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1994 release ** "Although altoist Julius Hemphill gets top billing on this CD, his heart surgery in 1993 forced him to stop playing. However, this saxophone sextet was his regular group; he contributed six of the eight compositions (the other two are free improvisations) and the chancetaking heard throughout this adventurous music definitely makes most of the performances sound like they came from a Julius Hemphill recording even if his alto is missed. The sextet has a very strong lineup (altois…
*2025 stock* "“We are the place in which we dwell.” In a universe such as improvised music where, particularly in an ensemble, chance plays some kind of role, Agustí Fernández and Barry Guy did not by chance name this opus Some Other Place, paradoxical as it may seem at first sight. Much rather, it is a deliberate plight to give to this composition a title that brings up the notion of otherness, which is markedly present in both their careers. Many areas were scoured, at times under the command …
Volume three of the recording of John Zorn's renowned Bagatelles, chosen from the more than 300 works that the American conductor and composer created in a span of three months at the beginning of 2015 and later compiled into a book. In this performance, the experimental band Trigger tear through fifteen of the collection's most wackiest and chaotic pieces.
2025 repress The bass, that metronome that marks the time for musicians of every style, of every era, that secluded, silent, but essential character for a band. Without the bass, the music would be deflated, the heart notes would leave a wasteland of rowdy high frequencies without any rules. But bass players who have character can elevate those low frequencies and even make them loud at times. Who knows if free jazz, if we want to call it that, is exalted by the Arabic background, those semitone…
*2025 repress* On the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler …
*2025 repress* Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arra…
Steve Lehman – whom The New York Times has hailed as a “virtuoso alto saxophonist” and a “state-of-the-art musical thinker” – returns with a highly-anticipated new release with his long-running trio featuring bassist Matt Brewerand drummer Damion Reid, joined by special guest tenor saxophonist Mark Turner, one of the most influential jazz musicians of the past 30 years. On the self-evidently entitled The Music of Anthony Braxton, Lehman pays homage to one of his earliest mentors with a hard-swin…
*2025 repress. 50 copies limited edition* This issue of Audion magazine was first published in pdf format and then later also as a limited printed edition. The pdf version is available as two Bandcamp downloads: a pdf/multimedia edition and as a pdf only version. The pdf is viewable on all devices that support pdf files and can easily be printed. This multimedia download also comes with extra files and the audio samples shown on this page.
Audion is copyright registered with the British Library,…
Tip! Featuring William Hooker (drums), David S. Ware (tenor saxophone), and Alan Braufman (alto saxophone), this recording captures a rare and electrifying moment in time. Recorded live at the New York Jazz Museum on January 14, 1977, the album has been newly mastered by Joe Lambert and is now released for the first time on March 28, 2025 via Valley of Search.
This album was recorded at a pivotal moment in each musician's career. William Hooker, already recognized as one of the most innovative …
Timo Lassy, one of the leading lights in the current generation of Finnish Jazz, releases a new live album with his hard-cooking trio on We Jazz Records. That's Lassy on tenor sax, Ville Herrala on double bass and Jaska Lukkarinen on drums – each member a We Jazz recording solo artist on their own right. Recorded at G Livelab, Helsinki's premiere live music spot, in 2023 and including new versions of tracks all accross the sax man's celebrated catalog, Live in Helsinki proves why Lassy usually p…
The Bagatelles Vol.2: Erik Friedlander and Michael by John Zorn is a captivating album released by Tzadik, showcasing the exceptional talents of cellist Erik Friedlander and pianist Michael Nicolas. This album is a beautiful fusion of classical music with avant-garde jazz, creating a unique and mesmerizing listening experience for music enthusiasts.
May 2015, John Zorn composed 300 new tunes that were eventually collected into a book of music he called “The Bagatelles.” After five years of performances around the world in venues large and small, the choicest ensembles have gone into the studio and the results are some of the most exciting and varied music Zorn has ever presented. This first volume features the remarkable Mary Halvorson Quartet. Dynamic, fiery and endlessly imaginative, this is a fascinating first peek into the world of Zorn…
"It was once said of Paul Bley that he was the only pianist who could make a concert grand sound like an
upright. While that is not literally true, or only partly so, it makes a point that strikes home on these often
strange, offbeat, otherworldly tracks. It is a quality preserved by Michael Brändli’s typically sensitive sonic
Paul Bley-upright piano
Steve Swallow-double bass
Pete LaRoca-drums
restoration, which increases the probability of rapture. Enjoy." – Chris May
*Hand-numbered edition of 300. Digipak in resealable poly-bag* The Gerrit Hatcher Group—featuring Gerrit Hatcher (tenor sax), Katie Ernst (bass), Ben Lamar Gay (cornet), Keefe Jackson (tenor sax), and Julian Kirshner (drums)—delivers an electrifying blend of free improvisation and avant-garde jazz. Their latest release, The Good Instinct of the Morning, showcases their bold, spontaneous creativity and masterful technique. Hatcher and Jackson drive the melody with expressive, ever-shifting saxoph…
On “The Blue Yusef Lateef” (1968), listeners get an amazing chapter from the late ’60s, an amazing period when everything in the world of Jazz was changing. Yusef Lateef was big on concept recordings. This album examines all the different ranges of emotion contained within the blues genre. With a band that included Detroit Jazz gods Roy Brooks on drums and Kenny Burrell on guitar, Blue Mitchell on trumpet, Hugh Lawson on piano, Sonny Red on alto, Bob Cranshaw on electric bass, and a very young C…
*CD Version* Celebrating 50 Years of The Ethnic Heritage Ensemble’s Legacy and Unwavering Contribution to Great Black Music. This is the new offering from Kahil El’Zabar and his Ethnic Heritage Ensemble, in conjunction with the legendary group’s 50th anniversary, Open Me, A Higher Consciousness of Sound and Spirit. Open Me is a joyous honoring of portent new directions of the Ethnic Heritage Ensemble; it’s a visionary journey into deep roots and future routes, channeling traditions old and new. …
Recorded in France in 1989, Sanders plays here with an all-star line-up consisting of Stafford James on bass, William Henderson on piano and Eddie Moore on drums. Great percussion work from Cheikh Tidiane Fall, particularly on “Moon Rays”, and as always Sanders’ sax work is rich, full and throaty. On this album, the legendary saxophonist clearly reinvented himself as a more traditional improviser, capable of thoughtful and pensive deliberations. Catchy mystical New Age vocals and astrological re…
On this 1987 album Pharoah Sanders is accompanied by the great Idris Muhammad on drums, John Hicks on piano and Curtis Lundy on bass. Five of the eight compositions are by Sanders, one track by pianist Hicks, Coltrane’s “Naima” is a tribute to Trane and “Speak Low” is a beautiful standard from Kurt Weill and Ogden Nash. A real smoky slower number “Heart To Heart” shows Sanders can be subdued and romantic and John Hicks plays some beautiful jazz piano. The whole album exudes energy and joy. On “D…