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Tip! *In process of stocking.* Adrianne Munden-Dixon and Leo Chang’s “Some Time” presents stuttering physical exchanges between Munden-Dixon’s violin and electronics and Chang’s amplified piri. These pieces are tense and tightly-woven, yet constantly unraveling and reforming. Chang’s “ampiri” is a Korean double reed instrument running through electronics and played in unconventional and non-traditional ways. Recontextualising the instrument “quasi-autodidactically” aligns with Chang’s approach t…
Running counter to the monopoly of white representation in music, Radio Diaspora translates the African diaspora through free jazz experimentalism and free improvisation. The musicians in the duo, Romulo Alexis and Wagner Ramos, reverberate the signs of blackness through zones of sonorous intensity, giving new meanings to the Afro-descendant musical experience. In ‘Negro Humor’, their tenth album, the duo investigates the dichotomy of humor to again reverberate their struggle through music again…
Acoustic Sounds Series edition Karma is a jazz recording by the American tenor saxophonist Pharoah Sanders, released in May 1969 on the Impulse! label. A pioneering work of the "spiritual jazz" style, it has become Sanders' most popular and critically acclaimed album. It is among a number of spiritually-themed albums released on the Impulse! label in the late 1960s/early 1970s. The album's main piece is the 32-minute-long "The Creator Has a Master Plan," co-composed by Sanders with vocalist Leo…
*In process of stocking* In Motions, Vol. 1, Francisco Mela and Shinya Lin create an album of improvised textures and thrilling exploratory sounds. Using drum sets and prepared piano, they create a lush soundscape of textures, imagining a scene reminiscent of a jungle, full of life, resources, and possibility. “It was a huge pleasure to have Mela’s presence and his mentorship was amazing, free of selves, the music came out just naturally from our souls,” says Shinya about their first collaborati…
*In process of stocking* Super groups are not a riskless endeavor—but when they’re made up of longtime friends and master improvisers, they tend to work. On their collaboration, simply titled Volume 1, up-and-coming American saxophonist John Dikeman (When The Time Is Right, 577 Records, 2021) is accompanied by a group of UK-based music masters: pianist Pat Thomas, a 577 Records mainstay (Shifa Live at Cafe Oto 2019, BleySchool 2019, Shifa Live in Oslo 2020, Educated Guess 2021), bassist John Edw…
*In process of stocking* How do you welcome adventure? Longtime comrades, legendary Daniel Carter, Matthew Shipp, William Parker and Gerald Cleaver investigated this in their first album, Welcome Adventure, Vol. 1, resulting in 577 Records’ best-selling release in the 20 years we’ve been operating. Now, the group is trying the question again with their second astonishing volume, taken from the same historical recording session. Daniel Carter (Saxophone, Clarinet) has been collaborating with Will…
'Amiri Baraka (LeRoi Jones) spoke the truth (and the truth under his tongue was sometimes a hammer, sometimes an anvil, sometimes a sickle, sometimes just a breath or a blast). Baraka had no tongue in cheek. Sometimes he drew his language (his thought) and in the barrel of his language (his thought), there was the cartridge of criticism, the cartridge of ranting, the cartridge of analysis, the cartridge of sedition, the cartridge of poetry, the cartridge of music. Heroes Are Gang Leaders have th…
If 577 Records had a house-band, this would be it—a group of longtime friends, collaborators and established jazz musicians who are mainstays of the 577 Records’ catalog, here playing together. The Telepathic Band named themselves after the sort of improvisational style that can only be accomplished with a decade or two of collaboration, playing a signature, boundary-pushing music between friends. Now, with their fifth album, Daniel Carter (Saxophone, Clarinet, Trumpet), Patrick Holmes (Clarinet…
'The Uproar in Bursts of Sound and Silence is a sort of emergent collage that came together over four years of composition, improvisation, and production. The foundations for this album were initially recorded in 2018 by producer/engineer Jack Endino (Nirvana, Soundgarden, Mudhoney, Skinyard) at Soundhouse in Seattle, WA with myself (Evan Strauss, electric bass and upright bass), 5-Track (Guitar) and Sheridan Riley (Drums). The initial foundations of this music consisted of my long-form graphica…
Originally from Kingsport, Tennessee, New York-based Zoh Amba is a notable rising star in the avant-garde music scene. Growing up in the Appalachian mountains, Amba practiced saxophone to the forest that surrounded her home before she later traveled to study with David Murray in New York, and also at the San Francisco Conservatory Of Music & New England Conservatory in Boston. Today, her music is full of folk melodies, mesmerizing refrains, repeated incantations and powerfully executed Free Jazz…
