Jazz /
Philadelphia, November 11, 1966
This release presents one of John Coltrane's last preserved live performances ever. Taped in Philadelphia with excellent sound quality, this set presents Coltrane playing probably the freest version of Naima, along with readings of two more of his compositions: Crescent and a powerful version of Leo. Coltrane died shortly after this performance at the age of 40 on July 11, 1967.
At the Penthouse in Seattle September 30, 1965
Radio broadcast of a daytime performance at The Penthouse, Seattle, Washington, September 30, 1965 taped by an amateur fan.
Rock Joint Biwa
The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong i…
The Gift Of Love
For most though, this Detroit Soul Jazz veteran will likely be unknown, and unfortunately so because not only was Sanders a great saxophonist with his own warm and lyrical post-bop sound, he was an important fixture of historical significance in the Detroit jazz . "Prior to forming Visions, Sanders and trumpeter Marcus Belgrave fronted a band with pianist Harold McKinney called the Creative Profile. Belgrave and Sanders would continue to perform together, often with Sanders' big band, the Pionee…
Japanese Jazz Spectacle Vol.II
Tip! "It is my great pleasure to introduce you to the second volume of the "Japanese Jazz Spectacle" series. Following the first compilation which focused on recordings from the Nippon Columbia catalog, this time we are digging into the King Records archives. It is almost impossible to capture the whole picture of Wa-Jazz in a couple of compilation albums since it is such a broad and deep genre, however, by extracting tracks from the Nippon Columbia and King Records collections - both labels hav…
Soft Winds: The Swinging Harp of Dorothy Ashby
Dorothy Ashby album from 1961 that also features female vibes player Terry Pollard. Comes with a version of The Skatalites 'Guns of Navarone' which is a pretty surreal listening experience. From the original liner notes: "Dorothy Ashby may not be the first jazz harpist (Caspar Reardon) or the first female jazz harpist (Adele Girard), but her good feeling for time and ability to construct melodic, guitar-like lines, mark her as the most accomplished modern jazz harpist (...) Accompanying her was …
Daguri
The music Coltrane, Tyner and others did back in their prime made a sizable ripple in jazz. Many went on to emulate their style well after the originators either died or moved on. For the most part I find these emulator (or keepers of the flame, to be more polite) to be either alright or great. Kohsuke Mine Quintet is one of those greater ones. They're relatively obscure from what I gather, releasing only a few albums back in the 70s and a resurgence album in the 90s but their music is much more…
Gravity Without Airs
*In process of stocking.* The exemplary & well-traveled cornetist Kirk Knuffke here introduces a bold new trio – with bassist Michael Bisio & pianist Matthew Shipp – on an intimate & expansive double album. Gravity Without Airs features the three world-class musicians on both Knuffke compositions and in open form, together creating a tour-de-force of poetry and verve. “Rhythmically precise, New Orleans funky and full of grace, Kirk Knuffke’s music is a reflection of his multifaceted personality:…
Point Of Departure to Compulsion!!!!! revisited
Point of Departure was an inflection point in Hill’s output for Blue Note, his penchant for formal complexity and compacted materials – which he revisited beginning in 1969 with a nonet date, tracks with a string quartet-augmented ensemble, and an album with voices – giving way to what proved to be a short-lived foray into the minimally scored pieces that distinguished Compulsion!!!!!. The two recording sessions were separated by only eighteen months, but they were among the most convulsive in j…
Latino Con Cal Tjader
Vibraphonist Cal Tjader is heard leading five different groups throughout this set, but the identities of the flutists, bassists, and pianists are less important than knowing that Tjader, Willie Bobo (on drums and timbales), and the great conga player Mongo Santamaria are on every selection. The music really cooks, with torrid percussion, inspired ensembles, and occasional solos from the sidemen (which sometimes include pianists Lonnie Hewitt or Vince Guaraldi, bassist Al McKibbon, and flutist P…
