An Un World
Andrew Liles offers little hope or joy on his meticulously crafted album An Un World. Over the course of the tracks comprised of various sound sources tweaked into dark ambient soundscapes, the producer carries you through an often fantastic, sometimes frightening world of sound, characterized by its tone more than its individual components. Every song features its own unique palette of sounds. For example, indecipherable voices murmur beneath a haunting wind-like buzz on "Over Before It Began,"…
Barricades
The story is that Vigroux spent most of the time on his tour constructing what would subsequently evolve into Barricades. Working indefatigably on new tracks in the morning and performing them live in the evening - that is basically how this excellent work was assembled. Recording everything in stereo, using only two tracks, Vigroux aimed to incorporate “the rawness of a ‘live’ recording”. Consequently, the sound here became unmistakably pure and expressive, somewhat reminiscent of artists such …
RA
Schneider TM & Jochen Arbeit of Einstürzende Neubauten release an album of ‘urban cosmic freeform music’ on the US label Erototox Decodings in cooperation with MWM featuring musical contributions by Julia Kent (cello), Lucio Capece (bass clarinet) & Claas Großzeit (cymbal). The album, which almost became a lost treasure, was already recorded in winter 2011/12 and stretches out it’s harmonic dissonances between heavy drones, strange noises, industrial-like metal percussion, feedback-ish flutes, …
LCM
"A mainstay of the Bay Area experimental music scene, Thomas Dimuzio played countless times at this comfortably carpeted venue, that kind of privately public space where it can be hard to properly tell the music apart from the community. Though ’LCM’ is technically a live album — two side-long suites, each built out of three continuous movements — it’s also been seamlessly composed from so many different nights that it represents an entire era, evoking the sites that allow music like this to com…
Matériaux
A physical release for ‘Matériaux’, the 2020 EP from French multimedia artist Franck Vigroux. Somewhere between a mini-album and a long EP, Vigroux expresses a range of different moods but in the same simple, musique concrète-influenced manner, driven by texture and harmony at the expense of melody.
The Wind In Kirtipur
"The Wind In Kirtipur is a piece in two parts using normal and treated location recordings, pitched Tibetan thigh bone horn and singing bowls. Recordings were made at the Bagh Bhairab Temple in Kirtipur, at the Swayambhunath Stupa in Kathmandu and inside the walls of the Kumari Ghar where the 'Kumari Devi' (Living Goddess) lives in Kathmandu, Nepal. The title is inspired by a text written by poet Ira Cohen as a foreword to a book of early texts/poems by Angus MacLise entitled 'The Map of Dusk': …
Live In Austin
Performed & recorded live on June 25th 2019 at Barracuda Club via Antumbrae Intermedia Events + Installations, Austin, Texas / USA
Les Vraies Richesses
Two concerts by improvising keyboardist and vocalist Jean-Marc Foussat, on the LP a recording at the Tout Rennes S'Emmerde event organized by From Town to Town, Capital Taboule, Consternation, L'Effroyable Association Western Soviets Satanist and Dream'in Noise, the 2nd a DVD of Foussat performing live on the beach as part of the 13th Farniente Festival.
Nouvelles
A vinyl reissue of improvising synth, vocalist and multi-instrumentalist Jean-Marc Foussat's 2001 Potlatch album, originally released as a CD-ROM and here with an accompanying DVD titled "Hope for Happiness" including 3 silent films, two of which relate to the album; performed with Francesco Pastorelli : voice, Louise Foussat : laughs, Marc Bohy : drums, Pascal Bouscailloux : bass, Jac Berrocal : trumpet, Jean-François Pauvros : guitars, Roger Turner : voice
Substunce Sans Scrupule
"Substunce Sans Scrupule" is a dream. A hazy dream born in the emptiness between the words of "Igitur ou La folie d'Elbehnon" by Stéphane Mallarmé. A dream that sought Marcel Proust's lost time and constituted the light and the black void between the single frame of Gregory Markopoulos. It is the birth and the destruction of the work of art, primitivism and science. "Substunce Sans Scrupule" is as much Georgios Karamanolaki's automatic writing on the work of Jean-Marc Foussat as Jean-Marc Foussa…
Monoliths
**200 copies limited edition** "The occasion of this double album is to present the two different practices in my music, live performance and studio work. Although phenomenally coming from a different place, it is a result of years of experimentations to bring a simple yet complete electroacoustic set up both on stage and in studio. The original idea was to compose or perform with acoustic instruments generating sustained sounds in a way that, although electronically manipulated, would retain al…
Electronic Works & Voices 1961-1987
The complete works of one of the pioneers of Belgian early electronics. This 3CD set highlights Leo Kupper's earliest unique compositions produced during the '60s to the'90s when he was ardently seeking out structures distinctly applicable to purely electronic sounds. His GAME machine - Générateur Automatique de Musique Electronique (Automatic Generator of Electronic Music) was constructed during such period and spirit of renewal and technical exploration.
