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*2022 stock.* RHaD (Research for Historical Audio Documents) is a side project of Raffaele Pezzella (better known as Sonologyst). What Pezzella brings us here is a concrete example of something of what I have always believed – that ALL sound is music, whatever its source (radio transmissions, telephonic conversations, hi-fi test signals, old and forgotten documentaries, unknown field recordists). More than that, there is something else that goes beyond the simple creation of seemingly random sou…
*100 copies limited edition. In process of stocking.* Dinzu Artefacts presents La vie des objets by Charles Barabé. Kaleidoscopic textures of crackling noise and subterranean drones woven from a ubiquitous 'silence.' Vinyl records sampled and processed through a modular system further isolating and magnifying the sound.
*2022 stock. Edition of 80 copies.* Granny Records presents Office Swan by Mark Templeton. Mastered by Giuseppe Ielasi. Design & Artwork by Yorgos Vourlidas. Written and Produced by Mark Templeton.
*2022 stock. Limited edition of 100 copies.* 'Gestes croisés / Gesti incrociati' it is the first collaboration between Pierre Gerard and Luigi Turra, and with this work they confirm their poetics, inclined to radicalism and exploration of a universe made of details often cultivated through a silence that generates expectations and rewards attention. A work that reaffirms the duo's forged connections with the modern avant-garde, electroacoustic improvisation and with fragments of abstract and min…
*2022 stock. Limited edition of 300 copies.* And I ask my lovers "Do you know where the Desert Roses bloom and grow?". Following the disband of Black Sun Productions in 2012, Massimo & Pierce released their first album as Anarcocks.Exposing the fictional character of teenage Johnny as he joins the underground revolutionary army of the Wild Boys, Desert Rose is the first installation in a trilogy called europArabia.
An aural investigating of the intertwine between west and east, north and south, …
Nichunimu is a Chilean improvisational trio working at the edges of free jazz, ritualism, noise, minimalism and krautrock music. Since 2014, Benjamin Vergara (Trumpet), Nicolás Carrasco (Synthesizer) and Matías Mardones (Percussion) have been inspired by repetition, textures and friendship through the sound, focusing on circular shapes in music that bind them together. Based between the cities of Valdivia and Santiago, their members have also collaborated on projects like La Kut, Cariñito 3, Dub…
*Limited edition of 500 copies.* Playfield has never played inside. Daniel Carter, a multi-instrumentalist and the founder of 577 Records, has always pushed to make sound more real, relying on outdoor performance and New York City's auditory ambience, to orchestrate his pieces. This practice, which is fundamentally improvisational and experimental, opens any final recording to the unpredictable nature of strangers' sound and offers a rich texture of a moment in time. Importantly for the artists,…
Tip! Extended guitar hero Oren Ambarchi returns with Shebang, the latest in the series of intricately detailed long-form rhythmic workouts that includes Quixotism (2014) and Hubris (2016). Like those records, Shebang features an international all-star cast of musical luminaries, their contributions recorded individually in locations from Sweden to Japan yet threaded together so convincingly (by Ambarchi in collaboration with Konrad Sprenger) that it’s hard to believe they weren’t breathing the s…
Bagman, an imaginary character dreamt up by this experimental jazz trio, roams around in the figurative soundscape, collecting sonic debris. From a piano played on the inside and outside, electronics, saxophones, drums and junk objects shape a frenetic musical environment. Captured live at Cafe Oto in London, Pat Thomas (Piano, Electronics), Raymond Strid (Drums) and Sture Ericson (Tenor, Soprano Saxophones) assemble fragmented sounds in haphazard, creative and thrilling directions. After years …
*Limited edition of 500 copies, silk-screened sleeve, random green and rose artwork.* Alien Transistor present Alien Parade Japan, a joyous double-album compilation of groups from Japan’s indie-pop and avant-garde undergrounds, all of which feature brass or woodwind instruments as part of their line-up. Compiled by Markus Acher (Alien Transistor, The Notwist, Hochzeitskapelle) with plenty of support and help from his Spirit Fest bandmate, Saya (also of Tenniscoats), it features some familiar nam…
*Limited edition of 300 copies.* OP. 176 Penthesilea is presented as a deluxe 5CD box set with 32 page full colour booklet featuring writings by Villy Sørensen, Mark Harwood, Werner Durand and Henning Christiansen. The set is all housed in a sturdy slip case with original artwork (by Henning Christiansen, scores and performance photos.
