Jazz /
Encounter
*2026 stock* One of the more obscure entries in the early Three Blind Mice catalogue, and a record that points to the label's willingness, from very near its beginning, to host visiting players alongside the domestic scene. The American saxophonist Allan Praskin worked at the international margins of the jazz circuit, and Encounter finds him in a quartet setting that draws on the rhythmic discipline of the Japanese players around him.
The writing sits firmly in the post-bop tradition: modal fram…
Conversation
*2026 stock* One of the more intimate entries in the Three Blind Mice catalogue: a duo session, with all the exposure and concentrated focus the format implies. Conversation lives up to its title. Two players in close, careful dialogue, with neither voice dominating and neither retreating into accompaniment. The duo format strips a lot of the usual jazz furniture away: there's no rhythm section to lean on, no horn section to fill out the harmony, no place for either player to hide.
What's left i…
Live at the It Club
On Live at the It Club, Thelonious Monk and his classic quartet - Charlie Rouse, Larry Gales and Ben Riley - burn through two nights of Los Angeles brilliance in 1964, turning familiar originals and standards into angular, swinging explorations now fully restored in a complete edition.
All Blues
"Bassist Ron Carter had long been Creed Taylor’s first-choice bassist on record dates stretching as far back to the classic Gil Evans recording Out of the Cool in 1960. Carter was the first bass choice for many Creed Taylor productions throughout the 1960s for the Impulse, Verve, MGM and A&M/CTI labels, even while the bassist was recording and touring as part of the Miles Davis Quintet. And it was Ron Carter’s dulcet tones and swinging accompaniment on the double bass that drove nearly every CTI…
Montreux Cyclone
*2026 stock* A double-set capturing Bingo Miki's Inner Galaxy Orchestra in live performance at Montreux, and one of the more ambitious large-ensemble documents in the entire Three Blind Mice catalogue. Miki spent his career writing for big bands at the edge of mainstream Japanese jazz, blending orchestral architecture with modal, spiritual and free-leaning impulses, and the Inner Galaxy Orchestra was his most expansive vehicle. The Montreux performance shows the ensemble at full stretch: long-fo…
Yellow Carcass In The Blue
*2026 stock* Legendary Japanese jazz vocalist Kimiko Kasai, one of the most innovative singers of the 1970s, joins forces with the fiery Kosuke Mine Quartet on the newly reissued Yellow Carcass in the Blue, originally released in 1971 on the esteemed Three Blind Mice (TBM) label. This rare leader album captures Kasai at her peak, blending her husky, soulful voice with avant-garde improvisation and fusion grooves, featuring standout tracks like the title song—Masabumi Kikuchi's composition elevat…
Q
*2026 stock* Bassist Hideto Kanai was one of the most ambitious composer-bandleaders to emerge from the Japanese jazz scene of the early seventies, a writer of long-form pieces that integrated free playing with chamber-jazz architecture, and a player with the patience to leave space where lesser arrangers would clutter. Q, only the sixth release on Three Blind Mice, is one of his most uncompromising early statements: extended group playing built around Kanai's slow, structural bass lines, with t…
Maya
*2026 stock* Trumpeter Shunzo Ohno spent much of his career moving between the Japanese scene and the New York post-bop circuit, a player whose résumé runs through American bandleaders alongside his domestic work, and whose tone bears the marks of both worlds. His quintet date for Three Blind Mice is one of the records where he sounds most explicitly engaged with the modal and spiritual currents of seventies American jazz: Coltrane shadows everywhere, but absorbed into a particular Japanese pois…
Mine
The very first record released on Three Blind Mice, a debut for both label and bandleader. Recorded in Tokyo in August 1970, Mine announces the saxophonist Kosuke Mine and sets out, in advance, the editorial stance the label would hold for the next two decades: serious post-bop with European clarity, Coltrane-era heat, and a particularly Japanese sense of restraint that lets the most intense solos hold their shape. Mine's quintet pairs his alto and soprano with trombone, the great Hideo Ichikawa…
Fragments: The Complete 1969 Salle Pleyel Concerts
On Fragments: The Complete 1969 Salle Pleyel Concerts, The Cecil Taylor Unit detonates across two uncut Paris sets: a newly unearthed, vividly mastered document of Taylor, Sam Rivers, Jimmy Lyons and Andrew Cyrille stretching free jazz into an overwhelming, architectural storm of sound.
