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Crazy Doberman is a curious outfit, a rotating collective of musicians that come and go for recordings and live performances. The group is centered around Drew Davis, Tim Gick, and John Olsen of Wolf Eyes. Illusory Expansion is far from their first dance – it is more like their 20th release – and features a total of 16 musicians in a free-improvisational jam session. There is a hint of a Bitches Brew vibe herein, but Crazy Doberman is more experimental and not overtly jazz. Other reference poi…
Crazy Doberman are an Indiana free-improvisation and jazz collective created in 2016 as an offshoot of the group Doberman, started three years before. Core members, including Tim Gick and Doberman cofounder Drew Davis, appear on many recordings, but Crazy Doberman’s lineup is loose—it varies on each of the band’s 40-plus albums and has featured dozens of musicians, among them Wolf Eyes’ John Olson and percussionist Tyler Damon.
* Double CD in 6 panel ecopack * Hamid Drake is an American jazz drummer and percussionist. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free jazz improvisers. Amongst many others he has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxop…
Los Angeles guitarist Peter Kolovos’ last release was the epic 3xLP Black Colors. While not quite as immense, A Wolf Should Only Be Lone, Kolovos' first cassette release since his days with Open City, hits the beautiful red space in fits and starts. These two tracks carry his distinct style of annihilating common notions of guitar playing. Bruce Russell once likened his playing to “Derek Bailey covering The Resident’s Duck Stab,” while David Keenan has described him as having the "dexterity of B…
**Came inside hand silk-screened foldover sleeve with two-color riso printed insert. Edition of 150** The only known studio work of Post-Materialists that was recorded in 2015. Iconic album for Russian underground scene showing the most powerfull side of experimental punk free form music. Contains the most well-known "songs" performed in their original live style. Produced by Sergey Efremov and the infamous Russian store Stellage. Single sided colored vinyl in edition of 150 copies came inside h…
**300 copies. 180 gram RTI pressing, comes with two inserts** this LP is one of two vinyl releases from recording sessions at the Chummery late in 2006. The Chummery was the Seattle home to Sun City Girls, Sublime Frequencies, Abduction, and The Sea Donkeys. In fact it was the last residence of Charles Gocher who passed away in there only a few months after this session. Along side this there is the highlight from NNCK's concert in Vancouver, British Columbia on that same trip. This record foll…
What are field recordings? “My memory is not what it used to be, David,” my grandfather, Syd Senior, said to me as we huddled round a fireplace in 1979. Thanks to a cassette tape I have the memory of his gradual loss of memory, hearing him speak of Queen Victoria’s funeral and the severity of patriotism back in those old days, 1901. Syd Senior is long dead, no longer part of the field of living relations but still within the field of memories that can be revived by technology, albeit an old one …
The members of Minamo(Keiichi Sugimoto and Tetsuro Yasunaga) have known Moskitoo (Sanae Yamasaki) for many, many years and have worked together in all sorts of ways. They have not, however, performed a live set or recorded together before what has become Superstition. Superstition is a gathering of close friends creating music they love to create and exploring the small crevices and details of electric, electronic, and acoustic sounds. While the songs sound intentionally composed and arranged, t…
This special bundle collects Aktuala's complete discography on three coloured vinyl LPs:Aktuala "Aktuala" (1973)**Red vinyl reissue. Milestone! Faithful reproduction of the original release!** 1973 Aktuala debut, a stunning overall work where you can hear a lot of different musical influences : avant-garde folk, mediterranean blues ,jazz improvisation, minimalism, african percussions, indian ragas all played with a true psychedelic feeling. The album was recorded in a few days in a totally acous…
About this record and how Limpe and Paul Fuchs got together with Friedrich Gulda: In 1968, the Austrian classical and jazz pianist Friedrich Gulda organized the First International Music Forum of Ossiachersee with the theme "Improvisation in Music -- Yesterday, Today and Tomorrow". During the third edition of the festival, Gulda got to know the band Anima Sound and was fascinated by their "absolute free music", which they played on home-made instruments. Anima Sound was Limpe and Paul Fuchs, who…