Music for a tragedy/play, Penthesilea (tragedy in 24 scenes), by director Carlo Quartucci, playwright: Heinrich von Kleist. First performance at Teatro Olimpico, …
*In process of stocking* Tip! 'When our friend and inspiration Peter Rehberg passed suddenly in July 2021, I felt like I had to do something, and what I’m good at is something Peter deeply loved, producing records. so I put together this project with some of his longtime collaborators and friends, Lasse and Jérôme, Marcus Schmickler mastering and Tina Frank designing.
it’s titled Top for multiple reasons but one is that Top was often Peter’s entire reply to a message you’d sent, both concise an…
*In process of stocking. 200 copies limited release, CDr format* On Easter Monday of 2019, friends and colleagues reunited at London’s iconic improvisational space Café Oto. The four, Ken Ikeda (Synthesizer), Massimo Magee (Electronics, Saxophone), Joshua Weitzel (Shamisen), Eddie Prévost (Percussion) had met and played together many times in the years prior—usually in the context of Eddie Prévost’s London Improvisation Workshop—but had never performed a public concert together. The group's avan…
*200 copies limited edition, CDr format* As an artist and a thinker, Massimo Magee has been consistently drawn towards patterns: traditions, lines of influence, schools and the unexpected intersections of each. This album, Toneflower, presents a solo programme, meditating on many of those concepts. As an entirely improvised set of pieces, it is also inspired by Anthony Braxton’s solo alto tradition and the larger solo saxophone canon. Similarly, it draws from Magee’s prior percussive experimenta…
Invoking imagery of a narrow, perhaps perilous passage, or its dual meaning, the back of the throat, musicians Amanda Irarrázabal and Miriam Ben Boer Salmón named their collaborative 10-track album, Fauces. In this recording, the duo plays with both concepts in a process of improvisation, creating fiercely lush landscapes, layered with texture, ragged hazy wood against strings. The soundscapes are sometimes imperceptible, shadowy horizons emerging from dim light, and rising, something threatenin…
** Edition of 500 copies with a numbered 4-page insert ** Previously released in 1980 on David Toop’s Quartz label at a time when improvised music in London was settling into a long spell of excellence. The players here are Steve Beresford, Peter Cusack, Terry Day and David Toop. Terry had been a member of The People Band in the 60s, one of the groups forming part of the first wave of British improvisation. The rest of the group could be regarded as pioneers of a second generation of improvisers…
Aaron Turner: guitar, tapes, effects
Turner is known as guitarist of legendary Isis and Sumac, among others. Today exploring with his solo work an abstraction of metal, avantgarde and noise. Brutal and beautiful at at the same time.
Unlike the distant "18/8/81" or the more recent "Wrong Ninna Nanna", this new solo work contains no piano or other instrumental parts. In this release, which occurred like all truly welcome things in an unexpected and unsought way, I have collected some of my own compositions created only from sound material recorded around or taken from other recorded music. Such material has been mutated with various sound processings, and assembled by multiplying layers in both digital and analog environments…
David Grubbs and Jan St. Werner met in the mid-1990s when Grubbs was playing with Gastr del Sol and the Red Krayola and St. Werner in Mouse on Mars and Microstoria. After years of exchanging ideas, Translation from Unspecified marks their first time locking horns as a duo, and it’s clear this deck-clearing collaboration was long overdue. In January 2020 Grubbs arrived at Mouse on Mars’ Berlin studio Paraverse with a guitar and “Translation from Unspecified,” an open-ended, seemingly self-generat…