Jazz /
Sarava / Canto De Ossanha
Saba developed ‘world music’ beyond its jazz label remit, the eclectic ‘Jazz Meets The World’ series brought together artists from Japan, India, Tunisia, Indonesia and Brazil. Producer Joachim-Ernst Berendt travelled to Rio in 1966 to create SABA’s first Brazilian release with a giant of the scene, guitarist Baden Powell. The resulting album, one of Baden’s greatest, bore two deeply rhythmic, spiritual titles found on this 45. ‘Sarava’ is a trance-like ritualistic number designed to whip dancers…
The Easywood Killer
* Edition of 100 * While working on a filmmusic job, Bjorn Eriksson started to fool around with a philharmonic orchestra plugin, and created his own crazy jazz combo. Music Iinfluenced by his heroes Django Reinhardt, Eric Dolphy, Duke Ellington, Raymond Scott, Ennio Morricone, Universe Zero and many others. This collection of compositions could be a soundtrack for a East European saga or a French strange detective serie. Although The Easywood KIller is a solo project, there will be a live grou…
Thollem’s Astral Traveling Sessions Compilation
** Edition of 150 copies ** This is a compilation of segments from 6 different recordings throughout the U.S. and Greece including: a trio with Amy Denio and Samantha Boshnack at the Good Shepherd Chapel in Seattle, part of the Wayward Series; a duo with Seetha Shivaswamy in Austin for NMASS; a trio at the BopStop in Cleveland with Mat Weisman and Rick Kodramaz; a duo with Djallo Djakate in Djallo’s studio in Detroit; a hand percussion duo with Jason Finkelman in Allen Hall at the University of …
Live at Lobero Vol 2
This is a reissue of a now out-of-print album from live trio date by the legendary LA-based pianist, composer and multi-bandleader, Horace Tapscott. Pianist Horace Tapscott is always at his best when he is leading a trio. Born in 1934 in Houston, Texas, Horace came from a musical family centered around his mother, Mary Malone Tapscott, who worked professionally as a singer and pianist. When Horace was nine, the family moved to Los Angeles. As a teenager in the late 1940's, Horace was surrounded …
Live at Little John, Yokohama 1999
NoBusiness Records presents Live at Little John, Yokohama 1999 by Mototeru Takagi Quartet. Improvised & composed by Mototeru Takagi, Susumu Kongo, Nao Takeuchi and Shota Koyama. Recorded live on the 25th September, 1999 at Little John, Yokohama, Japan by Susumu Kongo and Nao Takeuchi. Mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Cover photo by Mitsuo Jofu 上不三雄. Booklet photos - Shota Koyama by Yutaka Narasaki 楢崎 豊 / Nao Takeuchi courtesy of Papillon / Mototeru Takagi by M…
Live at Jazz Spot Combo 1975
NoBusiness Records presents Live at Jazz Spot Combo 1975 by Itaru Oki Quartet. Improvised and composed by Itaru Oki, Yoshiaki Fujikawa, Keiki Midorikawa and Hozumi Tanaka. "Although arriving from a dissimilar tradition, free-form experiments were common in 1960s Japan with several avant-garde ensembles throughout the country. One player who tried for more international renown was trumpeter Itaru Oki (1941-2020). He relocated to France in 1974 and was soon playing with locals. Occasionally he ret…
Archive Series Volume 5 - Undulation
NoBusiness Records presents Undulation, the fifth release of the Archive Series dedicated to Sam Rivers. Recorded May 17, 1981, Florence, Italy. Re-mastered by Arūnas Zujus at MAMAstudios. Photos (cover and pages 2, 7, 9): Courtesy of Monique Rivers Williams. Cover and Booklet Design: Jeff DiPerna. Liner Notes: Bill Shoemaker. Produced by Danas Mikailionis and Ed Hazell. Co-producer: Valerij Anosov.
Sam Rivers - tenor saxophone, flute, pianoJerry Byrd - guitarRael-Wesley Grant - electric bass gu…
Rested Turquoise
NoBusiness Records presents Rested Turquoise by Szilard Mezei Tubass Quintet. Recorded on 21-22nd August, 2018, KCNS, Novi Sad, Serbia. Recording engineer - Lazar Živanac. Mixed and mastered by Szilárd Mezei & Lazar Živanac. Liner notes by Alexander Hawkins. Cover graphic by Erzsébet Mezei. Photo by Aleksandar Stojković. Design by Oskaras Anosovas. Produced by Danas Mikailionis. Co-producer - Valerij Anosov.Ervin Malina - double bass (right)Ernő Hock - double bass (left)Kornél Pápista - tuba (ce…
The Field
NoBusiness Records presents The Field by Rodrigo Amado Motion trio with Alexander von Schlippenbach. Recorded by Valdas Karpuška at the Vilnius Jazz Festival, Vilnius, October 18th, 2019. Mixed by Joaquim Monte and Rodrigo Amado. Mastered by David Zuchowski. Produced by Rodrigo Amado and Danas Mikailionis. Co-producer - Valerij Anosov. Cover photo by Rodrigo Amado. Inlay photo by Vytautas Suslavičius. Design by Rodrigo Amado.
