Folk /
The Pain of Separation: Turkish Gazels, 1926-1935
A collection of spellbinding, melismatic vocal improvisations taken from 78s cut between the mid 1920s to mid '30s - a period defined by the aftermath of the Ottoman Empire’s partition, the Greco-Turkish War and the compulsory population exchange that followed. This same period also represented a time of intense efforts, following the establishment of the Republic, to westernise the new nation's music - coupled with a ban on traditional music education in schools, and later a complete ban on bro…
Jesus Hits Like the Atom Bomb: Gospel Quartet Singing in Jefferson County, Alabama
"Jefferson County is the heartland of black American a cappella gospel quartet singing. For more than [a century] black quartets have thrived in Birmingham and Bessemer, and they have provided immeasurable spiritual uplift and musical enjoyment to a large portion of the local population. The tenacious survival of black quartet traditions in Birmingham and Bessemer preserves a cultural and historical continuity that informs and enriches many lives. The older singers share a sense of brotherhood, …
I'm On My Journey Home: Sacred Harp Singing, 1928-1934
Death Is Not The End, following their cassette reissue of Harry Smith's Anthology, present a collection of recordings of Sacred Harp singing (a traditional sacred choral music with origins in the American South) taken from the late 1920s through to the late 1930s. Necessary vinyl edition of Death is Not Final’s I’m On My Journey Home, Sacred Harp Singing, 1928-1934, a collection of recordings of Sacred Harp singing (a traditional sacred choral music with origins in the American South) taken from…
Bury Me In A Corner Of The Yard
Death Is Not The End issue a 14-track tape of vintage and archival Cajun ft. tracks from Segura Brothers, Amede Ardoin, Blind Uncle Gaspard, Sydney Landry & more.
Curse You, Foreign Lands
A 14-track tape pulling together rural Greek demotika recordings from the late 1930s to the mid-1950s. Soaring pentatonic improvisations, odd-metered rhythms, and vocal performances oscillate between heartbreaking laments and ecstatic celebrations.
Aman Aman (Greek-Anatolian Laments)
Intensely expressive free-verse vocal laments over sliding violins, hammered santouri, guitar, and oud - the hybrid sounds of the Mediterranean in the early 20th century. “Aman Aman” cry the singers on these recordings, their voices preserved on 78rpm discs cut between 1911-1935. The phrase roughly translates to “mercy,” a call of despair, but also one of joy and admiration. On many of these sides, that full range of emotion is transmitted at once. Some of these artists are legends, others lost …
Bulayo (Guitar Songs From Tanzania, Kenya, Zambia, And DR Congo)
African acoustic guitar masterpieces, expanding on Mississippi’s beloved “African Guitar Box.” In 1979 and 1980, a young British-Kenyan musician named John Low hit the road to learn finger-style guitar from his heroes. He traveled across Kenya, Tanzania, Congo, and Zambia, visiting, and sometimes staying in the homes of, stars like Jean-Bosco Mwenda, Losta Abelo, and Emmanuel Mulemena. He also documented brilliant but previously under-recorded artists like Tanzania’s Francis Kitime and Kenya’s M…
Malenčyk / Lami
Malenčyk / Lami is a double vinyl pairing unpublished archival recordings of Belarusian fiddler Stanisłaŭ Malenčyk with Italian sound artist Giovanni Lami's response to that archive.
Iivana Mišukka
Death Is Not The End present a further volume of Arja Kastinen's eerie amalgamations of 110 year old wax cylinders with her own meticulously transcribed takes, this time focussing in on Armas Otto Väisänen's field recordings of kantele player Iivana Mišukka (b. 1861 d.1919).
