krause and George Lewis), Biota, Steve Moore, CASSIX, 5UU's, John Oswald. With generous book.
Getting A Head
Re-issue of Bob Ostertag's Getting A Head, and underground classic of tape manipulation from before the days of samplers. Best known for his work with computers, here a young Ostertag plays an instrument consisting of a highly unstable and peculiar recording system, which uses helium balloons to hold up tape loops between three tape recorders made to malfunction in a variety of ways. The record marks one of the first, and to this day one of the only, times that tape manipulation techniques devel…
When Better Isn't Quite Good Enough
The spirit of enquiry and experiment is still alive and kicking - in Portugal anyway. On this double CD, Vitor looks twice at the same material. On CD one we get his unique take on guitar improvisation, which is electric, songlike and mixes genres in an unusual way. Then he takes all the pieces on that CD and orchestrates them with drums, bass, piano, guitar, clarinet and trumpet, to make a duplicate CD on which the same pieces appear as quite different pieces. You can choose one or the other, o…
The Pharoah's Bee
Allen Ravenstine, erstwhile eminence grise of classic-era Pere Ubu, was one of the best-integrated and least predictable pioneers of analogue synthesis in rock until, in the late 1980’s, he quit both the public and the musical arena to pursue entirely different interests. But he never lost his interest in, or his feel for, analogue electronics. A few years ago, with Pere Ubu’s current synthesist, Robert Wheeler, he recorded ‘Farm Report and City Desk - in the context of a documentary about modul…
Radio Banana
Just when you think it's all over, along comes something completely unpredictable - in this case, a modest but uncompromisingly original confection that mixes latin brass arrangements (sort of), great drumming, medium wave radio and the many characters of the accordion. Simplicity, complexity, surprise, familiarity -and all without undue fuss but adding up to something exotic and new. Radio Banana is a record that wears its heart plainly on its sleeve. It doesn't play by genre rules, or fashion …