We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
After ‘Requiescat In Plavem’ and ‘Lentius Profundius Suavius’, Krano returns with another curveball in his discography, a kolossal double-album and his first original soundtrack for the movie ‘Le Città di Pianura’ (The Last One For The Road), directed by Francesco Sossai and presented at the Cannes Film Festival (Un Certain Regard), a rollicking, bittersweet journey through the Venetian countryside, where memory and mischief ride shotgun, a road-movie through a territory undergoing great transfo…
"Pretty sure this amazing Chicago trio was first introduced to us when Jim McCardle insisted we buy one of their albums at a record fair in the Windy City. Not sure which one it was, but it blew us away. Surprisingly, over the damn-near-a-decade since they started recording, Mako Sica has managed to keep itself well out of the limelight. Even though their first LP, Mayday At Strobe (2009), was released by one of Chicago's pre-eminent vanguard labels -- Permanent -- it was not easy to locate peop…
Melle-Aan-Zee is the latest lo-fi recorded collection of improvised pieces by Ghent-based occasional psych folk, kraut infused jam collective De Regering Van Treffelijke Zaken, which seems to continue to give birth to compositions that defy convention and exceed expectations. Just as their sporadic meet-ups seemingly cannot be planned, their enigmatic worlds of sound unfold through pure improvisation, sense of experimentation, a confluence of coincidences and reasoned skits. There's a special ki…
Although it was the lead track on the Stones's eighth studio LP, Let it Bleed, the song 'Gimmie Shelter' was not released as a single. Indeed, the single 'from' that album was the countrified non-LP track, 'HonkyTonk Women' backed with the corny chorale sluice of 'You Can't Always Get What You Want.' It was as though the Stones, knowing they would soon be pilloried on the cross of Altamont, wanted to have a way to try and dodge those nails by being able to claim they weren't even a rock band. We…
A long time in the making but good things always come to astral travelers as transatlantic soul mates Dead Sea Apes and The Band Whose Name Is A Symbol are joined together on black vinyl for the first time. Two artists that for over the last ten years (and longer) have spent their lives creating music that defies easy categorizations -- psych rock/kraut rock/minimal/maximal/avant/free are phrases that only give you fleeting glimpses of what each artist represents. What we do know is that via a s…
Excavating new sonic layers from archives and homemade instruments, Darrell DeVore extends his panoramic collage with More Songs of Civilization - the third volume of his highly personal, genre-scrambling series. This edition continues the kaleidoscopic fusion of outsider jazz, synthetic textures, chants, and fragmented ensemble dialogues, casting a wide net through decades of radical experimentation and archival recovery.
2025 stock »There Is A Sound« is a compilation of blissed-out psych-folk songs by Andersens, a Japanese independent pop group who were led by Tsuby, aka Kiyokazu Onozaki, and were active throughout the 00s. A lovely set of intimate revelations, with some widescreen, bold pop moments, dreamy guitars meeting brass, electronics and sitar, it’s really the first time listeners outside of Japan have had the chance to take in the full spread of Andersens and their gentle pop songs. Released on the heel…
Mont-real (Split) brings together Sam Shalabi and the duo of Mike Gangloff & Liam Grant for a two-track release on Carbon Records. The split, out October 24, 2025, showcases Shalabi's singular experimental approach alongside Gangloff and Grant’s free-folk, string-driven improvisation, bridging Montreal’s avant scenes with Appalachian-influenced drone and psych.
Bilders' Neverlasting, released in October 2025 via Carbon and Grapefruit, is an album of literate, restlessly inventive art-rock led by New Zealand poet and songwriter Bill Direen. Blending hard psychedelia, gothic folk, and lyrical commentary on personal and planetary adversity, the record’s 15 songs showcase Direen's songwriting at once timeless and deeply rooted in the underground spirit of Aotearoa.