Western Suite
*In process of stocking.* In late 1957, jazz saxophonist, clarinetist, composer, and iconoclast Jimmy Giuffre broke up the original Jimmy Giuffre 3 with Ralph Pena and Jim Hall. In early 1958, for a recording session, he formed a new trio without a rhythm section. For the album "Trav'lin' Light", his new trio included Hall on guitar and the underrated trombone giant Bob Brookmeyer. For a year, they gigged together up and down the West Coast and played summer festivals, recorded, and even played …
Jazz Mood
A multi-instrumentalist who reconfigured jazz many times during his long career, Yusef Lateef came to prominence in the late 1950s, after having toured with Dizzy Gillespie. Jazz Mood dates from 1957, when his Quintet had some of Detroit's finest, including Alice Coltrane's brother Ernest Farrow on bass and future Jazz Messengers Curtis Fuller on trombone. The use of an argol on 'Metaphor' and a rabat and finger cymbals on 'Morning' point to Lateef's Islamic grounding and his belief that music s…
Lateef At Cranbrook
Limited Clear Vinyl edition, 500 copies! Lateef at Cranbrook (also reissued as Yusef Lateef) is a live album by multi-instrumentalist Yusef Lateef recorded in 1958 at the Cranbrook Academy of Art and originally released on the Argo label. Saxophonist, flautist, oboist and all-round reeds maestro Yusef Lateef was a renowned cross-pollinator of Eastern modes with the more traditional harmonic repertoire of American jazz. During the course of his covetable career he worked side-by-side with Dizzy G…
Straight Ahead
Limited Clear Vinyl edition, 500 copies! Originally released in 1961 by Prestige/New Jazz label, "Straight Ahead" marks the last Eric Dolphy's appearance within a series of fortunate collaborations with saxophonist Oliver Nelson. This is a great modern jazz album taking shape from a quintet studio session (all first takes) engineered and supervised by master Rudy Van Gelder and featuring: Oliver Nelson - alto and tenor saxes, clarinet - Eric Dolphy - alto sax, bass clarinet, flute - Richard Wy…
Erich Kleinschuster 6tet Feat. Clifford Jordan & Charles Tolliver / ORF / 1968-69 / Erich Kleinschuster 6tet Feat. Joe Henderson & Dusko Goykovich / ORF / 1968-70 / Erich Kleinschuster 6tet Feat. Carmell Jones, Slide Hampton & Art Farmer / ORF / 1968-71
In process of restock This bundle includes three double LP sets, namely "Erich Kleinschuster 6tet Feat. Clifford Jordan & Charles Tolliver / ORF / 1968-69," "Erich Kleinschuster 6tet Feat. Joe Henderson & Dusko Goykovich / ORF / 1968-70" and "Erich Kleinschuster 6tet Feat. Carmell Jones, Slide Hampton & Art Farmer / ORF / 1968-71".Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 196…
Erich Kleinschuster 6tet – Feat. Carmell Jones, Slide Hampton & Art Farmer – ORF / 1968-71
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
Erich Kleinschuster 6tet – Feat. Joe Henderson & Dusko Goykovich – ORF / 1968-70
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
Erich Kleinschuster 6tet – Feat. Clifford Jordan & Charles Tolliver – ORF / 1968-69
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
Live In Praha 1964
A previously unpublished recording of the Krzysztof Komeda Quintet's performances at the first jazz festival in Prague in 1964. An important, significant stop in the jazz career of the legendary pianist and composer appears on disc more than half a century after its recording. And it continues to delight.
Krzysztof Komeda was received extremely enthusiastically in Prague. His original Quintet, by the way, played at an incredibly high level, electrifying the audience gathered in Prague's Lucerna.…
Golden Quartet
*In process of stocking. 2022 stock.* A longtime dream project of Wadada Leo Smith, one of creative music’s most original voices, Tzadik is proud to present the first recording by a modern jazz supergroup. The four instrumental giants that comprise the Golden Quartet are veterans of some of the most influential bands in jazz history and here they are at the height of their powers. Five new compositions bring together lyricism, groove and fireworks in this exciting recording destined to become a …