On the Edge of the Outside
Vasopressin presents On The Edge Of The Outside, collecting four works by Nurse With Wound — three composed in response to texts by Kafka, Tzara, and Forneret, one previously unreleased — on vinyl for the first time. Electroacoustic abstraction, minimalist drones, and grimy ambience, in a limited edition of 300 black and 100 clear vinyl copies.
Notes from the Air
On Notes from the Air, Ciro Vitiello turns the seagull into a trembling patron saint of dizziness and desire, drifting between orchestral swells, shoegaze haze and post‑rock afterimages in songs that hover on the edge of meaning and never quite touch down.
Mount Analogue
On Mount Analogue, Bill Laswell and P.ST assemble an international cast to translate René Daumal’s unfinished mountain allegory into a two‑disc sonic ascent: a six‑part electro‑acoustic “novel” and a mirrored peak of solo guitar visions from Henry Kaiser, refracted through Jodorowsky’s The Holy Mountain.
Buenos Antwerp
On Buenos Antwerp, Elko Blijweert and Anla Courtis turn a chance Borgerhout encounter into a two‑part psychedelic correspondence, one acoustic, one electric, a cross‑Atlantic guitar séance wrapped in Dennis Tyfus’ cut‑and‑paste visual delirium.
Santur & Kamancheh for Electronics
In this collaboration, Maryam Rahmani and David Esser investigate the sonic and expressive potential of the Santur and Kamancheh beyond the frameworks that traditionally define them. Both instruments, central to the language of Iranian classical music, are repositioned within a new constellation where inherited structures meet contemporary sound practices. Tradition and modernity are not treated as opposing forces but as interwoven layers within a shared field of resonance, a dynamic that rarely…
Is This The Land I Wish Death To Find Me
»Is This The Land I Wish Death To Find Me« was recorded on June 26, 2024 at the Tank Center for Sonic Arts in Rangely, Colorado. The recording is based on a slowly shifting set of ascending just minor thirds: 6:5, 7:6, and 13:11. Magnetic geophones were attached directly to the Tank’s steel exterior, allowing the performance to be captured through the physical resonance of the structure itself. Only a minimal amount of the microphones inside the building were mixed in for clarity. The work draws…
Solo Suono
*100 copies limited edition* Solo Suono is the first collaboration between saxophonist Filippo Ansaldi and electronic musician Simone Sims Longo, both based in Cuneo, Italy. Solo Suono is an album between acoustic gesture and electronic treatment, beyond the classical while starting from the classical. Breath, amplified mechanics, residual sounds, expressive freedom, and different forms that integrate electroacoustic composition. Passing through looped gestures, electronic processes, and concret…
Meditations
Meditations is a set of 8 works based on the experience of meditation practice. Music made for both meditation and reflecting the realities of a life of daily practice. The breath, the quietness, the listening, the distracted dissonant and consonant thoughts that pass through. The texts throughout the pieces are fragments of the Buddhist Heart Sutra, the shortest and created from a mixture of traditions and sources, produced long after Buddha's death and meant to be chanted or sung as a ritual a…
A Fine Rain Anoints The Canal Machinery
*50 copies limited edition* "Enough sun finally came up on the Wyoming prairie that I could relax my fears. I shut off the studio lights and watched a dune of snow reveal itself under the squat, black graphs of denuded trees. I drank old coffee. In a rare interview, Wendell Berry defended a concept of community as being a collection of all the living things that surround you. The farmer-poet was careful to clarify that this community wasn’t simply made up of those like you but must also include …
Thylacine
Drawing from Tasmania’s rugged landscapes and the spectral absence of its lost fauna, Clinton Green composes a series of site-specific sound works that fuse kinetic turntable setups with ambient field recordings. The album is an evocative journey through environmental improvisation, blending mechanical invention, wildlife acoustics, and subtle instrumental textures into a narrative of listening and ecological reverence.
Steady State
In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that probe the very essence of sound and its environment, evoking an atmosphere of quiet tension and subtle transformation.
Star Dream FM
Dylan Henner’s album "Star Dream FM" is an experimental ambient suite woven from choral textures, marimba, processed voice, and impressionistic electronics. Presented as a fictional radio transmission of Henner’s adolescence, its 41 minutes blend memory and invention, immersing listeners in shimmering sonic vignettes that blur the boundaries between personal nostalgia and collective dream.
Earth of the Slumbering and Liquid Trees
Benjamin Tassie’s Earth of the Slumbering and Liquid Trees is an immersive 70-minute composition featuring performances by Zubin Kanga on keyboards, blending sampled historic organs, analogue synthesizers, and real-time digital processing. The work, part of the ‘Cyborg Soloists’ research project, was recorded live in Amsterdam and surrounds listeners with a multi-layered soundscape exploring themes of ritual, memory, and environmental transformation.
Clear and Stormy Horizons
Eden Lonsdale’s Clear and Stormy Horizons is a contemporary chamber mini-album released in 2025, featuring five compositions that drift between melancholy, tension, and delicate lyricism. Written and recorded during lockdown, these works showcase Lonsdale’s evocative use of varied instrumentation and emotional clarity, marking another intriguing chapter in UK-based new music.
Microphonies 21
Microphonies 21 by Marc Billon is a long-form electroacoustic exploration centered on the resonances of a tam-gong. Blurring the line between acoustic gesture and electronic transformation, the work unfolds as a slow, tactile meditation on vibration, decay, and the physical act of listening itself.
For a Moment the Sky Knew My Name
With For a Moment the Sky Knew My Name, Peter Knight extends his fascination with the porous relationship between body, instrument, and environment into one of his most personal and immersive solo works. Due for release in November 2025 on Room40, the album takes its cue from extended fieldwork and improvisations undertaken near Yeerung River on Krowathunkooloong land, where Knight spent much of his early life. Each of the album’s pieces grew organically from direct encounters with that setting—…
Samt ar-ra's
Samt ar-ra's by Benjamin Dobó and Dion Monti is an evocative ambient collaboration that serves as a sonic companion to Dobó's film. Crafted between 2020 and 2022, the album moves through delicate textures, atmospheric field recordings, and subtle melodic fragments, inviting listeners to explore intricate emotional landscapes in a work that bridges visual and auditory art.
Achlys
Jon Porras’s Achlys unfolds a meditative narrative across eight drone-based pieces: fragmented guitar melodies and modular synths swirl through dense atmospheres, echoing elemental habitats and ambiguous emotional states. The album rewards careful listening for its textures, cyclical patterns, and subtle resonance, inviting reflection on impermanence and change.
Luurankolauluja
Luurankolauluja is Uusi Aika’s deep dive into spiritual fusion, where Nordic folk, modal jazz, and raga-like improvisations meet. Rooted in forest myth and cosmic calm, the album’s six compositions form a slow-burning suite of luminous, contemplative beauty.
Smelter
Smelter by Faith Coloccia and Daniel Menche constructs a temporal architecture that explores water in its myriad states—snow, ice, streams, and storm. Moving between spontaneous, voice-laced vignettes and epic drone formations, the record serves as an aural archive that suspends the listener in crystalline moments, as if each piece is fixed in time yet endlessly malleable.