Wound Response
Another piece of the puzzle to his 4-part ‘Pedlar’ boxset, this one was thrown down in 2011 at Newcastle’s legendary Morden Tower, a C.13th, grade-listed turret on the West Walls of the city’s ancient defences against curious Mackems and Durham scunners, that was also previously and notably site of seminal recordings by The New Blockaders, a.o. In that vein, Davies gets raw to the bone in ‘Wound Response’, using Lap harp fed thru transducer, read by contact microphone, and pushed to seething lim…
Didone
** 12” LP edition of 300 copies with cover artwork and booklet featuring illustrations by Ettore Tripodi ** In September 2019 Alessandro Bosetti was invited by fellow composer and curator Riccardo La Foresta to create a new work for a newly created ensemble as part of a residency program hosted by Centro Musica in Modena, Italy. The very first encounter took place on Skype – kind of a prediction of the forthcoming physically distanced pandemic times. The first, straight-to-the-point question Bos…
Gyropedie
“Gyropedie,” Anne Guthrie’s third record for Students of Decay, takes us further into her hermetic practice, wherein expertly captured field recordings, French horn, and electronics are woven into potent and richly imagined electroacoustic environments. In Guthrie’s own words, “Quite literally a record of pilgrimage from East to West. Remnants of Midwest and East Coast soundmarks, instruments sold to lighten the travel load, sketched out and then buried under the new. Winter birds and crunching …
Incipient ICP, 1966-71
The untold early history of Amsterdam's seminal collective. Founded in 1967 by three of European free music's leading lights -- pianist Misha Mengelberg, drummer Han Bennink, and saxophonist and clarinetist Willem Breuker -- the Instant Composers Pool (ICP) was simply one of the most important vehicles for experimentation and improvisation in the history of creative music. Culling ideas and materials from jazz, modern and contemporary classical music, Fluxus, traditional music from the Balkans a…
Hymns from the Harbour
**Edition of 118 numbered audiophile golden CD** Best known as producer and mainman behind Dark Companion Records and the reborn Manticore Records, Max Marchini gives birth to his first solo album where he plays all instruments except for two collaborations with avant-garde singer songwriter Paola Tagliaferro and the amazing pakhawaj indian drum playing of Akhilesh Gundecha. This album was intended as a present for his friends for Dark Companion’s 5th anniversary, but eventually label insisted t…
Whistling Kettle Quartet
* 2021 Stock. Last copies. * A singularly brilliant work for baritone, tenor, contralto & soprano whistling kettles from this unpredictable Argentinian collective Reynols seems to be more active than ever. Responsible for a bunch of highly conceptual projects such as the '10.000-chicken Symphony', 'BlanTapes', 'Fire Music', 'Reynols Plays the Eiffel Tower', etc. this sound-art piece redefines a traditional format in classical music, 'the quartet', in order to expand its boundaries and possibilit…
The way to go out
Three mysterious, shimmering chamber works by the Australian composer Newton Armstrong, performed by Plus Minus Ensemble and Séverine Ballon (cello) "In 1990 I was studying composition at university. I basically wanted to be Stravinsky. Chris Mann took an interest in me and I started spending a lot of time at his house, drinking tea and talking. He changed my mind about a lot of things and introduced me to people who were making music that excited me. The Melbourne experimental scene was thrivin…
Live At Willisau, 1993
NoBusiness presents Live at Willisau 1993, a new set of recordings by Juozas Milašius / Tomas Kutavičius / Dalius Naujokaitis and Lithuanian Young Composers Orchestra recorded live 26th August, 1993 at Willisau Festival, Switzerland. Mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas.
Juozas Milašius - guitarTomas Kutavičius - pianoDalius Naujokaitis - drums
Lithuanian Young Composers Orchestra:Vytas Labutis - saxophones, cymbal, clapping, tramplingVilija Naujokaitienė - vocal,…
Start Merge Fade
* Edition of 200 hand-numbered copies * First material from Adrian Corker since 2013's 'Raise' album. This debut release on SN Variations is an experimental piece (Start Merge Fade) for cello, hammer dulcimer, tape and moog. Driven by evolving drones that emerge you in a trippy hypnotic state, the track slowly opens up into a cascade of harmonics, sound and noise.
Flip this over for two remixes of album cuts via Circle Traps and Richard Skelton. The remix of 'Changed' is a melodic and deep techn…
Balloon
* Edition of 250 on transparent red vinyl * Balloon was originally commissioned by the London Sinfonietta as an acoustic piece, and first performed at the Southbank centre’s Sound Unbound festival in 2019.