Inception
Using the crème de la crème of sound engineers and the unsurpassed production quality of Quality Record Pressings, the Acoustic Sounds series is mastered from the original tapes, pressed on 180-gram vinyl and packaged in high-quality gatefold covers produced by Stoughton Printing Co., where — as was customary on records of the era — the printed paper sheet is applied to the cardboard (so the cardboard itself is not directly inked). All this is overseen by Chad Kassem, CEO of Acoustic Sounds, the…
The Prisoner
Recorded and released in 1969, Herbie Hancock’s last Blue Note album The Prisoner is a powerful but overlooked masterpiece. A moving tribute to Dr. Martin Luther King, this nonet session features some of the most exceptional instrumentalists in jazz including Joe Henderson, Johnny Coles, Hubert Laws, Garnett Brown, Buster Williams, and Albert “Tootie” Heath. Hancock said of The Prisoner: “I've been able to get closer to the real me with this album than on any other previous one.”
Blue Note Tone …
Jazz Mood
The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey’s Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
Iapetus
Wewantsounds continues its reissue program of Bob Shad's cult jazz label, Mainstream Records, with Hadley Caliman's superb 1972 album, Iapetus. Recorded in LA and featuring a heavyweight lineup of West Coast players including Todd Cochran, Woody “Sonship” Theus, Luis Gasca, and Victor Pantoja, the majority of the album was composed by Todd Cochran (aka Bayeté) soon after he had composed Bobby Hutcherson's Blue Note classic, Head On. A true hidden treasure, it is reissued here on vinyl for the fi…
Des Femmes Disparaissent
Art Blakey was the new hero on the Paris jazz scene, thanks to his Olympia concert on November 22nd 1958, and his subsequent appearances at the Club St. Germain. People swore by his 'Blues March' and 'Moanin', so why not get him to do the soundtrack for the film Molinaro just finished? The only problem, albeit a major one, was that time was short, so an original score was out of the question: the Jazz Messengers would have to preach the good word by other means. Fortunately, the band's tenor and…
Firebirds Live At Berkeley Jazz Festival Vol I
On Firebirds Live At Berkeley Jazz Festival Volume 1, Prince Lawsha convenes a dream quintet with Hadley Caliman, Bobby Hutcherson, Buster Williams and Charles Moffett, igniting a front‑line of reeds over vibraphone‑lit rhythms that balance spiritual uplift and fierce swing.
France 1965: The Complete Concerts
4LP set. Gatefold sleeve with photographs, concert poster, and new liner notes. Centenary edition. Limited to 2,500 copies worldwide. June 28, 1965: John Coltrane records Ascension at Van Gelder Studio - forty minutes of collective free improvisation that detonates every remaining convention in jazz. July 2: New Thing at Newport. July 6-18: a two-week residency at the Village Gate, doubling with Thelonious Monk. July 26: Coltrane walks onto the stage of the International Jazz Festival at Juan-le…
In Concerts
On In Concerts, Mujician - Keith Tippett, Paul Dunmall, Paul Rogers and Tony Levin - are caught across 17 years of pure, pre‑verbal improvisation, four voices moving as one organism, forever searching and sometimes touching the truly uncanny.
Tetragon
On Tetragon, Joe Henderson sharpens his post‑bop language to a diamond point, driving a powerhouse band through knotty tunes and reworked standards that already hint at the spiritual depths he’d soon explore more fully.
Niebla
New York City-based, Puerto Rican-born guitarist, composer, and visual artist Gabriel Vicéns releases his fifth studio album, Niebla, a boundary-defying work that merges the vibrant rhythms of Afro-Puerto Rican folklore with the harmonic richness of modern jazz and the fearless spirit of avant-garde experimentation.
Niebla (which translates to “fog”) is a sonic journey through the cultural and emotional depths of identity, tradition, and innovation. Rooted in the rhythms of bomba and plena, the …