We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
The Duke of Wellington is a vivid portrait of Derek Bailey and John Stevens in spontaneous conversation, recorded live at a London pub in 1989. The set captures their dynamic synergy; jagged guitar and agile percussion interlock and diverge in an unrepeatable display of free improvisational skill.
Within (2) / Appearance (2) by Michael Pisaro-Liu presents a contemplative exploration of duration and silence, foregrounding gradual transformation. These extended works for guitar and double bass, created with Michael Francis Duch, reward patient listening and engage with resonance and subtlety over spectacle.
Porch Music documents No Hope Orchestra, an ambitious large ensemble led by Paul McCarthy and featuring core members of the Los Angeles Free Music Society. Recorded live at The Box gallery concert in Los Angeles, the project harnesses a vivid assembly of improvisers—Mitchell Brown, Elaine Carey, Dennis Duck, Ace Farren Ford, Juan Gomez, Mike Gonzalez, Joseph Hammer, Keith Lubow, Nathaniel Mellors, Joe Potts, Rick Potts, Trevor Rounseville, Alex Stevens, Molly Tierney, and John Wiese. This releas…
Suns of the Heart, the sixth solo album from Colin Fisher, unfurls a suite of intricate, emotionally charged improvisations that blend treated guitar, elemental electronics, and gestural samples. Across six movements, Fisher crafts an enveloping soundworld where each texture pulses with meditative warmth and restless sonic curiosity.
In 2016, Berlin-based artist Andrew Pekler travelled to Thailand and visited Khao Sok National Park where he gathered field recordings and recorded video footage of the park's flora and fauna. Some of excerpts of this material was used in the compositions and live presentation of Pekler's album “Tristes Tropiques”, released on the Faitiche label in 2016. Two years later, Pekler further processed, edited and mixed the materials to create the one-hour long audio-visual piece “Khao Sok Extension”.A…
L'oeil au centre de l'oeil by La STPO distills decades of avant-garde experimentation into a collection where tumultuous rhythms, surrealist poetry, and unrestrained instrumentation converge. The album’s elliptical structures mirror the disjointed vividness of dreams, mapping an abstract and ever-changing sonic landscape that refuses conventional boundaries and draws listeners into a whirlwind of meticulously orchestrated chaos.
Live in Rhein-Main by Gestalt et Jive documents the group’s most audacious mutations through two pivotal live sets, revealing an intricate interplay of improvisation and postmodern eclecticism. The album’s raw edges and unpredictable transitions expose the band’s commitment to redefining avant-rock’s boundaries, blending kinetic jazz idioms, punk dissonance, and European experimental traditions into a deeply engaging experience.
Patrick Quinn’s Sonifying the Sun: The Mass Emergence of Brood XIII and XIX Periodical Cicadas, blurs the boundary between scientific observation and ecstatic sound art. Using data sonification and field recordings, it shapes the cicadas’ cosmic rhythm into a resonant meditation on time, light, and collective life cycles.
Vinylization of a CD-R released by Josh Burkett's Mystra Records by this great cassette manipulator, who was long a central part of the Boston Whitehaus scene. Bloodroot Spitball is a bit different from Arkm Foam's other Feeding Tube releases, since it incorporates a bunch of 'real' instruments into the mix. This hearkens back to Mr. Foam's first solo LP, The Foam Doesn't Fall Far From The Shore (2013), on Hot Releases. As on that one, there's another player heard here, when Andy Allen (who was …
Four Fold unites four singular musicians—Iva Bittová, Marilyn Crispell, Benedicte Maurseth, and David Rothenberg—in a chamber where jazz, improvisation, and modern composition intertwine. Voices and instruments curve and spar, yielding an album of subtle poetics and palpable communion whose articulated silences are as charged as its most explosive moments.