Less Is More
**200 copies limited edition** In August 2021 Moving Furniture Records curated a music program accompanying the minimal art exhibition 'Less is More', presented by Polderlicht at Factor-IJ, Amsterdam. On this occasion the Orphax performance was recorded live. This CD features the full set - no edits, no cuts. This live set merges Orphax's fascination for minimalist art and his idiosyncratic take on drone music, offering warm and organic atmospheres in which the listener drifts away, losing not o…
Could Change
"Alvin Lucier’s I Am Sitting In A Room was written over 50 years ago, and it’s about time somebody figured out what to do with it. Sure, you could upload and re-upload the same video until it washes out into a gurgle, and people have. But the result is always just less video and not more of something else. There’s no space, no Room, inside a digital stream to come forth. Here’s why: Lucier’s piece famously provides more thrills and chills the more patience you bring to it. And it works that way …
L'Oeuvre Electronique
Incredible 14xCD lavish box set, a 16+ hour compendium of the electronic music key works from one of the most important electronic composers of the 20th century complete with a 106 page book. Born between wars, Eliane Radigue’s musical journey began in the Paris studios of musique concrète OGs Pierre Schaeffer and Pierre Henry during the 1950s and 60s, experimenting with magnetic tapes, honing her craft in sound construction. But it wasn’t until the 1970s when Eliane moved to New York City — bec…
Transociety Relics
**Double vinyl, 300 copies limited edition** László Hortobágyi is an electron released in the current world sound system galaxy. His sound art is simultaneously an expanded ethnography of an invented folklore and a way to preserve his acoustic environments for future generations. They are compositions of both terrestrial and spatial sound that present a rich auditory ecology and trace the path from the past to the future. Ancient and futuristic environments interconnected by invisible historical…
Cavité Aérienne
Latest release from Belgian composer Pierre Gerard is Cavité Aérienne (self released), a highly evocative title whose literal translation into English gives us something like “airline cavity”.
Minus Modum
"Once again Gerard uses his guitar, low-key electronics, his own voice, and inanimate objects in the creation of a five-part work, this time using Greek letters to identify the separate parts of the structure. He also uses a lot of silence, as usual, and one has to strain quite hard to make out any perceptible markings on this blank stretch of time. Actually what may appear to be pure silence actually contains a very subtle and washed-out drone of some sort, produced by means we know not – it’s …
Delay x Takuma
Constructive is proud to present some radical reinterpretations of four tracks from Takuma Watanabe’s debut album ‘Last Afternoon’ by Vladislav Delay.‘Clouds Fall x Tactile’. Like taking a widescreen trip through Takuma’s perfectly constructed digital worlds. Loops of conversations, sheared sounds and bursts of low-end frequencies fill the air. All underpinned by those unmistakable strings.‘Text x Bruges’. Hyper chemistry of rhythmic urgency and Joan La Barbara’s vocals. Cut up and used as percu…
Jade
What if a song was not a culmination but a singe, an imprint, or a crater left in the wake of creative process? On her new record “Jade”, Pan Daijing composes at a different scale than that we’ve come to know. Since the release of her groundbreaking LP “Lack” in 2017, Daijing has expanded her operatic vision into a series of major commissioned exhibition-performances at institutions including the Tate Modern, Martin Gropius Bau, and the Haus der Kulturen der Welt. Developed for full casts of ope…