Jazz & Improvisation / Free Improvisation

*2022 stock. In process of stocking* AALY Trio (Gustafsson, Nordeson, Flaten) on left channel; DKV Trio (Vandermark, Kessler, Drake) on right channel.Recorded September 23, 1999 at Airwave Studios, Chicago.Track 2 is a long performance with an index point at the start of the Awake Nu theme.

Bill Dixon's last large ensemble concert, at Victoriaville on 22 May 2010, weeks before his death: trumpets and cornets with Taylor Ho Bynum, Rob Mazurek, Graham and Stephen Haynes, with Glynis Lomon, Michel Côté and Warren Smith.

Barre Phillips on double bass, Catherine Jauniaux on voice and Malcolm Goldstein on violin, live at Victoriaville on 22 May 2010: three veteran improvisers in a delicate, conversational trio.

Iva Bittová, Gyan Riley and Evan Ziporyn as Eviyan, live at Victoriaville on 16 May 2013: violin, voice and kalimba, acoustic guitar and clarinets in songs between Moravian folk, minimalism and chamber music.

Anthony Braxton's septet live at Victoriaville on 21 May 2011, performing Echo Echo Mirror House music, where each musician plays an iPod loaded with Braxton's recorded history alongside their instrument.

*2022 stock* "The rhythm section is thunderous in general with Nilssen-Love providing polyrhythmic barrage fire to Brötzmann’s assaults. It is a vortex of sounds – some shrieking, others almost torn, spat, even puked – owing credits both to hardcore and to Dadaistic sound poems, sharing their free rhythms, their devoted declamation and their rejection of conventional form and content. Trio Roma is a supremely passionate and committed group." -Martin Schray, Free Jazz Blog

*In process of stocking* The follow-up to 2018's underground jazz milestone from Los Angeles-based musicians Sam Gendel & Sam Wilkes. Music for Saxofone & Bass Guitar More Songs collects nine additional songs from the duo. Performed, recorded, mixed and produced by Sam Gendel + Sam Wilkesadditional bass by Daniel Aged

'Both bassists had made regular appearances in Victo over the past two decades, but no one in the audience could have guessed that it would be Kowald's last. The German improviser died in New York City four months later. The French-Canadian radio was not recording this concert, but the mixing desk engineer kept a tape rolling, just in case, and negotiations toward the release of this performance were already in progress when fate struck. There is magic on this record, especially in the last minu…

Cecil Taylor, Bill Dixon and Tony Oxley in concert at Victoriaville on 19 May 2002: piano, trumpet and percussion in an intimate, often delicate trio set.

Evan Parker's trio with Alexander von Schlippenbach and Paul Lytton meets Peter Brötzmann's trio with William Parker and Hamid Drake, live at Victoriaville on 19 May 2003: two tenor saxophone giants face to face.

Four double bassists, Barre Phillips, Joëlle Léandre, William Parker and Tetsu Saitoh, live at Victoriaville on 23 May 2003 in memory of Peter Kowald: bowed and plucked basses and voices in a shared farewell.

Anthony Braxton and Fred Frith each have about as close a relationship to the Festival International de Musique Actuelle de Victoriaville as just about any non-Canadians. The first release on Victo, the label run by the producers of the annual Canadian festival, was a guitar duo with Frith and Rene Lussier; the second was a duet between Braxton and Derek Bailey. Until this year, each had released three discs on the label. But 2005 was the Year of Braxton and the label has released three new Brax…

“We’re improvisers first and we’re bringing “moment music” into these other zones of hip hop and electronic music, drum-machine music, sound-system culture… Acoustic musicians sun-kissed by electro-magnetism, flowing out into everything. This is the shit that we want to be playing on big ass systems. Omnivorous, energy space time, mosh pit dance-music. Get it in the subwoofers so you can feel it hit, cuz the music has to begin in the body!” – jaimie branch jaimie branch and Jason Nazary are Ante…

The music on this album was created using only Electric Guitar * Using a single instrument - Electric Guitar - As A frame and the studio as the limit ie :The sound of ‘Harp’The layering of a single, guitar chord. The sound of ‘Trumpets’ & ‘Saxophone’Were designed and treated using fuzz / Wah Wah / Pitch Box / Delay & Mic Gate. The sound of ‘hi hat’ was designed through the scratching of two guitar strings repeatedlyetc. Thank you for listening Michael Grossman & Jai Morris-Smith Curious Music. *…

*2022 stock* "There is no doubt - Serpentes is the first serious candidate for the list of the best albums of 2019" — Spontaneous Music Tribune JJ Duerinckx, sopranino saxophoneJohn Russell, guitarMatthieu Safatly, cello

*2022 stock* “the music has kept me at the edge of my seat each time I’ve listened.” — The Free Jazz Collective "absorbing and vivid... guitar and piano in a beautiful collision... astonishing" — a Jazz Noise John Russell, guitarPaul G. Smyth, piano

*2022 stock* “exceptionally huge stylistic variety, marvellous and impressive instrumentation and evocative musical language ... remarkable, bright, intensive and original ... creatively made by two innovative and original improvisers.” — Avant Scena Rachel Musson, tenor saxophoneOlie Brice, double bass

"Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the definitive Tribe Records reissues. Deep, spiritual jazz of the highest order. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Cent…

** 200 copies ** Oiro Pena moves out of the bedroom. I, like many others I’m sure, was very much blown away after hearing the first Oiro Pena 10” released by Ultraääni in 2019. From where did this Finnish flute phantasm appear? Part of the fun was the mystery of it all, the not quite grasping or understanding the music, or where it came from. The second 10” on Jazzaggression felt like a deeper dive into the Pena universe. With 2020’s Music from Moments on 2 Headed Deer we finally got the origin …

** Limited to 300 double vinyl copies, two inlays with photos and liner notes. Originally released in 1974 on Preiser Records** »It’s Up to You« is a free sound art and performance project by sound artist and singer Limpe Fuchs, sculptor and sound artist Paul Fuchs, and pianist and recorder player Friedrich Gulda, who formed the trio Anima at the time of the recordings in 1974. As musical guests they were able to enlist the trombonist Albert Mangelsdorff, the bassist Barre Phillips, the oud play…