A landmark in avant-garde jazz returns: the definitive, remastered edition of Alan Silva’s 1969 Paris session for BYG’s Actuel series. Leading his 11-piece Celestial Communication Orchestra — with titans like Anthony Braxton, Archie Shepp, and Grachan Moncur III — Silva channels the raw, boundary-pushing energy of the New York free jazz explosion. Deluxe packaging, restored artwork, and new liner notes by Kevin Le Gendre complete this long-sought treasure. Originally released in 1969, this explo…
"I first owned a fender rhodes electric piano in the late 1970s. It was a Mark 1 model (wooden key action). I had a band with my younger brother and my best friend from school and this was my ‘portable’ gigging instrument that weighed ‘a ton,’ and only just fitted in our small car. (I eventually got smart and left the 15 kg lid at home.) I had one effects pedal, a Boss chorus. Sadly—due to the rise of synthesisers and electronic keyboard instruments—I sold this lovely instrument in the late 1980…
*2025 stock. 300 copies limited edition* Salo Ra II is a new duo of Topias Tiheäsalo and Jussi Lehtisalo. Taking inspiration from the old vacuum tube televisions and the decayed industrial landscape of the city of Salo, the duo’s debut LP Viptronic creates a beautiful and an intuititive balance of seemingly incongruous sounds: overdriven zither-noise and unearthly electronic basso continuo blend touchingly with the resonances of electric guitar’s open tunings. Dedicated to whoever who has ever b…
Slip is Paul Abbott’s response to his 3 day residency at OTO in 2023. It’s a continued exploration of the acoustic-digital hybrid drum setup Abbott has been developing for some time, which involves drum kit and synthetic sounds combined closely—through an entanglement of limbs and cables—in an intimate but strange relationship with each other. Paul Abbott hasn’t had any formal musical training, but has a long history of making music, having collaborated for years with Seymour Wright, Pat Thomas,…
Joseph Holbrooke was a legendary all-star ensemble from the mid Sixties dedicated to free improvisation. Comprising three of the most acclaimed virtuosos from the first generation of British improvisers—Bailey, Bryars, and Oxley—little has been released, but they briefly reformed in 1998 and the studio recordings from that period were made available in 2006 on Tzadik as The Moat Recordings. Last Live 2001 is exactly that—their last live concert ever! Recorded in Antwerp in January of 2001, the e…
Here is 'rely', a new album by Eric Wong & yan jun. They use voice, breath, sine tones and noise. For those of you who have attended one of their performances, or heard 'dichotomic language' the sounds may appear familiar, but to me the space and interplay between them on 'rely' feels very different. In March and April of this year I saw yan jun perform three times, for the first time, and it has changed how I hear the record. I was initially struck by how close everything sounded, and now I hav…
'Engine Songs' is the latest album of improvisations by the duo of Tara Cunningham & Caius Williams, after the release of 'Demo's' in 2022. The album is rich with the harmonics and fluttering oscillations of detuned strings, layered over sprawling textural effects that poke out at moments and shift focus in an instant. They're able to move between tones and dynamics in a way I'd quite happily listen to endlessly - It's exciting to listen to. The album was recorded and mixed by Caius Williams and…
*100 copies limited edition* “'Wonderful Brutalism' is an epic, and at times intense slice of improvisation - drums and taishogoto build into an unrelenting stampede with moments of gentle cinematic soundscape. Improvisation at its most dynamic and inspiring.” - Michael Sill Belgium musicians Jef Mertens and Dirk Wachtelaer have both been active in the field of experimental music since the 1990s—Dirk as a drummer and Jef as a documentary filmmaker. It wasn’t until 2023 that they met for the firs…
Insect Life debuts on 577 Records with a Cosmic, Creative, Art-Driven Opus — Out November 7th. Avant-garde experimental ensemble Insect Life is set to release their self-titled debut album, Insect Life. The album delivers a sound that is raw, wild, and authentic, blending improvisation, orchestral textures, and dynamic interplay into an immersive, art-driven experience. There’s something hypnotic about the whole listening experience, drawing the listener into its cosmic, abstract world.
Born fr…
Tepih unites Samo Kutin, Gaudenz Badrutt, Tomaž Grom, and Jonas Kocher — four musicians bound by years of collaboration within the Šalter Ensemble, a fertile meeting ground for Swiss and Slovene experimental music. Their debut album Šablona presents a music of layered coexistence: sonic found objects, fractured melodies, irregular pulses, and shimmering electronic textures inter twine. Rather than striving for unison, these contrasting elements evolve in parallel, responding to one another in a …