Rodrigo Amado - tenor saxophoneAlexander von Schlippenbach - pianoMigu…
Walpurgisnacht
NoBusiness Records presents Walpurgisnacht by Total Music Association. Transferred and remastered from the original tape. Tape transfer by Wolfgang Obrecht at Tonstudio RichArt, Munich. Original Cover Design by Manfred Vogel. Design by Oskaras Anosovas. Remastered by Arūnas Zujus at MAMAstudios. Photography of the musicians by Konstanze Vollmer. Produced by Danas Mikailionis and Ernst Nebhuth. Co-producer - Valerij Anosov. Liner Notes by Hans-Jörg Hussong / Liner Notes (translation) - Ernst Nebh…
Inscribe
** 2021 Stock ** Inscribe is the third release by this group. The self titled disc includes pieces and improvisations by all the members. The instrumentation includes guitar, cheng, violin, bass, tabla, percussion, bowed banjo and cello. With elements of indigenous music, jazz and the avant garde, natural reference points are Don Cherry, Ahmed Abdul-Malik, The Art Ensemble of Chicago and early ECM records. Includes member of the Northwoods Improvisers. The first release on the label in nearly 10…
Emerging Field
** 2021 Stock ** Emerging Field marks the sixth release of Faruq Z. Bey with the Northwoods Improvisers on the Entropy Stereo label. This release finds the group exploring rhythm and space in a broader sense than previous offerings. Faruq Z. Bey, Mike Carey, and Skeeter Shelton create thoughtful space and intricate conversations in their horn lines evoking a relaxed and passionate response with a solid blues focus. Mike Johnston and Nick Ashton root the group with their sound rhythmic foundation…
Midnight Pacific Airwaves
** 2021 Stock ** A rare recording from an under recorded period of Bobby Bradford's music. This date stems from a California radio broadcast. The line up is Bobby Bradford on trumpet, James Newton (flute), Richard Rehwald (bass) and John Goldsmith (drums). Includes a bonus track duet with Vinny Golia (clarinet) from a 2003 gig.
Journey into the Valley
** 2021 Stock ** "Once a member of Detroit legends Griot Galaxy, Bey's take on jazz is informed by the spectral divinations of Sun Ra, and pieces like "Moors" and "sherrif Sam (Sound By Law)" remind you of prime era Arkestra, floating between beautifully extended melody heads and stretches of languid free blowing, all underpinned by a steady, rolling rhythm section." Jon Dale; Signal To Noise Fall 2008. "If this were merely an audio CD, it would garner excellent reviews. But this set with DVD an…
Ashirai Pattern
** 2021 Stock ** A diverse follow up to their 19 Moons release of 2002. The groups has added longtime Bey collaborator Mike Carey (flute/tenor saxophone) to the ensemble. Ashirai Pattern embodies a higher spiritual plane and elements of mysticism in an aural feast. Instrumentation includes vibes, marimba, voice, bass, drums, tenor saxophone, flute, bass clarinet, violin, and percussion.
"The Michigan-based Northwoods Improvisers collective meld the largely undefined sounds of world music with ja…
Sam Suffy
** Limited edition, individually numbered copies on translucent vinyl ** Marc Moulin’s debut LP Sam Suffy (1975) is a compelling and unique mosaic of jazz, soul, and electronic elements that employs sampled sounds and sequencers to startling effect, vividly anticipating the music of the not-so-distant future. While rooted in collective improvisation, cuts like the opening “Le Saule” and “Le Beau Galop” foreshadow the emergence of house music via their underlying electronic motifs; even more impr…
Deorlaf X
New music from XT (saxophone player Seymour Wright and percussionist Paul Abbott) in the form of an exhilarating, super compressed, reflective re-assembling of a dozen years working together. Re-animating free improvisation with a Chicago house palette, Deorlaf X is made up of frenetic slabs of mutated multiphonics and triggered percussion, suspended in bouts of possessed reflexive quiet.
Where the duo’s 2019 release Palina'tufa on Empty Editions focused primarily on a response to the real (and …
啫啫银河 Ze Ze The Milky Way
" Here we have the tasty combination of two blog favorites, finding China-native Lao Dan joining forces with the visiting Jooklo Duo for a set of cosmic vibrations (and a little bit of free funk) at Old Heaven Books during 2018's LOFT Festival. Here Vanzan takes up his usual percussion duties while Lao Dan and Genta load up on various reeds and flutes which Genta supplements with a generous sidecar of vintage keyboard. This rowdy little number has a little bit of everything and once the trio get…
Percussion Ensemble
Percussionist Milford Graves recorded his first and only ESP-Disk' recording on August 5th, 1966 along with fellow percussionist, the late Sonny Morgan. According to Milford Graves, the titles were given numbers according to how many beats were in each measure. Milford Graves has been one of the main drummers in the free mode scene (known for skillful inclusion of Asian and African rhythmic ingredients into his solos). He worked with the New York Art Quartet, Giuseppi Logan, Albert Ayler, Don Pu…
On Tour
First-ever American CD edition of this lost classic, recorded "live" during ESP's 1966 New York State College Tour. The "piano harp" credit is Burton Greene's way of noting that he plays inside the piano, directly on the strings – the first jazz pianist to do so on record, taking a page from avant-gardist Henry Cowell's book. In his notes to the original LP, included complete in this reissue, Greene writes, "The tour found people largely unexposed to this music. They were often shaken up. Some w…