**50 numbered copies** "Matthew Crowe and Bob Bucko, Jr. met at a DIY basement show in Bucko’s hometown of Dubuque, Iowa in 2009. Despite living three hours apart, the two proceeded to strike up a friendship that led to endless hours of friendly jamming with various assemblages, eventually coalescing into a focused duo exchange. Sex Funeral’s sound is reflective of the interaction between two friends more than being representative of any particular genre.Early in their trajectory, there was no a…
The music on this album was recorded in the studio the day after Frances-Marie Uitti and Ayman Fanous spent ten minutes improvising together in concert, in a first meeting. It represents bidirectional ideas in music often and erroneously thought to be opposites: western vs. eastern, improvised vs. through-composed. In this recording they are stood on their head, examined, dissected, tortured, and ultimately reconciled. Fanous says: “Musically, Frances and I came from two distinct sets of emphase…
**60 copies** Based in Jyväskylä, Finland, Keijo Virtanen is somewhat of a legend in the whole finnish psych scene (on the same level as Pekka Airaksinen - in fact the two have collaborated before). He’s been working on music for ages but his work has only been starting to get attention during the last few years. This artist’s music is unlike any other, it is often based in ambient and drone and incorporates weird traditional folk instruments from around the world just as much as electronic inst…
Killer! 300 copies packaged in a double gatefold ruby recycled cardboard sleeve with silver embossed text on front, including a 32-page booklet. Archival and live recordings from Australia’s premiere prepared acoustic improvising trio. Formed in 2002, Melbourne’s Pateras/Baxter/Brown toured heavily between 2004 and 2008, playing a regular residency at the Empress in North Fitzroy in between extensive European tours. They performed multiple concerts in classical, electronic, jazz, grindcore and a…
This one’s certainly a mold-breaker; closer in spirit to Cage / Tudor’s “Indeterminacy” than the sort of bedroom solo composer / producer / performer LPs that have been the Creel Pone archetype thus far. Improvisors were set up in 4 different isolation booths in the studio in Iowa State University’s recording studio during the ‘67 - ’75 seasons; these simultaneously-ocurring sound-events captured in real time, then collaged via tape & electronic processing by the studio-head Michael Lytle after…
Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Anima ensemble. During that time, Limpe and Paul Fuchs collaborated with the Austrian pianist Friedrich Gulda as well as jazz luminaries like Albert Mangelsdorff, and continually attracted the interest of their audiences in new constellations. Limpe Fuchs on Gestrüpp, which was produced and recorded between 2012 and 2014…
The full recording of the first meeting between Bill Orcutt (USA) and Okkyung Lee (South Korea). Individually these players have focused on an idiosyncratic approach to their chosen instruments and technique. Okkyung is one of the most singular voices to compromise the cello's classical origin, while Orcutt has spent many years developing a unique abstraction of traditional guitar blues. Live at Cafe OTO is an uncompromising combination of these individual elements and an ecstatic improvised ass…
A holy grail of free improvisation/spontaneous music reissued on vinyl for the first time in nearly 40 years, beautiful pressing housed in an elaborate silkscreen print, hand-numbered, and limited to 500 copies* Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Ensemble Anima, working on the periphery of krautrock and free jazz. During that time, Limpe and Paul Fu…
*Exquisite black and silver silk screen printed cover. Limited edition** Oh man, this match-up must be a dream come true for at least a handful of freaks, somewhere, us included! The tenth release on Jozef Van Wissem's Incunabulum imprint sees the label curator jamming with LAFMS legends, Smegma at the Pink House in Portland, 2010, infusing his 13-course swan neck baroque lute into their uncontainable free improvisations in eight parts. They appear to be entirely respectful of each others space,…
Alga Marghen presents one of the treasures of the French avant scene of the 1970s, published now for the first time. An ideal parallel to Jac Berrocal cult LP “Paralleles”, the realization of these pieces recorded by Daniel Deshays and produced by d’Avantage in 1977 that also conceived a very elaborated sleeve design, was mysteriously discontinued making this record one of the lost jewels of the French underground.Together with Michel Potage (voice and various instruments) and Jac Berrocal (trum…