In Flower, In Song is the debut album from Trio Xolo, an improvising group composed of Mexican-American bassist Zachary Swanson, Baltimore-based saxophonist Derrick Michaels, and Lithuanian percussionist Dalius Naujo. With a telepathic ear toward musical interplay, Trio Xolo performs free-flowing stream of consciousness improvisations. The result is true, in the moment composition. The trio moves together dynamically as their voices simultaneously overlap and converge into one. In Flower, In Son…
*2022 stock. In process of stocking.* "The 3rd release by Ken Vandermark's School Days is a double CD of studio material recorded with the Oslo quintet Atomic. Both bands have the same rhythm section of Paal Nilssen-Love on drums and Ingebrigt Haker Flaten on bass. The group includes Magnus Broo: trumpet, Jeb Bishop: trombone, Fredrik Liungkvist: reeds, Ken Vandermark: reeds, Hevard Wiik: piano & Kjell Nordeson: vibraphone. 9 new compositions 1 each by all the members (2 by Mr. Liungkvist)." - S…
*2022 stock* Recorded at the 26th Festival International de Musique Actuelle de Victoriaville, May 22, 2010. “This set was my favorite one of the entire Festival. It was most magical and flowed organically. For me, this was the perfect trio, with Malcolm on the high end, Barre on the low end and Catherine somewhere in the middle with her immensely charming voice & presence. I kept thinking that this trio is perfect, communicating on a high level and taking us with them on an inner journey that o…
*2022 stock* Live recording of Anthony Braxton's Echo Echo Mirror House Music, where all the musicians use iPods in addition to their instruments, which took place during 2011 Tri-Centric Festival at Roulette.
In Echo Echo Mirror House musical system, all the musicians wield iPods in addition to their instruments, while navigating scores that combine cartography and evocative graphic notation, creating a musical tapestry combining live performance and sampled sounds from Braxton’s extensive reco…
*50th Anniversary Remaster* Outstanding!! Matsuli Music presents soul, spirituality and avant-garde jazz from South African political exile Ndikho Xaba. Its rarity has until now served to obscure both its beauty and its historical significance. Making profound links between the struggle against apartheid and the Black Power movement in the USA Ndikho Xaba and the Natives is arguably the most complete and complex South African jazz LP recorded in the USA. It stands out as a critical document in t…
"Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the definitive Tribe Records reissues. Deep, spiritual jazz of the highest order. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Cent…
** Limited to 300 double vinyl copies, two inlays with photos and liner notes. Originally released in 1974 on Preiser Records** »It’s Up to You« is a free sound art and performance project by sound artist and singer Limpe Fuchs, sculptor and sound artist Paul Fuchs, and pianist and recorder player Friedrich Gulda, who formed the trio Anima at the time of the recordings in 1974. As musical guests they were able to enlist the trombonist Albert Mangelsdorff, the bassist Barre Phillips, the oud play…
Lefto presents Jazz Cats volume 2, features a balance of known and obscure artists. From the thrilling frenetic grooves and innovative soundscapes of Bandler Ching and the electronic influenced Stellar Legions (Andrew Claes from (STUFF.), to the jazz fusion collective LũpḁGangGang and weaving musical odyssey that is M.Chuzi, ‘Lefto presents Jazz Cats volume 2’ is a melting pot of the best musical talent coming out one of the smallest countries in Europe. In addition, there’s the beautiful unease…
The fourth issue of We Jazz Magazine, "The Call" for Horace Tapscott. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Horace Tapscott by Andy Thomas, Ava Mendoza by Stuart Smith, Tigran Hamasyan by Rui Miguel Abreu, Istanbul Scene by Alper Kaliber, Isaiah Collier by Daniel Spicer, Bill Frisell by Debra Richards, DJ Old Crank by Matti Nives, Tokyo Jazz Joints Vol. 2 by Philip Arneill, reviews…
“Orbit of Sound” is the new release from composer/double bassist Max Johnson’s newest trio, with Anna Webber on tenor saxophone/flute, and Michael Sarin on drumset. Formed in 2018, the trio traverses tightly knit composed music and patient, sprawling improvised textures, highlighting all three individual voices as improvisers. The trio completed their inaugural tour of Europe in February & March, having to cancel their final concert and subsequent recording due to the pandemic, delaying the reco…