Mentioned on Julian Cope's essential guide Jap Rock Sampler, Food Brain released their debut album in 1970, gathering influences from prog, proto-hard and psychedelic music. By far a supergroup consisting of Shinki Chen (Speed, Glue and Shinki), Hiro Yanagida (Milk Time) and Hiro Tsunoda (Flied Egg), the band showed an incredible interplay on their nine instrumental pieces, generating a cult following aboard.
A generous and off-the-track psych-rock experiment, Space Hymns originally saw the light in 1971 on influential UK company Vertigo, home of the most forward-thinking prog bands of the time. Enlisting the pure genius of the future 10 CC Kevin Godley (drums, flute) and Lol Creme (lead guitar, synth), the band was led by esoteric frontman Ramases (aka Kimberly Barrington Frost). The vocalist had a vision in the mind to late sixties where the Egyptian Pharaoh informed him he was his new incarnation.…
Definition was the only album by the American psych folk band Chrysalis, released in 1968 on MGM Records. Together with their Velvet Underground label mates, Chrysalis, were considered pioneers of the art rock movement, thanks to their sublime vocal melodies and baroque arrangements -- ageless psych acid folk gems!
Frank Hurricane's been chugging along at his own personal pace for a good while now, and the further he rambles, the further we roam with him. Here he's joined by Jake Merrick on bass, vocals, and keys and John Spiegel on drums and percussion. And it feels good. The group exquisitely compliments Frank's tales of travel and serenity and the embrace of uncertainty. There's a languid hallucinatory Meat Puppets vibe to 'Creekside Cooler,' 'Spivey,' and 'Wildorado,' a song with a killer Taco Bell sho…
No stranger to the Berkshire Mountains, Omeed Goodarzi comes at it in full on send it mode, with this yester-Moro-mobile of an album? Loaded to the hilt with hard hitting session folk, Omeed's latest offering is a roiling boiling psychedelic Partch-pop Beatleboro-Freel-Volk masterpiece from the second anyone's flip flop even threatens to drive a rhythm into the rug. Upon arrival to the studio, Chris Weisman, Mia Friedman, Max Goldstein, Nick Bisceglia and Ruth Garbus were presented with the chor…
SGG is thrilled and honored to announce the impending release of the new studio album by Ramleh, a band whose longstanding, uncompromising artistic trajectory is rivaled by none. Birthed from the early 80s UK post-punk and industrial ecosphere and finding footing in the embryonic power electronics scene before incorporating rock instrumentation to further explore the landscape of what would come to be described as “bleak psychedelia”, Ramleh continue to challenge and reward even the most adventu…
The Book of Job is a boundary-pushing work by Super Grupa Bez Fałszywej Skromności, merging avant-garde jazz, spiritual recitation, and sound experiments. Conceived in martial-law Poland, the album is both requiem and protest—an immersive journey through collective struggle, transcendence, and artistic resilience.
Praed Orchestra!'s The Dictionary of Lost Meanings weaves seven pieces of composed music and expansive improvisations, blending Egyptian Shaabi, jazz, and tribal elements. Led by Raed Yassin and Paed Conca, the full ensemble explores intricate textures and rhythms, offering a contemporary journey through tradition and experimental soundscapes.
Big tip! Acclaimed New York-based composer Lea Bertucci offers The Oracle, a striking, vocal-focused collection of music that spans six tracks of adventurous sounds steeped in mysticism and imagination, over three years in the making. Her first purely solo endeavor since 2021’s much lauded A Visible Length of Light (Cibachrome Editions), The Oracle breaks new ground within the scope of Bertucci’s singular voice as an artist.
The Oracle is an alchemy of contemporary political anxieties illuminated…
Unearthed from decades of cassettes, live sessions, and scattershot archive, Darrell DeVore’s Another Song of Civilization expands his collage of experimental Americana, global chant, tape concrète, and found-instrument jazz. The album takes his freeform, cross-generational vision still further—organizing fragments, improvisations, and irreverent juxtapositions into a warm, searching portrait of creative persistence.