Jean-Luc Guionnet
Tournures Cessent / Tournures Cessent Orchestrales
LabelAposiopèseGenreExperimental
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This composition is a kind of false diary of the year 2015, or rather a real concentration of that year’s memories with very little rationality in its hierarchies, its ordering, or in the connections it makes. The narrative, if one wants to hear any, comes from the meeting between chronologies, the shape of the snippets, the fortuitous accidents and such, yet all in the absence of any sequential logic. The idea of building a form of sound by gambling with memories had been turning and returning around me for a while, as if one could place some remains of the past like bets on the green felt of a casino of forms : placing a bet on yesterday for tomorrow, shaping a kind of sonic boli, a boli dreamt, a boli fantasized — a form to come. What is the form of a shapeless boli, one that’s full of memories, yet resembles nothing?
Conglomerated in a form, an object, things, dust, substances, and other bloods of the kind that the past rendered important, and that the work amalgamates and mashes together. In the end Tournures Cessent is none of these... neither diary, nor boli, brushing against both, but still standing elsewhere, in the end forming a triangle with them : rather than the compact and opaque amalgam of the boli, or the daily order of the diary Tournures Cessent surrenders to the drift, the transparency, the line, and to a few words, sometimes clear — all from memory.
Format
⎏
| APO 16 | Compact disc + 24 p. booklet.
Cd produced by Aposiopèse & Jean-Luc Guionnet (2024)
Liner notes by Jean-Luc Guionnet.
Translation by D.E.Lucas Dan & Marie Verry
Composed, recorded & mastered by Jean-Luc Guionnet (2016 - 2020)
Drawing by Jean-Luc Guionnet. Photograph by François Lagarde
In memory of François Lagarde.
—
Tournures Cessent | 29:50
Electroacoustic composition by Jean-Luc Guionnet.
Commissioned by INA GRM for PRÉSENCES ÉLECTRONIQUE (2016).
With (in order of appearance) :
the voice of Christophe Macé,
Cyp, a melody played on piano,
the viola of Cyprien Busolini plays this melody,
some pigeons trampling nearby my place,
my voice,
dancing steps by Lotus Eddé Khouri,
some çifteli at home,
Didier : the synthetic voice, (les ordures, ...),
Des pentes aux marches by Dedalus ensemble,
some alto sax somewhere very fare,
a very remixed excerpt of « Plugged Inclinations »,
a recording of « Reciprocal Scores ».
a roaring parking.
Tournures Cessent Orchestrales | 30:51
Composition for orchestra by Jean-Luc Guionnet. Played by Onceim and Motus.
Commissioned by La Muse en Circuit (CNCM). Played by ONCEIM & MOTUS (2019-2020).
Recorded on the 5th of october 2021 by Olivier Lamarche & Jean-Luc Guionnet, in Théâtre de Vanves.
Onceim
Pierre-Antoine Badaroux (alto saxophone)
Prune Bécheau (violin)
Sébastien Beliah (double bass)
Cyprien Busolini (viola)
Giani Caserotto (electric guitar)
Bertrand Denzler (voice and electronic effects)
Vianney Desplantes (euphonium)
Benjamin Dousteyssier (bass saxophone)
Jean Dousteyssier (clarinet)
Benjamin Duboc (double bass)
Franz Hautzinger (trumpet)
Antonin Gerbal (percussion)
Jean-Brice Godet (tapes)
Julien Loutelier (percussion)
Jean-Sébastien Mariage (electric guitar)
Frédéric Marty (double bass)
Alexis Persigan (trombone)
Diemo Schwarz (concatenative synthesis)
Alvise Sinivia (piano)
Jean-Philippe Gross (electronics)
Clotilde Lacroix (cello)
Frédéric Blondy (conductor)
&
Motus : Olivier Lamarche
Release notes
⎏ | APO 16 | Compact disc + 24 p. booklet. Cd produced by Aposiopèse & Jean-Luc Guionnet (2024) Liner notes by Jean-Luc Guionnet. Translation by D.E.Lucas Dan & Marie Verry Composed, recorded & mastered by Jean-Luc Guionnet (2016 - 2020) Drawing by Jean-Luc Guionnet. Photograph by François Lagarde In memory of François Lagarde. — Tournures Cessent | 29:50 Electroacoustic composition by Jean-Luc Guionnet. Commissioned by INA GRM for PRÉSENCES ÉLECTRONIQUE (2016). With (in order of…
| 01 | Tournures Cessent | 29:50 | |
| 02 | Tournures Cessent Orchestrales | 30:51 |





















































