Farol
**200 copies** "Farol is the sound portrait of a monumental architecture : the 25 Abril bridge in Lisbon. The 25 Abril bridge is a symbol for the Portuguese capital. Visible to tens kilometers around, it serves as a visual and noisy landmark. As we c…
Neighborhoods
Ernest Hood’s Neighborhoods was released some two decades after the Portland, Oregon born and raised musician’s first forays into field recordings. These very recordings, and those captured over intervening years, define the universal sound and aural…
Bamboo Music
Stemming from Jacobus Derwort’s 1987 solo debut tape ‘Bamboo’, this expanded and reshuffled compilation of ‘Bamboo Music’ celebrates more than 30 years of J. Derwort’s deeply focussed yet dilated and richly spirited recordings which have come to defi…
Mutia
**300 copies on 2 x Green vinyls** "While developing my last film about the elephant graveyard myth, I tried to imagine what that jungle and landscape that protected it might sound like. To do this, I created a series of soundscapes, atmospheres to h…
Dry Lake
**300 copies** Il Grande Silenzio is a project by Japanese artists Atsuo Ogawa and Minoru Sato. On 'Dry Lake' they offer two minimal compositions that feature banjo, field recordings and electronics.
Ethnoelectronics
CD Edition. Ethnoelectronics, issued on cassette by Sound Reporters in 1986, exists beyond the realm of easy definition. Very little information about the album exists, other than the fact that it involved the contributions of a remarkable group of s…
The Honey Dodger
Australian artist/author/designer/musician Matthew Revert weaves something of a hazy opera, leaving crumbs of hypnosis, rap mixtapes, portastudio songwriters, and the overall feeling of waking up several times throughout the course of a night with th…
To The Scaffold
To The Scaffold is the new solo material from Clay Kolbinger (Math Balance Volumes, Private Anarchy) under his Termite Acropolis moniker. Decaying tape music is spread across the 6 pieces of this tape, completing a foggy wilderness.
Green Ways
Green Ways documents a collection of live recordings, drawn from in situ performances given in Doon, Dungarvan, Plaistow, Shoreditch, Singö and Stratford across 2018 by Graham Lambkin and Áine O'Dwyer. It celebrates the filíocht of rural and urban ac…
Mellow Toes
"Mellow Toes comes as the second excerpt from my Schnarcharchiv (snoring-collection). This growing collection contains audio-recordings of sleeping humans, friends, and animals in all places and states of rest, sleep and nap, captured during night- a…
Lips & Un Canto Della Tonnara
Hiele Martens is the duo of Roman Hiele and Lieven Martens Moana. Lips is a musical story about a Lord of Castle daydreaming about his favorite fetish... and other things. It has compositions created in the Worm studio (Rotterdam, Netherlands) on T…
Invisible(s) Archipelago(s) #1 – Serendib rhythms
"The Unfathomless Series returns with another pair of fine releases, whose moods are polar opposites. Five Elements Music‘s lokrum patterns draws the listener in, while Stéphane Marin’s Invisible(s) Archipelago(s) n°1 – Serendib rhythms contains soun…
Anthropological Constants
Paradigm Discs, the ever-reliable archivist of the deep underground, presents these incredible soundscapes work: the works on Anthropological Constants straddle a fence between field recording and experimental composition. The intention of each piece…
Luv / Kopfuberwelle
Sabine Vogel 'luv', and Chris Abrahams + Sabine Vogel 'kopfüberwelle'. Another split disc, presenting two aspects of the music of Berlin-based flautist - composer - improviser Sabine Vogel. The first half of the disc contains a solo composition creat…
Untitled Phenomenas In Concrete
Composed between 2008 and 2011, 'Untitled Phenomenas In Concrete' is a piece made out of 85 HighC/UPIC* sessions and 18 external sounds (recordings of snow falling, bones cracking, magnetic fields and insects). *UPIC is a computerised musical composi…
Schauzeichen
This 10" is the most condensed kind of a summary of the sound of [multer] in its whole variety from 1997 to 2003. From abstract soundscapes with added field-recordings to hypnotically looping song-derivates or even shorter running proto-tech. ………and …