“This is an arrangement for synthesisers of many tunings. I called it Balloon because I had this image of thrashing a balloon with a baseball bat or something, rather than breaking or bursting it just sort of floats off - unhurt, even if you absolutely pelted it.”
Slide “ is old and one of my …
Noise In The Library
* 2020 Stock * Bob Rutman's life could be compared to the life of Odysseus, although we're not here to write his biography. Putojefe is happy to present his phenomenal Noise In The Library, recorded with the U.S. Steel Cello Ensemble, an all-steel string quartet established by himself in Boston in 1976.
The Ensemble consists of one Steel Cello and three Bow Chimes, played by Rutman and a rotating cast of guest musicians: in this instance, Daniel Orlansky –one of Rutman’s closest collaborators an…
Along Came Joe
Recorded at Freedom of the City festival, London, England on 1st May 2006.
Skins n Slime
Oliver Coates’ skins n slime is a caliginous anatomy concealed by a drone-metal membrane, feeding upon mechanized strand distortions and thriving amidst its harmonic waste.
In his follow-up album to 2018’s Shelley’s on Zenn-La, the British cellist and producer leads an impassioned performance of string through viscous, synthetic modulation, triggering a darker side of his compositional sensibilities. Shelley’s experimental dance hybrids are substituted here for scorching color palettes and bruta…
BOW
Brussels-based string quintet BOW celebrates musical freedom. Juggling between their own written music and pure improvisation, the ensemble has worked since its creation on a personal and modern approach, digging into their instruments' capabilities and blending a large scope of influences.
Its debut eponym LP, due to be released on Sub Rosa, gathers five instantly-composed pieces that were recorded live by Christine Verschorren in the Echo Collective studio in Brussels. During the day, BOW repe…
The Lightest Words
The "The Lightest Words" by Kirsten Reese is now available at World Edition. Kirsten Reese studied flute, electronic music and composition and lives in Berlin, where she teaches electroacoustic composition at the University of the Arts. In her works Reese often focuses on performative and narrative aspects, as is the case in the three pieces on this CD.
The first track "the lightest words had the weight of oracles" features the historical and specific tone colour of the Fairlight CMI Synthesize…
Monument of Diamonds
Epic 45-minute microtonal composition by Kraig Grady, using a 17-tone scale, the Meta-Slendro tuning, created by Erv Wilson. Composed in 2020. The instruments were specially built or adapted for the unusual tuning system.
"The idea of Monuments came from the sound of the brass, in which I include the saxophone here. Brass seems to be used much less in newer music than strings, winds and percussion which is unfortunate. Since they are used less than strings or winds in new music, they seem to inv…
Repetition of the Same Dream
Five works for flute, percussion & electronics, recorded during Covid-19 lockdown in a church in Basel, Switzerland, March 2020. Commissioned by Another Timbre and performed by Mara Winter - flute and Clara de Asís - bowed objects, percussion & electronics.
"There were some pieces that I composed and others that were formed by Mara and I, where the roles of composer / performer dissolved into each other. ‘A passage through’ was composed specifically for Mara’s bass flute, also relating very much…
Breaking the Elephant’s Legs
Marc Behrens presents six extended surrealist songs ranging from psycho rock to dismantled R&B, crossing into doom jazz and spoken word. Animal field recordings; electronic boom and buzz; synths; detuned sitar; violins played by Portuguese master musician Carlos Zingaro. None of this is in any way what you would expect.
Chanteuse
Since the early 1970s, Jacqueline Humbert has collaborated as performer, visual artist, and designer with leading innovative artists, filmmakers, choreographers and composers worldwide. Her approach to vocal performance has influenced many composers, and the works in Chanteuse represent a new and exciting extension and reinterpretation of the "song" genre. Humbert on the release: "Chanteuse is a collection of new or previously unreleased songs, many of which were written for me by a broad range …
The Consummation of Right and Wrong
David First likes to use the phrase "the virtuosity of slowness" to describe his musical philosophy. In The Consummation of Right and Wrong, he and his eight-piece ensemble, The Western Enisphere, practice this virtuosity to great effect in closely examining the universes that fall between the cracks of convention, reflecting a wide continuum of complex relationships, all the while creating music that is simply ravishing to listen to. This is "drone music" as dynamic organism, moving from compac…