Negoum
The music on this album was recorded in the studio the day after Frances-Marie Uitti and Ayman Fanous spent ten minutes improvising together in concert, in a first meeting. It represents bidirectional ideas in music often and erroneously thought to be opposites: western vs. eastern, improvised vs. through-composed. In this recording they are stood on their head, examined, dissected, tortured, and ultimately reconciled. Fanous says: “Musically, Frances and I came from two distinct sets of emphase…
Robot Brujo
In the wild and tangled web of sound that makes up contemporary experimental music, it can be hard to see up from down. Beyond all their obvious tasks, record labels double as a crucial lens. Ears to the ground, they build context and understanding for the disparate elements of this sonic world. Among the most notable of these, looking beyond the well trodden path, is Hands In The Dark.Over the last decade, they’ve become an unmissable force, bringing visionary and unexpected projects into focus…
Sir Richard Bishop and Ed Yazijian
Yet another luxurious spectacle from the Saraswati Series. Ex-Sun City Girls master guitarist Richard Bishop teams up with Cul De Sac’s long time Girls live collaborator Ed Yazijian. Two Grand Seigneurs of underground deliver an unique album deeply Western rooted, filled with the musical spirit and structures of Indian music at the same time. Elegant interplay, brilliantly arranged, using mostly guitar (lapsteel, tenor) and strings (viola), and some Indian stringed instrument which I can’t prono…
Ka:mos
Kɑːmos is the duo of Aino Peltomaa and Nathan Wouters. Aino Peltomaa (FIN) is a vocalist with a radiating sound. She performs widely with medieval, renaissance and contemporary music. In 2018, she directed and performed Ordo Virtutum by Hildegard von Bingen with the Finnish Kaari Ensemble. This medieval, mystic nun keeps on intriguing: her songs are also part of Aino’s project Harmony of the Spheres and her words are sometimes used in the lyrics of Kɑːmos.Nathan Wouters (BE) plays the bass as if…
D-A-D
Maybe it’s too much to ask for a moment of your attention. As we grow older and keep diving into this era of information, disinformation, fake news and all that, we also tend to take a step back and listen to the intents of those social media adverts that tell us to slow down, breathe in, breathe out, enjoy everything around you a little bit. So, if it’s not too much to ask, you can press play and start enjoying D-A-D. If you’re doing that, you can even stop reading this, because you don’t need …
Molen
Circle Bros is the longrunning onemanproject of Wim Lecluyse (founder of Morc Records). What started out as a way to experiment with sounds and recording techniques, evolved throughout the years into a more song-oriented outfit. The roots are to be found in the world of drone, lo-fi and improvisation, which results in songs that are half improvised, and therefore have a more spontaneous structure. A sort of singer-songimprovisation for those that prefer soundexperiments over traditional verse/ch…
A Journey
Black Editions present the first ever vinyl release of Ché-SHIZU's signature album A Journey, originally issued in 1994 by Tokyo's legendary P.S.F. Records. Ché-SHIZU is one of the most original and mystifying groups to ever emerge from the Tokyo underground. Founded by master improviser Chie Mukai in 1981 the group has been guided by her singular vision for nearly 40 years. Throughout its history Ché-SHIZU has challenged traditional notions of song structure and improvisation. Mukai's signature…
Vous Et Nous
Vous et Nous is the ninth album by experimental pop French musician Brigitte Fontaine and the seventh by Areski Belkacem, released in 1977 on the Saravah label. It's an avant-garde double album mixing a variety of instruments and vocal styles, with synthesizer and drum machine on some songs. Other, more acoustic, songs show the Algerian/African influence that Fontaine and Areski were known for. The album was not well understood upon release, but in later years was championed by musicians such as…
S'Û
An amazing record. It’s beautifully recorded and almost impossible to believe that such a layered and polyphonic music, with chords, percussion, lead lines, bass lines, harmonies, string sections and sometimes voice could all be produced by one person in real time, without overdubs or loops. But it is. The instrument, a specially designed and augmented Sardinian guitar (almost the size of a cello) is equipped with motors, pedals, individual string mic’ing, and extra appendages; and of course the…
Ubique
Last copies! ** Edition of 250 copies in incredible diorama-style hand-made sleeve. **One more top mysterious trace from the Little Skull legacy: Dean Brown's album Ubique (i.e. "everywhere" in Latin) marks the passing of time and people. This sense of loss is very present though the whole record; not getting around to saying the things we meant to say and making sense of the leftovers. Screaming calmly, Dean Brown's Little Skull has shrunk, even more, until his head is almost just sore meat - t…
Sort of
*LP version. 180 gram vinyl. Includes CD. Edition of 500.* Tapete present a reissue of Slapp Happy's Sort Of, originally released in 1972. Left-wing intellectual film critic Uwe Nettelbeck, who had good connections to Polydor, had set up his own studio in rural Wümme, disrupting the mainstream with pioneering sounds by the likes of Faust, inventively engineered by the "boffin's boffin", Kurt Graupner. By the time Anthony Moore, one of Nettelbeck's charges, approached his third album in 1972, Pol…
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Field Recordings in Philippines [1953-1972]
Much needed archival recordings from this seminal figure. Jose Maceda [1917-2004] was an ethnomusicologist and composer from Philippines. Maceda dedicated to the understanding of traditional music of Philippines. Since 1953, he has conducted field research throughout the Philippines and in eastern and western Africa, Brazil, China, Indonesia, Malaysia, Myanmar, Thailand and Vietnam and has written extensively about the research for the publications. As a composer, Maceda contributed his in…
Shofar Rags
*In process of stocking. 2022 stock.* Active since the mid-’60s, Alvin Curran is one of America’s most courageous and outrageous musical mavericks. A true forefather to the Downtown scene, his music embraces the dialectics of composition/improvisation, tonality/atonality, minimalism/maximalism, electronic/acoustic and more. Alvin’s use of the Shofar in experimental music making goes as far back as 1988, and this long awaited release features several compositions for Shofar and electronics, rangi…
Maria Kapel
Ben ‘Six Organs’ Chasny has been a busy boy lately, largely in his plugged in psych-fuzz mode but also in his ultra-trio Rangda with Richard Bishop and Chris Corsano. For this one, however, he travelled to North Brabant, a place which the liner notes explain is full of some 400 chapels, and wrote new songs for the acoustic guitar which were performed live at the Incubate festival in September 2010.This performance makes for the bulk of this record, bookended by some spiritual studio-recorded har…
Parsons' Blues
Six Organs goes stomping wordlessly into the next phase with heavy gravity boots on. This is full-bore, petals-to-the-metals Six Organs, featuring Ben Chasny backed with his erstwhile bandmates known as Comets on Fire
Alibi Coast
A founding member of Black Dice & accomplished painter, Sebastian Blanck issues a timeless, poeticized folk-pop recording reminiscent of Simon & Garfunkel, & in fact has far more in common with his paintings, brilliantly layered works that capture evocative scenes in motion. "Alibi Coast" puts Sebastian's gentle guitar work & gorgeous vocals in the spotlight, & traces not one narrative arc but several, centering on the events of 2007, when Sebastian lost his brother Toby in a drowning accident
Toho Sara
A mystery group a la Third Ear Band. Mystic music with ancient instruments.