Experimental / Soundtrack

Soundtrack to Kahlil Joseph's 2017 film installation Fly Paper, a portrait of Harlem inspired by Roy DeCarava, with music by Kelsey Lu, Alice Smith, Thundercat, Flying Lotus, Kelan Phil Cohran and Legacy and soundscapes by James William Blades.

A floating drift toward a mysterious reality, between Nature and Cosmos, poised between sleep and wakefulness, temporal co-presences and impossible spatial ubiquities. In this phantasmagorical saga, inspired by TV science-fiction as well as 60s and 70s horror movies, Nicola Giunta/Lay Llamas creates a miraculous balance between original inserts and retrievals of freely chosen fragments from old audio documentaries on vinyl, perfecting the art of sound collage in an absolutely psychedelic way. No…

Bright Madness is the third album from the pinch-me-is-this-real improvising trio of Wendy Eisenberg, David Grubbs, and Bonner Kramer. Fresh off their 2025 Big Ears appearance, Squanderers slid on over to Kramer’s adopted hometown of Asheville, North Carolina and laid down the glorious afternoon’s worth of instant compositions that stands before you. It’s the sound of Eisenberg, Grubbs, and Kramer doing their damnedest to dazzle one another, from shell-game sleights of hand to the effortless bea…

Italian Surf Academy, led by guitarist Marco Cappelli, reworks the 1968 film soundtrack of Barbarella by Bob Crewe and Charles Fox, recorded in Paris in 2013, post-produced by JD Foster and mastered by Brian Brandt and Paul Howells.

"A quick scan of the world’s favourite crowdsourced discography reveals that Sonic Youth co-founder Lee Ranaldo was not a total stranger to crackling electric experimentation in the years following his songwriting turns of the 20-teens. Yet »The System«, ingeniously culled and sequenced from Ranaldo’s soundtrack work for Dutch filmmaker Joris Postema’s ›eco-doc‹ of the same name, nonetheless feels like a reawakening. Quietly released in a vastly different (and much more ›filmic‹) form by Doxy Mu…

Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A sl…

Big tip! Sarah Davachi returns with “Music for a Bellowing Room”, the first ever release of her audio / visual collaboration with the artists and filmmaker Dicky Bahto, originally commissioned by the Museum of Modern Art in New York. Sprawling to an incredible three hours of sublime, minimalist drone - composed for tape loops, synth and delay - that draws the ear toward microscopic shifts and details, we've adored every second of this truly monumental work.

Scottish composers Andrew Wasylyk and Tommy Perman are back with a new collaborative soundtrack album, 'House With A Curse'.

Tense from the first note and decisively uncompromising ‘GHSTING’ is the debut collaboration by Polish artists Alex Freiheit and Aleksandra Słyż, an incredibly unique piece of work that mixes fiction, spoken word poetry, theatrical antics, dense synthesis, acoustic ensemble and dark landscapes all set within the backdrop of a sinister Eastern Europe hotel. The resulting sound is menacing, humorous, harmonious, tumultuous, and at times quietly erotic. Alex Freiheit, a poet and vocalist, is widely…

A Colourful Storm's Fleetway Tapes series follows classic entries from Time Is Away, Vladimir Ivkovic, Felix K, Young Sparks and others with a heart-stopping selection put together by Berlin-based film journo Florence Scott-Anderton, a fathoms-deep, laser-focused mix that doesn't come around often, engulfing high-art/low-culture TV samples with a series of cues excavated from film - think of it as a sort of Blockbuster Video nostalgia-tinted answer to Time Is Away's flawless thematic mixes.

In 1969 both Anthony Moore and David Larcher were at the start of their respective careers and both were inspired by the ideas of the avant garde and the new technologies becoming available to them. David experimented with the various techniques being explored in the medium of film making and Anthony tested the limits of what could be done with tape recorders. It was an open and co-operative exploration. The results of their first collaboration was the film Mare’s Tail - an unusually long 2:30 h…

*2026 repress!!* Balmat 17 marks both a return and a new frontier. It is the second album on the label from Patricia Wolf, whose 2022 album See-Through is one of the most beloved in Balmat's catalog; it also marks the first time that Wolf has turned her hand to a film soundtrack. The results are every bit as magical as fans of the Portland, Oregon, composer's music might expect. Hrafnamynd--Icelandic for "raven film"--is a new feature-length documentary by experimental filmmaker Edward Pack Dave…

Started out as a sideproject to Incipientium and The Family Men, Gustav Danielsbackas' Future Chemicals has slowly evolved into its own ugly thing, exploring his passion for video culture and dystopian, technological havoc. Death Drug And TV Screen was initially meant as a soundtrack for a film started in 2022 that got forever stuck in limbo. Saved from the production room vortex, Discreet Music now presents the whole, massive thing in its mind-melting entirety. Clocking in on almost 70 ambitiou…

