Jazz /
Music For People, Birds, Butterflies & Mosquitoes
Jimmy Giuffre, a versatile musician known for his innovative jazz compositions and arrangements, took a break from recording after a prolific career spanning from the 1950s. Following a decade focused on live performances, he returned to the studio with "Music for People, Birds, Butterflies and Mosquitoes." Giuffre's unique approach to jazz, fostering free interplay among musicians, emerged during his tenure as an arranger for Woody Herman in the late 1940s. Transitioning to the West Coast cool …
The Quest
2025 stock Probably due to the fact that Eric Dolphy died untimely in 1964, making every one of his recorded contributions more widely sought after, pianist Mal Waldron’s album, The Quest, was reissued soon after its release under the reedman’s name. Tenor saxophonist Booker Ervin is also featured on The Quest. Ervin and Dolphy had both been members of the Charles Mingus group and the two reedmen recorded various LPs together with Mingus between 1960 and 1963.
At Somewhere There
2010 release ** "This is certainly not William Parker's first solo album, he already released "Lifting The Sanctions", "Testimony" and "Painter's Autumn", but this is the first one on which he doesn't play pizzicato, using his bow for the first and lengthy track, called "Cathedral Wisdom Light", on which he demonstrates the unbelievable riches that are hidden in his instrument : from the cry of whales to those of birds, over the pulsing or a heart, or just bone-chilling shrieks. He goes deep her…
Compositions No. 10 & No. 16 (+101)
1998 release (light storage wear) ** "It has always been baffling why the work of certain contemporary composers like Anthony Braxton, whose work spans the jazz and classical genres, has not been more widely performed by musicians outside of their own immediate sphere as "standards" of modern repertoire. After all, pieces by modern composers of the generation prior to his, like Ornette Coleman or Charles Mingus, are routinely covered by performers in and outside of jazz. One would think that Bra…
Vista
2004 release ** "Recorded in 2003 at the Clear Lake recording studio in Venice, California. This set places Sam Rivers in the company of drummer Harris Eisenstadt and percussionist Adam Rudolph for a series of seven medium-length freewheeling improvisations. Rivers plays tenor, soprano and flute on these exercises and the effect is electrifying. While completely in the moment, utterly outside, and spontaneously realized, there is a certain warmth and accessibility on this outing that is unexpect…
(Y)earbook Volume 3
1991 release ** The third in a three volume compilation (each available separately) of 114 improvisers from around the world, covering a wide variety of approaches to improvisation. "A turbid dive into new music, this release packs everything from free-form jazz-like scraw to variations in composition, structure and situation to solo exploration." Featuring Pluto, Amy Denio, Davey Williams, LaDonna Smith, Marty Walker, Crawling With Tarts, IDLH, Ed Herrmann, Andrew Voigt, Tom Nunn, Tamio Shirais…
Tomorrow Is The Question!
This was definitely a perfect title for Ornette Coleman's second and last album for Contemporary before switching on Ertegun's Atlantic label. Originally released in 1959 "Tomorrow is the Question" was an early evident step towards the revolution to come. An adventurous yet accessible, bluesy album with Coleman and Don Cherry tasting for the first time the freedom of a pianoless rhythm section featuring Percy Heath or Red Mitchell on bass and the great Shelly Manne on drums.
Ornette On Tenor
Ornette Coleman’s "Ornette On Tenor" marks a pivotal moment in jazz, featuring his switch to tenor sax and the addition of Jimmy Garrison on bass. The album’s earthy, darker soundscape, collective improvisation, and absence of fixed themes highlight Coleman’s ongoing musical revolution.
