25 Pièces Sans Vide
Across 25 pièces sans vide, Le UN turn a 25‑strong improvising society into a living ecosystem: three discs of large‑ensemble swarms, smaller constellations and street‑level interventions where sound, space and social experiment are impossible to separate.
Erosão Percussion Trio
Drummer, singer, composer, and producer Mariá Portugal (BR) joins Berlin-based percussionists Burkhard Beins (DE) and Emilio Gordoa (MX) to form the Erosão Percussion Trio, which is now releasing its debut album through Kassiani Records and Fun in The Church. Their performances are strongly grounded in improvisation, drawing on a wide variety of percussion instruments — ranging from the traditional drum set to other unconventional instruments. The trio’s sound is enriched by the percussive use o…
Spiderpeople
*2026 stock* Ad old men but not down-trodden paths when the areas are only popular & sought after by the still few. For many, there’s a Milky Way between pop & this music; for fewer, it’s like standing on either side of a hybrid ant. The guitar (the chordophone) & the drums (the membraneophones) are known by most, but the sound here is of the rarer kind, although there is indeed string play & rhythmic things, just not in the usual way, but instead according to other orders & expressions, like an…
Music in Continuous Motion
Bill Orcutt is back with what might be the most beautiful record in his 21st-century guitar quartet series. Music in Continuous Motion (Palilalia, LP/CD) pointedly steps away from the cut-and-paste constructivism of Music for Four Guitars into a sonic stratum that's - as Tom Carter writes - "yearningly melodic, resolutely human, and built for performance." Four guitars, twelve tracks, most hovering around two-and-a-half minutes each. No waste. No fat. Pure music.
Where Music for Four Guitars ope…
Embrace 4: Orakelstücke / Aquin
On Embrace 4: Orakelstücke/Aquin, Polwechsel open their rigorously quiet universe to two singular composers, Peter Ablinger and Klaus Lang, yielding a diptych where struck objects, voices and long, glowing tones summon an almost liturgical sense of mystery from everyday sound.
Embrace 3: Magnetron / Quarz / Obsidian
On Embrace 3: Magnetron/Quarz/Obsidian, Polwechsel with Andrea Neumann turn acousmatic tape, simulated multitracks and graphic notation into an intricate laboratory of cause and effect, where elevator doors, room ghosts and painstakingly negotiated scores yield two of their most conceptually precise and sonically uncanny works.
Embrace 2: Chains and Grain
On Embrace 2: Chains and Grain, Polwechsel distil their chamber‑improv logic into a score grown from their own playing: a tense, breathing matrix of repeated figures, frayed textures and in‑the‑moment reactions that is rebuilt afresh every time it’s performed.
Pioen
*200 copies limited edition* The album was recorded in a small chapel of a monastery in the city center of Ghent. A chapel, by nature, is a place of contemplation and meditation, which inevitably influenced the music. Movements slow down, attention is sharpened and the overwhelming silence of the space becomes part of the music. Sound and silence are meticulously woven into each other. Even when the music grows at times dense and heavy, there is an ever-present sense of closeness and intimacy. T…
Moires
"Another window opens - and with it, another singular mystery of modern impressionism joins the catalogue of Les Disques Omnison. Classicaly trained yet reshaped by Paris experimental and improvisation scene, Jeanne Gorisse pushes her "bass" practice further on her second solo album, a follow-up to her 2024 debut "Immersion Libre". Alongside the double bass, she explores bowed electric bass, and re-records herself to tape on several tracks; creating an intimate dialogue between the acoustic and …
I grow accustomed to the dark
*300 copies limited edition* The first resonant space Zosha Warpeha played in was the Emanuel Vigeland Museum in Oslo, Norway. Built as a mausoleum, its walls reach up into a gradual archway, creating an environment where sound expands and reverberates for twelve seconds before decaying into silence. Warpeha was greeted only by dim lights when she entered, and it wasn’t until she had spent several minutes listening that she was able to make out the frescoes that covered every inch of the room: g…
Aerial
Aspen Edities is pleased to present Aerial, the third album of the experimental quartet Oker.
Live Non-Plus Ultra
On Live Non-Plus Ultra, Strain of Laws—the duo of Aaron Hemphill and John Wiese—drag voice and electronics through a pressure system of sub‑bass, hiss and mumbled fragments, documenting their 2025 LA set as a single, slowly suffocating industrial hallucination.
Trees, Chants And Hollers
This enchanting album weaves together the intricate fingerstyle guitar mastery of Paul LaBrecque with the soulful, ethereal vocals of Valerie Webb, creating a sonic tapestry rooted in folk, acoustic, and world music traditions. Recorded in the lush Vermont woods, the title track "Trees" evokes the whispering rustle of leaves and ancient forest spirits through LaBrecque's cascading arpeggios and Webb's haunting chants.
Tracks like "Hollers" channel raw Appalachian calls into rhythmic, percussive …
Die Dritte Ebene
On Die Dritte Ebene, Emilio Gordoa and Sven‑Åke Johansson let vibraphone, drums and accordion run in seemingly parallel lines until a mysterious “third layer” appears - a ghost‑music of overtones, pulse and texture that neither player could summon alone.
Live at Issue Project Room
On Live at ISSUE Project Room, Loren Connors and Alessandra Novaga turn the guitar into a nearly weightless medium, tracing an improvised, slow‑burn dialogue of tremors, silences and ghost‑melodies that feels less like a concert than a séance for two.
Paris Public Spaces 2
On Paris Public Spaces 2, Éric La Casa and Seijiro Murayama stage brief, focused vocal interventions across Parisian sites, letting microphone placement and urban acoustics turn spoken sound into a moving portrait of how voice and city continuously re‑shape one another.
Nachleben
Nachleben is a limited-edition cassette release by Italian pianist and composer Giovanni Di Domenico, issued by Dasa Tapes, a Greek label specializing in experimental music. The album features two long-form tracks: "Parts I & II" (19:34) and "Part III" (18:06), showcasing Di Domenico's signature minimalist piano style marked by repetition, subtle nuance, and contemplative atmospheres.
Di Domenico's work on Nachleben embodies his personal approach to contemporary minimalism, emphasizing concentr…
Act Against War
This album emerged from a chance encounter at Casa del Popolo in Montreal during the Suoni per il Popolo festival. Over the years Tim Daisy and Stefan Christoff kept in touch and in 2023 started exchanging more seriously about working on some music together. The conversations and exchanges over the years had revolved around trying to find pathways for collective action in the arts to support movements against war.
Particularly the two discussed and collaborated on a global radio broadcast to cri…
Black Tape II
Black Tape II is only the second widely available release by Ohkami No Jikan (The Time of the Wolf), one of the more esoteric groups of the 1990’s Tokyo underground. Recorded in 1992, it illuminates a largely undocumented facet of Nanjo Asahito’s psychedelic cosmology, distinct form his better known work with High Rise, Musica Transonic and Toho Sara. Aside from a handful of limited, handmade cassettes and CD-Rs on his La Musica label, there’s only been one Ohkami No Jikan album, Mort Nuit, that…
Collusion And Collaboration
Avant-garde multi-woodwind maestro Vinny Golia and innovative bassist-vocalist-composer Kelsey Mines unite in a dynamic duo recording. Stripping back to just their voices and instruments, this collaboration delivers finely nuanced interplay where Golia’s rich spectrum of woodwinds weaves organically with Mines' deep rhythmic foundation and expressive vocal textures.