This composition is a kind of false diary of the year 2015, or rather a real concentration of that year’s memories with very little rationality in its hierarchies, its ordering, or in the connections it makes. The narrative, if one wants to hear any, comes from the meeting between chronologies, the shape of the snippets, the fortuitous accidents and such, yet all in the absence of any sequential logic. The idea of building a form of sound by gambling with memories had been turning and returning …

*Includes 16 page booklet and 30 day free MUBI subscription.* Agon is the directorial debut of Giulio Bertelli. It follows a triptych of female athletes as they prepare and then compete in Ludoj 2024, a fictional Olympic Games, in their personal disciplines - judo, fencing, and rifle shooting. Informed by the historical figures of Cleopatra, Joan of Arc and Nadezhda Durova, these women are portrayed against the political, social, technological and physical contexts that dominate the highest leve…

From The Edge is a long-form musical work shaped by the acoustics, history, and atmosphere of Dover.

After ‘Requiescat In Plavem’ and ‘Lentius Profundius Suavius’, Krano returns with another curveball in his discography, a kolossal double-album and his first original soundtrack for the movie ‘Le Città di Pianura’ (The Last One For The Road), directed by Francesco Sossai and presented at the Cannes Film Festival (Un Certain Regard), a rollicking, bittersweet journey through the Venetian countryside, where memory and mischief ride shotgun, a road-movie through a territory undergoing great transfo…

*300 copies limited edition* New 12-track Blod album recorded spring 2025, and the first one since Livets Ord from 2018 to be recorded entirely in a studio, this time at Omnivox Studio in Borlänge. Förlorarnas Natt is an all instrumental album and Gustafs intention was to make a soundtrack-style album with a strong cinematic feel. Even though there is no existing movie, yet, the story takes you through a Friday night in the life of a young person and the first meetings with the adult world. Naïv…

Schoon Donker is Marceau Boré first solo album under his real name. Before known as Piano Chat, a solo pop noise project, the french musician has been commissioned to compose a film score for a documentary film by Katrien Feyaerts, Schoon Donker. The film is about two men and alot of pigeons. One of the men is a famous and silent pigeon-fancier, the other is the director's father. As the pigeons come and go, both men stay stuck in their lives. Marceau Boré chose to play the saxophone, an instrum…

On The Watchers, eight Todmorden‑based artists summon a new, collectively woven score for Richard Foster’s 1969 cult short, amplifying its semi‑rural folk horror, UFO lore and moorland unease into a creaking, psychic soundscape.

This limited edition seven-inch vinyl record comes housed within a hand-made manilla sleeve, expertly screen printed at Small Press Studio in Stockport by Yasmin Lever. Along with the 12min vinyl comes an A4 insert and download code. Between 2014-16, Folklore Tapes began the series Calendar Customs, commissioning artists to research and respond sonically to the four corners of the ritual year; May Day, Midsummer, Midwinter and Hallowe’en. This culminated in a box-set of 4x LPs with accompanying …

*2026 stock* “The Missing Boys” is a film born from the need to tell the story of the emergence and affirmation of a forgotten music scene, like much of the youth movement that spread in metropolitan areas as well as in the provinces more than forty years ago, dealing with the same critical issues of everywhere. It’s a story of mostly unknown bands, who from Sardinia, especially from Cagliari and Sassari, interrupt the blissful isolation of an island, only apparently distant from that revolution…

*50 copies limited edition* Insects chirp and rustle, birds are calling and chimes are being played, gently and patiently. A soft layer of lo-fi noise covers everything up like a thin and comfortable blanket. These are the nocturnal sounds that occupy the opening segment of ‘La Maison Forestière’ (The Forester's House). It seems the early dawning of the day, a moment of slowly waking up. The perfect moment for us, the listeners, to join this strangely familiar world of sound. Other percussive in…

Retinal Rivalry is the soundtrack to Cyprien Gaillard’s new stereoscopic film, Retinal Rivalry (2024). It is an entrancing journey through Germany’s urban landscape and its layers of historical and social significance. Building on his previous exploration of the sculptural qualities of three-dimensional moving images, the work extends beyond the confines of the screen. By harnessing cutting-edge technology to its full potential, Gaillard offers an expanded, sharpened and deeply affecting novel v…

The debut album by Western Mass trio, Mozzaleum, is an unholy union of hot cheese pie, cool Italian prog, and wanton horror movie lust. One gets the feeling this's the sort of band that Roky Erickson dreams about after a few mugs of cocoa and a slasher flick watch-a-thon. The three tracks on the first side all take their names from actual films (none related to the films' music as far as I can tell), the five on the flip carry on in a more thematic manner. But the music on side two -- keys, samp…

*300 copies limited edition* Corbett vs. Dempsey is pleased to announce the release of Horizon, featuring music by Joseph Shabason and Thom Gill as a score for artist David Hartt's film. This vinyl-only project is co-released with Hartt's new imprint, Actualité. It is the label's maiden voyage and exists in a strictly limited edition of 300 copies. Horizon features soundtrack music composed by Canadian multi-instrumentalist and composer Shabason and Toronto-based musician Gill, also featuring vi…