Music from the Caucasus – The Archive of ORED Recordings, 2013–2023
The label Ored Recordings was founded in 2013 by Circassian friends and fellow musicians Bulat Khalilov and Timur Kodzoko, in order to start an activity which is dedicated to documenting and preserving the traditional and post-traditional music of the North Caucasus. Khalilov and Kodzoko, were just as excited about this music as it sounded like a force that transcends borders and in which time dissolves and community becomes the only compass. Through hundreds of field recordings, which have been…
Songs & Prayers From The Izaiho Ritual, Kudaka Island
* Includes a 28-page booklet with liner notes by Senri Miyazato in Japanese and English (English translation by Linda Havenstein) * Historical recording of the sacred Izaiho ritual, an inauguration ceremony of female priests held once in twelve years in Kudaka island, which is located approximately five kilometers east west from the Okinawa island. Izaiho ended in 1978 due to a lack of successors, and this is a recording of the final ritual.
Sufi Hispano-Pakistani (Expanded)
DINTE re-runs and expands their 2020 sufi-flamenco grail on LP and tape format, adding 4 newly unearthed tracks to those previously thought to be Aziz Balouch's only recordings.
Excavated Shellac: Reeds
Reed instruments are capable of some of the most impassioned music on the planet, all due to the malleability of the reeds, themselves—historically made of plant tissue – which vibrate when air hits them. The origin of most reed instruments is steeped in rural, pastoral culture. Many insistent, loud, often joyful, reed instruments have always been played outdoors as traditional accompaniment for dancing and celebrations.
This compelling album is the second volume in the Excavated Shellac release…
Shushupe
2016 release ** Oversize card sleeve. Shushupe presents field recordings by Ralph Koper primarily pertaining to an ayahuasca ceremony which took place on February 8th, 2006 in Iquitos, Peru conducted by Norma Aguila Panduro Navarro (1944 - 2007) who was one of the very few female ayahuasca shamans in the world. This release mostly focuses on Norma Panduro's ceremonial music and the sounds of the surrounding jungle. Norma's apprentice at the time, Paula Liebe joined with the singing of one or two…
Batch #6 - Party
40girls by Ya Tosiba: Rooted in folk music’s storytelling spirit the album introduces a dynamic conversation between generational memory and progressive innovation. It is crafting a soundscape that feels feminine, elusive and powerfully transformative. The album opens with delicate samples of the Şüştər and Rahab makams with its soft and ethereal textures intertwining with subtle, noisy experimentation. Kita Koun Kan by Sabou-Gnouman De Kita: Kita, a small town in the West of Mali was once consi…
A Collection of Songs in the Traditional & Sean-Nós Style
Nyahh Records is proud and excited to announce this compilation of singers, which has been on the back boiler for some time!! Inspired by the song collecting of Alan Lomax, this compilation brings together two generations of singers from all across the island of Ireland. Some of the songs previously appear on albums, but the rest were recorded by the singer themselves on their phones to give the song a real and raw effect that brings an authentic feel and immediacy to the songs.
A long standing …
Teppana Jänis & Arja Kastinen
Teppana Jänis was born in the village of Uuksujärvi in Suistamo on 21 June 1850. After becoming blind in the late 19th century, he went house to house, supporting himself by playing the kantele, a traditional Finnish and Karelian plucked string instrument belonging to the southeast Baltic box zither family. He performed at dances and in schools, and also participated in the Suistamo kantele and runosong competitions in 1911.
In the summers of 1916 and 1917, the young folk music researcher Armas …
Yavireri: Los que viven en lo profundo
Yavireri - a Matsigenka word that can be understood as "those who live in the depths" - describes the spirits of the forest and those who, from within the jungle, sustain a way of life rooted in listening, vision, and oral tradition.
The World Is But a Place of Survival: Ethiopian Begena Songs
The begena is a ten-stringed lyre central to Ethiopia’s Amharic heritage and Orthodox Tewahido Church. Reserved for spiritual music, it is revered for its mythical origins and unique buzzing sound. Symbolically crafted, the begena is believed to ward off evil and connect players to the divine.
Pasé Bél Tan : Francophonies & Creolities in Louisiana
"Pasé Bél Tan" bridges Louisiana’s past and present through a 34-track compilation and a bilingual book, uniting archival and modern sounds. It explores Francophone/Creole heritage and identity, inviting dialogue on music’s evolving legacy.