Jazz /
Extrapolation
“Extrapolation,” the debut solo album by visionary guitarist John McLaughlin, continues to stand as a landmark in the evolution of jazz fusion. Recorded in London before McLaughlin’s legendary collaborations with Miles Davis and the formation of the Mahavishnu Orchestra, this 1969 classic exemplifies a bold new direction for British jazz.
A pioneering force in modern music, McLaughlin brought together an extraordinary group of musicians for “Extrapolation”: John Surman (baritone and soprano saxo…
Trio 64
An Introspective Masterpiece Featuring Bill Evans, Gary Peacock, and Paul Motian.
The John Coltrane Quartet Plays
Impulse! Records is proud to announce the release of “The John Coltrane Quartet Plays,” an evocative and boundary-pushing album from one of jazz’s most celebrated ensembles. Recorded in 1965, just months after the landmark “A Love Supreme,” this album captures John Coltrane and his legendary quartet—McCoy Tyner (piano), Jimmy Garrison (bass), and Elvin Jones (drums)—at a time of creative transformation and exhilarating intensity.
Featuring four powerful tracks that stretch the limits of post-bop…
The Soothsayer
Blue Note Records proudly presents the reissue of Wayne Shorter’s legendary album, The Soothsayer—a vital chapter in the evolution of modern jazz and a showcase of Shorter’s compositional brilliance. Though recorded on March 4, 1965, at the iconic Van Gelder Studio, this remarkable session was not released until 1979, transforming it into one of jazz’s most revered hidden gems.
Upon its eventual release, critics hailed The Soothsayer as “hard-driving and as edgy as the time at which it was made,…
The Procrastinator
Blue Note Records is proud to spotlight one of jazz trumpet legend Lee Morgan’s most exhilarating works, "The Procrastinator." Originally recorded in 1967 but first released posthumously in 1978, "The Procrastinator" captures Morgan at the height of his creative powers, leading an all-star sextet that reads like a who’s who of modern jazz: Wayne Shorter (tenor saxophone), Bobby Hutcherson (vibraphone), Herbie Hancock (piano), Ron Carter (bass), and Billy Higgins (drums).
Crafted during Morgan’s …
Ginparis Session
For the better part of the 50s and 60s, Masayuki Takayanagi was among Japan's best-respected jazz guitarists. But it wasn't until his experiments with tabletop guitar led him down the seductive path of sonic experimentation that he became the stuff of legend. “Ginparis” (literally translated as Silver Paris) was known as the chanson cafe in Tokyo, Ginza, and the performances often centred around chansons but eventually became the session venue for young jazz musicians. They left their mark on a…
Reese and the Smooth Ones
Reese and the Smooth Ones was captured during the same revolutionary Paris session as Message to Our Folks, but stands apart as a two-part, 40-minute odyssey of unchained invention.
Phase III
Endless Happiness reissues the 1968 British jazz classic Phase III by The Don Rendell/Ian Carr Quintet, showcasing their creative peak and innovative spirit.
One Flight Up
One Flight Up by the legendary Dexter Gordon. Recorded in Paris on June 2, 1964, this album stands as a testament to Gordon’s leadership and the vibrant European jazz scene of the era.
Gesprächsfetzen & In Sommerhausen
Alto saxophonist Marion Brown was an initially underrated hero of the jazz avant-garde. It was only after he moved from Atlanta to New York and joined John Coltrane that the public and the critics took notice of him.Dedicated to discovering the far-reaching possibilities of improvisational expression, Brown possessed a truly lyrical voice. In the early seventies, she played with Anthony Braxton, Andrew Cyrille, Bennie Maupin, Jeanne Lee, and Chick Corea, among others. On this recording he was ac…
The Straight Horn Of Steve Lacy
Some of soprano saxophonist Steve Lacy's most interesting recordings are his earliest ones. After spending periods of time playing with Dixieland groups and then with Cecil Taylor (which was quite a jump), Lacy made several recordings that displayed his love of Thelonious Monk's music plus his varied experiences. On this particular set, Lacy's soprano contrasts well with Charles Davis' baritone (they are backed by bassist John Ore and drummer Roy Haynes) on three of the most difficult Monk tunes…
Sahib's Jazz Party
Org Music releases Sahib’s Jazz Party by legendary saxophonist Sahib Shihab. This classic album showcases his vibrant, innovative jazz, preserving his legacy for fans and collectors.
Live at the Cafe Montmartre
Org Music’s reissue captures Cecil Taylor’s pivotal 1962 trio concert in Copenhagen. Remastered, complete, with rare notes, it’s a vital document of avant-garde jazz, praised for fearless innovation.
Cymbalism
A legendary album by one of the masters of modern jazz drumming! Recorded by Rudy Van Gelder in 1963, Cymbalism is among the albums Roy Haynes provided for Prestige's New Jazz series. This session features the drummer leading an acoustic quartet with Frank Strozier (alto sax, flute) Ronnie Mathews (piano) and Larry Ridley (bass). An unpredictable Hard Bop-Post Bop transitional album with different colors and moods. From the primary influence of Charlie Parker through a kind of expanded sound ins…
Looking Ahead
Looking Ahead is the debut album by American jazz musician Ken McIntyre, recorded with fellow alto saxophonist Eric Dolphy in 1960 and released on the New Jazz label in January 1961. From the beginning Mr. McIntyre considered himself part of the avant-garde or ''new thing'' movement in jazz, as spearheaded by musicians like Ornette Coleman, Bill Dixon and Cecil Taylor, although his own music was considerably more traditionally melodic than theirs. He played a whole fleet of reed instruments, inc…
Coltrane Plays The Blues
**Abstract (200 characters):**
Released by Atlantic in 1962 from earlier sessions, "Coltrane Plays the Blues" showcases the quartet’s innovative blend of blues, jazz, and avant-garde, earning cult status and critical acclaim.
Ornette On Tenor
Ornette Coleman’s "Ornette On Tenor" marks a pivotal moment in jazz, featuring his switch to tenor sax and the addition of Jimmy Garrison on bass. The album’s earthy, darker soundscape, collective improvisation, and absence of fixed themes highlight Coleman’s ongoing musical revolution.
Mary Ann (Live In Bremen 1969)
*2025 stock* A beautifully recorded session at Germany's Club Lila Eule for Radio Bremen from 1969 by the Marion Brown Quartet, his touring band at the time with AACM legendary drummer Steve McCall and German double bassist Siggi Busch and trombonist Ed Kröger, performing eight solid free jazz pieces including "Ode to Coltrane" and "Juba Lee"; a spectacular addition to Brown's discography.
Wave
*Back in print!* By the time this album was released, Antonio Carlos Jobim was already an international superstar. Having recently won a Grammy (1965) for "The Girl From Ipanema", by 1967 all the big name stars from up north were breaking down his door to work with the new "Gershwin of Brazil." In fact, Jobim had just finished working on an album with Frank Sinatra when he went into the studio to record this album. Recorded in 1967, Wave is actually one of the lesser known masterpieces of Brazil…
Gris-Gris
2025 stock 2013 repress, black vinyl. "1968 debut album from the king of the psychedelic bayou -- the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his LA session work with musicians like Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing. While Gris Gris contains moments that make it a type stamped symbol of …