*2025 stock* Wedding Songs marks the return to the label of filmmaker and composer, Clint Trofa, with his most ambitious and masterfully executed suite of music to date. Recorded with Jim Wallis throughout 2022, the 10 compositions that make up the album have been created with the patience of an auteur director, each piece of mise-en-scene delicately placed, unfolding with the grace, subtlety and emotional resonance of a European art house film.  Indeed, much of the album's melodic content has a…

A groundbreaking collaboration between two Japanese cultural giants: Seiichi Yamamoto — a pioneering figure in Japan's avant-pop scene and former member of Boredoms, Omoide Hatoba etc — and legendary photographer Daido Moriyama. Inspired by Moriyama’s iconic photographic style, Yamamoto has composed a sonic tribute — a soundtrack, or perhaps a love letter — to Moriyama’s raw, evocative imagery. The result is an unparalleled work of art: progressive, genre-defying, and emotionally expansive. From…

Released on standalone CD for the first time in 33 years, this now-complete edition of the ground-breaking cult soundtrack is finally here.

De la Catessen Records proudly presents the original soundtrack for Iron Winter by Port Adelaide based composer Luke Altmann in a hand-numbered vinyl edition of 250 copies.

*2025 stock. 50 sopies limited edition* The source material was created by Angus Carlyle for two films with Chiara Caterina, ‘Il Vertice’ (2013) and ‘Into The Outside’ (2015), part of his larger project ‘In The Shadows of Silent Mountains’. The soundtracks have been reworked and responded to for this collaborative project ‘Non Mountain’.

2025 stock  Artificial Pinearch Manufacturing will release a soundtrack album for the drama American Woman. The album features the film's original music composed by Adam Wiltzie (Whitney, God's Own Country, The Yellow Birds). Stars of the Lid and A Winged Victory for the Sullen co-founder Adam Wiltzie's soundtrack (Adam Wiltzie, Whitney, God's Own Country, The Yellow Birds) to the Jake Scott (Son of Ridley Scott) film. The film stars Sienna Miller, Christina Hendricks, Aaron Paul and Amy Madigan…

Sold-out at the supplier. LP with obi strip, incl. booklet. Australian composer Oren Ambarchi and Norwegian guitarist Fredrik Rasten present Dragon's Return, a compelling new score for Eduard Grecner's 1967 Slovak cult film of the same name. Released via Viernulvier Records, this collaboration emerged from a live performance at the Videodroom Festival during Film Fest Ghent in October 2024, where the musicians premiered their improvisational soundtrack alongside the restored black-and-white para…

*2025 stock. 20 copies limited edition* Abstract sampler-based film score by Jeremy Kennedy, “blending electronics and vocals that really remind me what Gong were doing in 1972-73.” - Byron Coley Blu-ray disc of accompanying film by Justin Rhody included.

*2025 stock. 100 copies limited edition* Free-improv quintet recorded live in accompaniment to the early films of Harry Smith at No Name Cinema (an event organized in partnership with the Harry Smith Archives in celebration of Smith's centennial). Also featuring a 14 minute long remix by Cody Yantis (à la Jeph Jerman & Harry Partch daydreaming in the industrial sector).

*160 copies limited edition* Pentiments is extremely honored to present American composer Rick Corrigan’s original soundtrack for Faustfilm: An Opera, Stan Brakhage’s seldom-seen 1987 experimental psychodrama. The first of what would come to be a four-part series, Faustfilm: An Opera saw the preeminent experimental filmmaker venturing into territories strikingly different from those previously explored in his films, utilizing actors, set designs, soundtracked music and a loose adaptation of Goet…

This is a reissue cassette released by Aaron Dilloway in December 2024. (Originally released in 2003). It contains two lo-fi noise concrète tracks.

Score to the Case Esparros film "The Absence Of Milk In The Mouths Of The Lost" starring Gary Wilson and Hannah Weir. Contains 3 bonus tracks not featured in the movie. No track listing on the tape.

*100 copies limited edition* Bernd Boehm’s life and work still remains a mystery to most. Having engaged in several disciplines like painting, film and sculpture, towards the end of 1980’s Bernd produced a series of experimental film soundtracks along with a modest amount of new wave tracks which we now present under this edition. Having initially self-released some of these soundtracks, to be latter on published by Matthias Lang on Irre Tapes, “Look under this” reunites now all of his film soun…

Following their collaboration on 2021’s Oscar winning Drive My Car, Eiko Ishibashi & filmmaker Ryusuke Hamaguchi up the ante with a deeply inspired synergistic exchange: music for images, visuals for sounds. Eiko’s score initiated the project that has become his celebrated new film (Best Picture – BFI London Film Fest, Asian Film Awards, Silver Lion – Venice Film Fest, Best Score – Asia Film Awards). Every nuance mixed & mastered by Jim O’Rourke.