Jazz /
Headless Heroes of the Apocalypse
Headless Heroes of the Apocalypse by Eugene McDaniels is a singular statement of early-70s soul dissent, bridging the realms of jazz, funk, and political activism. With inventive musicianship and lyrics addressing injustice, colonialism, and resistance, the album remains a powerful, relevant artifact, both musically adventurous and unflinching in its message.
Electric Esoterica
A punk trio that is influenced by middle eastern psych, free jazz, and improvisation. While not recorded in a traditional studio, these recordings represent the first studio-produced sounds from this group. The group is built around Joel Robinson and has had as many as eight to ten members in recordings and live performances, but more recently has been focused on a trio that composes music that challenges every notion of what rock, punk, or psych can be; however, at the same time, the music is c…
Orbital
Orbital is the debut album from Orbital Ensemble, a Toronto-based jazz fusion group melding psychedelic grooves, Brazilian MPB influences, and intricate improvisation. The resulting LP weaves together melodic openness, vintage moods, and crisp ensemble playing, offering an immersive sonic experience that feels both exploratory and deeply rooted.
How You Been
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pi…
The Ancients
Bomb! The debut recording by The Ancients, the intergenerational coalition of Isaiah Collier, William Hooker and William Parker formed by Parker to play concerts in conjunction with the Milford Graves' “A Mind-Body Deal” exhibition at the Institute of Contemporary Art, Los Angeles, and now a working group. Across 2LPs of side-length long-form improvised sets recorded at 2220 Arts & Archives in LA and The Chapel in San Francisco, The Ancients bring the free jazz trio languages first explored by t…
The Garden of Unknowing
*2025 stock* Garden of Unknowing is a work of staggering ingenuity from one of Toronto’s most talented and in demand multi-instrumentalists. Utterly on his own, Colin Fisher masterfully employs guitar, saxophone, synthesizer, drums and bass to create a shifting suite of nocturnal jazz. These are ghosts of song, which, going by the simple clear titles, emphatically question the very nature of existence. Fisher’s breath-taking technical ability to conjure whole sound worlds entirely on his own is …
Kimatika
An irresistible splurge of sax, krautrock grooves and heavy modular doom that should excite fans of Bent Arcana, Holden/Zimpel and The Comet is Coming.” -- Uncut
"Blend of disobedient free jazz with krautrock" -- Louder Than War
Kimatika, the 3rd album by the Slovenian audio-visual trio Etceteral, is a visceral plunge into the raw undercurrents of futuristic jazz, motoric propulsion, free improv and elastic compositions. A growling baritone sax weaves through pulsating electronics and restless d…
Mangekyou
P-Vine is delighted to announce the release of one of Japan's most coveted albums of the 70s, "Mangekyou" by singer-songwriter Yoshiko Sai. Produced in 1975 by Master musician Yuji Ohno, the album features Yoshiko Sai's superbly crafted songs and crystal clear voice over Ohno's lush, funky sound and breezy arrangements. A strong buzz has been growing around the album over the years and original copies now change hands for large sums of money. This is the first time "Mangekyou" is available outsi…
Jazz Report From The Hood
Over the past few months, five young musicians performing under the name Omasta have taken the Polish and European jazz scenes by storm. Having gained recognition for their intense live shows, they are now ready to deliver their debut studio effort. Jazz Report from the Hood a collectively composed album immersed in the textures of city streets and everyday urban life. The name Omasta comes from a regional Krakow dialect word meaning “fat added to food for flavor.” It’s a fitting metaphor: the g…
Off the Record
The source material is drawn from moments of pure improvisation, recorded live in performance, shaped as much by the room and audience as by the musicians themselves.
Hyperglyph
Chicago Underground Duo is the long-running collaborative project of composer/trumpeter/electronicist Rob Mazurek (Exploding Star Orchestra, Isotope 217, New Future City Radio with Damon Locks) and composer/drummer/mbiraist Chad Taylor (jaimie branch’s Fly or Die, Marshall Allen’s Ghost Horizons, Luke Stewart’s Silt Trio). Hyperglyph is their first album in 11 years, and 8th in the absolute cabinet of wonders that is the Chicago Underground Duo. The pair have played music together in a multitude…
Orbits
Orbits, the sophomore LP from The Circling Sun, channels the cosmic energy of '70s spiritual jazz, filtered through synths, layered percussion, and ethereal choirs. The Aotearoa collective expand their sonic universe with nods to Rahsaan Roland Kirk, Azymuth, and ambient jazz — offering deep listening for jazz heads and newcomers alike.
Kaleidoscopic Visions
Kaleidoscopic Visions showcases Tom Skinner drawing together the many threads of his career as one of the UK’s most versatile and free-thinking contemporary musicians. Performing and recording with Sons of Kemet, The Smile, David Byrne, Meshell Ndegeocello, Alabaster DePlume, Floating Points and Peter Zummo as well as a wide range of collaborations across London’s vibrant improvised and electronic scene, Skinner’s diverse touchpoints are brought together in an album of quiet power and profound t…
Estrada Orchestra
Estrada Orchestra's self-titled debut album, released on Funk Night Records (FNR), is a 5-track LP that showcases the group's adventurous blend of jazz, funk, psychedelic, and disco influences. The Estonian-based quintet recorded the album mostly live in one day, capturing their raw improvisational energy with minimal overdubs and only a handful of microphones. Anchored by bass-driven grooves and swirls of cosmic keys, the tracks move fluidly between free funk, Afrobeat, and lo-fi psychedelic ja…
Candy Girl
An electrified meeting of minds, Candy Girl is a lost 1975 session by jazz pianist Mal Waldron, recorded in Paris with core members of the mighty Lafayette Afro Rock Band, the American funk unit who had made France their home and whose deep grooves would later be mined by generations of hip-hop producers. By 1975, Waldron was a decade into his self-imposed exile from the United States—a transformed musician who had reassembled his sound in Europe and Japan after a devastating breakdown in the ea…
Saul Williams meets Carlos Niño & Friends at TreePeople
Land Back! An unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño & Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024. The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 an…
Ich Will Die Zeit Nicht Bereuen / Sonderbar
Sound Essence is more than proud to presents a very special production from East Germany of the early 70s! One of the TOP Soul-Jazz & Beat combos in the country led by bassist and singer Horst Kruger, recorded two previously unreleased, outrageously good titles here in the newly formed septet format. "Ich will die Zeit nicht bereuen" ("I don't want to regret the time") is probably by far one of the most crispy produced German-language soul beats numbers that existed in the GDR at that time! From…
Devoção
Lucifecit’s debut “Devoção” blends anthems, mantras, and hypnotic grooves—homage to a forgotten deity. Led by Lobo (bass), Pereira (drums), Almeida & Tembe (trumpets), it fuses spiritual jazz, punk-Gnawa bass, modal forms, and radiant horn improvisations.
Native Dancer
"One of Shorter's best-selling albums from the '70s was Native Dancer, a Brazilian-oriented jazz-fusion masterpiece that boasts Herbie Hancock on acoustic piano and electric keyboards, and employs such Brazilian talent as singer Milton Nascimento (a superstar in Brazil) and percussionist Airto Moreira. Everything on this melodic, consistently lyrical effort is a jewel, and that includes Hancock's "Joanna's Theme," as well as pieces by Nascimento ("From the Lonely Afternoons" and "Ponta de Areia"…
Gris-Gris
2025 stock 2013 repress, black vinyl. "1968 debut album from the king of the psychedelic bayou -- the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his LA session work with musicians like Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing. While Gris Gris contains moments that make it a type stamped symbol of …