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Rain, spit, ice, neon, mercury, arcing electricity, plants, steam, soil, and dust; this is dream music from Sa Pa. Following up on his 2015 debut 風物詩 [Fuubutsushi], In a Landscape provides rich content for fantasy and the fertile imagination, establishing a rich terrain of visual, poetic, and abstract sound that draws on techno and dub ambient.Somewhere between pastoral impressionism and cyber-noir, its surface evokes the tensions of a fluctuating, fizzing atmosphere, pictures emerging and disso…
UK ambient pioneers O Yuki Conjugate release their first new album for over a decade. Sleepwalker documents the group's recent live shows, doubling as a soundtrack to a film of the same name by founder member Andrew Hulme. Comprising 10 new tracks taken from 24 live shows in nine countries across Europe, Sleepwalker captures OYC's current musical direction, a blend of plangent keyboards, abstract guitars and electronic rhythms, presented in OYC's inimical style.
**300 copies** An ambient journey to the inner reaches of the sound modulation. Weird rhythms that remind to Craig Leon, blended with synth sequences close to the kosmische Berlin School and experimental guitars giving an organic touch. An LP of experimental minimal electronics with ambient traces. A cyclical cloud that renovates de orography of places already explored by artists such as Dieter Moebius, Steve Hauschild, Conrad Schnitzler, Cluster, Harmonia...Mecánica Clásica is a new project bou…
Kompakt welcomes veteran contemporary experimental producer Marcus Schmickler with the release of his spectacular noise / techno fused medallion entitled Particle / Matter-Wave / Energy.Marcus Schmickler’s fifty plus release discography is one of the most fascinating in his field. From his studies under Cologne based Stockhausen collaborator Johannes Fritsch to his releases through legendary imprints a-Musik, editionsMego and Mille Plateaux, over the years Schmickler has been behind innumerable …
**300 copies** Conceived in the cultural cellars of Bangkok, Thailand, and Geneva, Switzerland, this 9-track LP by Jerome, aka Yantra Mandir and The Dude of Stratosphear, casts a wide net over experimental meditative ambient music, progressive drone, Brahmanic accents, and ritual oscillations.Together, this work represents a 20 year journey in Geneva of musical production, artistic expression, and the melting pot of experiences fused with the rich legacy of Indian spiritual sounds.The LP is part…
"There are 4 tracks, 4 different windows to look out from our studio in Düsseldorf into the street and their different layers of sound. 4 horizons, 4 spy holes in the door, 4 eyes and 4 shopping windows. 4 landscapes.Witness the electric city and the power house. Strafe F.R. is sitting inside the fuse box. The electric chirp of the night. The socket in which we sleep. The dog comes, in order to devour Strafe F.R. First he eats the rebellion and next he bites the Strafe.The house and the body, bo…
Sometimes you know it’s coming, sometimes it’s unexpected, but the time to hang your boots will always come. It’s better when you have total control, even better if you end up on a high (or on a low). After seven years of sonic interferences, calibrating the soundscape of field recordings and helping to recreate the old sounds of today, Gonzo is retiring from music. It’s a goodbye, yeah, and a well-crafted one.But Ruído(s) doesn’t sound like an intentional one. You won’t listen to it on any of …
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**2019 stock** Having recently contributed to Goner’s Yogascum LP, reissued in late 2017 as a vinyl release through Hallow Ground, Mark Godwin now returns to the label together with his musical partner Gareth Ormerod as zK. Formed in 1999 as a live project, zK first released on the legendary Mancunian Skam label in 2003, toured throughout Europe and were invited by Autechre to play the All Tomorrow’s Parties festival.In the following years, Godwin and Ormerod produced a slew of records that at o…
**300 copies, white vinyl** "Toilet Chant was originally released back in 2004, in an edition of 99 numbered CDrs that each featured a no doubt highly collectable thumbprint / shitstain (Massimo and Pierce were, of course, no strangers to the base and scatological). Despite its more deviant, transgressive, and earthbound trappings, however, Toilet Chant is actually quite a complex and otherworldly suite of songs. In fact, parts of it are legitimately brilliant. Hallow Ground seem to have valiant…
**500 copies** Grischa Lichtenberger’s music stands for broken rhythms, for high-density manipulations that emphasize the digital and fractal nature of its working process. a mindset that grew closer to contemporary jazz in recent years. since free jazz, this genre also sought to overcome musical standards and looked for possibilities of an individual artistic expression. within this context, the collaboration between Lichtenberger and jazz saxophonist Philipp Gropper as well as the resulting al…
**2020 small repress** Andy Stott’s first release since 2016 and first EP since 2011, It Should Be Us is a double EP of slow and raw productions for the club, recorded this year and following a series of EPs that started with Passed Me By and We Stay Together early this decade. Recorded fast and loose over the summer, these 8 tracks harness a pure and bare-boned energy, melodies subsumed by drum machines and synths; slow, rugged hedonism. It’s all about rhythmic heat and disorientation, pure dan…
Four remixes of four tracks taken from the latest albums on Morphine Records, by Erika, Zoë Mc Pherson, Sugai Ken and Thomas Brinkmann. Hand-crafted cover by M-L-XL.A1 Original version on doser035Lp AMA by MA.Reworked by Sugai Ken.A2 Original version on doser033LP Euganea by Upperground Orchestra.Reworked by Erika Sherman.B1 Original versions from on doser036LP Contagious by Contagious.Remixed by Zoë Mc PhersonB2 Original version on doser034LP Quellgeister3 by Stefan Fraunberger.Reworked by Tho…
**2019 stock** "Sugai Ken follows in the vein of RVNG Intl’s Visible Cloaks release with an exquisite meditation on traditional Japanese percussion and 4th world electronics ruptured by unpredictable runs into more abstract terrain.UkabazUmorezU works like a stage set or a variegated series of sonic scenarios, at once smartly demonstrating his compositional versatility as well as a dilated vision of the connections between Japanese tradition and western-rooted electro-acoustic practice. In a way…
Carter Tutti Void (Chris Carter, Cosey Fanni Tutti and Nik Void) have released their third and final studio album. Containing all new studio recordings, Triumvirate brings this collaborative partnership to a conclusion. The trio first came together as a collective for a live performance, invited by Mute for the Short Circuit Festival in 2011 and released their acclaimed debut, the live album Transverse the following year.Carter Tutti Void went on to release f(x) (Industrial Records, 2015), their…