Itinerary
1991 release ** "Recorded at the Listen to Lacy festival in Vienna, 1990, this large ensemble recording is really the Steve Lacy Sextet plus ten. One of the dectet members is Franz Koglmann. Although some of Lacy's other large group experiments met with mixed results, it is not so here. Itinerary, with its seven selections, is an orchestral work on par with at of Gil Evans' (to whom this record is dedicated) Out of the Cool sessions for Impulse, and of course the Gil Evans and Ten recordings tha…
35th Reunion
2000 release (no OBI) ** "It may be unfair to compare this recording to the seminal album recorded on ESP almost 35 years earlier, but such comparisons are hard to resist. In truth, the group -- now with Amiri Baraka (formerly LeRoi Jones) assuming an expanded role and bassist Reggie Workman substituting for the late Lewis Worell -- sounds as fresh and, yes, revolutionary as it did back in the heyday of 1960s radicalism. To be sure, each member has changed, but the sounds here are surprisingly r…
Through Acceptance Of The Mystery Peace: The Music Of William Parker
1998 release ** "This recording is an important part of bassist William Parker's early discography and comprises four ensemble pieces. The sound quality is slightly subpar, but the raw, 1960s feel of this album should appeal to those who appreciate the unassuming brilliance of this giant of the string bass. Each of the four tracks features different groups, with Parker composing all the pieces and appearing on all four. The two larger ensembles presage some of the large bands Parker was to lead …
The Environmental Control Office
2003 release ** "An important release is not necessarily a great release, and while the rare Environmental Control Office recording of legendary Swedish saxophonist and clarinetist Bengt Frippe Nordström is a significant contribution to the discography of Swedish jazz, his lengthy improvisations remind the listener of Albert Ayler on an off day, which when you think about it is a complement of sorts. Nordström squeezes a primitive sound from his horns, his tenor sounding precisely how drummer Pe…
Drum Sketches
2007 release ** "Susie Ibarra is a percussionist, but she doesn’t hit you over the head with the fact. Rather, her powerfully delicate, insistent sounds seem to emanate from the landscape of drums and tuned gongs by themselves. Drum Sketches, Ibarra’s first solo CD following several Tzadik ensemble releases, is inspired by various images and sounds of her native Philippines. Among her glowing array of percussion are tuned bronze Kulintang gongs and a Surunay xylophone that blend with field recor…
The Firmament / Fury
1994 release ** "Hooker's music is good, unabash ed free-jazz improvising. He and Lawrence make an effective duet: Hooker's rolling bed of drumming avoids direct comment on Lawrence's strong, Lyons-inflected alto. Of the trio and quartet tracks on the album, Pralaya and Radiance are probably the strongest. The horn players get their solo moments and do well with them, but the music is framed to emphasize the group, and that's where a listener's ears are drawn. There's good group improvising to b…
In Full Flail
1989 release ** An early Available Jelly Quartet; the instrumentation scaled down to two horns, bass/tuba, and percussion. Original compositions and covers of Brian Wilson and Misha Mengelberg. "The 1989 album from Available Jelly, In Full Flail narrowed down the band's physical lineup while extending its musical reach. Down to a quartet, the band included Michael Moore on saxophones and piano, Gregg Moore on tuba, trombone, electric bass, and mandolin, Michael Vatcher as master drummer, and the…
Saturnian Queen Of The Sun Ra Arkestra
Undoubtedly the most sublime constellation in the Sun Ra cosmos, June Tyson’s voice is the perfect guide through one of the most challenging and varied musical legacies ever created. Capable of fierce and sassy declamations as well as intricate melodic weavings, June's voice transcends genre. This first-ever collection affirms June Tyson’s unassailable gravity in Sun Ra’s realm, and features some of June's most popular numbers along with previously unissued tracks. The LP and CD versions include…
The Uppercut: Live At Okuden
2015 release ** "Matthew Shipp, the supreme jazz pianist of his generation, and Mat Walerian, the finest Polish jazz woodwind player of his, have combined their talents in concert on several occasions. This album documents one such event on May 15, 2012. Shipp hardly needs an introduction at this point thanks to a career of over a quarter century, including not only many acclaimed albums under his own name but also a long and prominent tenure in the David S. Ware Quartet and a vast array of coll…
Packet
1995 release ** "This work had its origin in the '60s. That's when I met Irene Aebi and Frederic Rzewski in Rome. The three of us have been working together ever since. The Living Theatre (founded by Julian Beck and Judith Malina in New York) was at that time very active in Italy and, as the most powerful and innovative theatre group anywhere, was becoming part of all our lives. I knew them from New York from the late '50s (The Connection, The Brig), and so did Frederic, who had composed and pla…