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Following her foundational role in the early years of The Fall, and then the searing post punk of The Blue Orchids, as well as several tours serving as a backing group for Velvet Underground chanteuse Nico, Una Baines found herself starting 1985 with…
*50 copies limited edition* Radical soundcollages by Bart De Paepe (Ilta Hämärä), Ignace De bruyn (Bokrijk) and Erwin Van Looveren (W Ravenveer) spit onto marine saliva landscapes. Mummified recordings that shatter art brut localism from the dream's …
Sachiko primarly performs live in Tokyo with drone music centered around her voice. Here, in this new studio album, her voice seems concealed within the silence of the outer space or among a forest settling into stillness. The soundscapes are careful…
Hell is empty and the salsa is all there is. Chúpame el Dedo are back! After years of terrorizing the avant-tropical underground with their manic, mock-satanic metal-cumbia madness, the legendary Bogotano duo of Eblis Álvarez and Pedro Ojeda have off…
*200 copies limited edition* "“L’inversion des pôles” holds two tracks, “Anaphores” on the A side and “Syncopes” on the B side, both composed by Comelade and Saintlos. Comelade plays grand piano, vertical piano, Farfisa organ, an Emenee plastic guita…
Corbett vs. Dempsey is thrilled to announce the release of ‘Reason’, the second album from international free music quartet The Sleep of Reason Produces Monsters.
A dream come true for A Colourful Storm to be releasing an early gem by Tenniscoats, a duo whose DIY spirit, boundless creativity and lust for life and collaboration has left an indelible mark. From self-releasing albums and tapes on their own Majiki…
This is supposed to be a 40th anniversary reissue. Well, it still is, but with year of a delay. It was told enough about the early Metgumbnerbone recordings. We just keep some quotes here.
"It’s hard to imagine anything more haunting than the folk ho…
Cambridge-based improv collective Concrete Gazebo present their latest collection of open-hearted, quantum splice-downs, via Goldsmiths University label NX Records.
"Acid Heath" documents the ebb and flow of a collective in flux; online and in-the-fl…
Pierre Bastien and Christophe Petchanatz (aka Klimperei) met more than twenty years after their last musical collaboration. “Aeroplane Chess”—what is that? It’s the Hong Kong name for the universal game known here as “Ludo.” Pierre and Christophe pla…
The astounding second outing from the duo of Midori Takada & Jakob Bro, arriving on Copenhagen's Loveland Records just under a year after 'Until I Met You'. Across two stunning sides, subtle abstraction amongst sprawling ambiences, "Fourth-World" sen…
purely physical teeny tapes perform an invaluable public service in exhuming static cleaner lost rewards breathing under honey from the heady year o 2023, a slack-jawed riddle within the all-consuming enigma that is thee world of tarquin manek.
few r…
New issue of Audion, the magazine edited by Alan Freeman for Ultima Thule, printed in 60 copies. The cover article covers Magma from 1996 to 2026, thirty years since the band came back to activity, and runs alongside the second part of the beginner's…
Over the years Sterling MacKinnon has quietly carved out an essential role for himself. As half of Cuneiform Tabs (W.25/Superior Viaduct, World of Echo), an original member of Violent Change (Slothmate), and the sole driver behind False Berries (Slot…
At long last...the return of Oldest, the NYC duo of Mick Barr & Brooks Headley, in the form of a split 12" with one of their greatest inspirations, the legendary Bastard Noise.
Oldest manage to combine the avant metal execution that Barr has pioneere…
*200 copies limited edition* “For the last 6 years, New York sampledelia and synthesis rhabdomants Nuke Watch, duo of Aaron Anderson and Chris Hontos, also known for alternative projects and spinoffs like Beat Detectives and Weird Shit U.S.A. 2, have…
*200 copies limited edition* “Rifugio per mille persone” is a place before it is an album. A sonic shelter built by Alessandro Sgarito and Roberto Mares starting in November 2024, through a slow process of listening, layering, and waiting. The nine t…
Smittness enjoys playing live. Recorded in Paris in April 2026, this album brings together songs and fragments written between 2017 and 2026. It holds the fragile charm of live performance: a voice that might break, a word that might slip, a moment t…