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Jazz /

Poschiavo
*2023 stock* In the life of every artist comes the time when toward the end of his existence, he will create a monument to his ever-lasting artistic efforts. It is the Swan-Song for which he wishes to remain being known; for centuries, this has crossed the borderlines between cultures and arts. Poschiavo was recorded when Cecil Taylor was sixty-nine years old, very much at the height of his musical and poetic powers. Recorded in Europe on a fine Bösendorfer grand piano in perfect digital clarity…
The Piano
As with Directstep (recorded one week previously), this album was recorded, and originally only released, in Japan. It was one of Hancock's most successful albums in Japan, perhaps because it was entirely solo piano. Hancock tackles jazz standards such as "My Funny Valentine", "On Green Dolphin Street" and "Some Day My Prince Will Come" while also performing four original compositions.
Strumento di Etimo Incerto
The singular Norwegian percussionist Ingar Zach, a long-time member of paradigm-shifting experimental ensembles like Huntsville and Dans les arbes, delivers his eighth solo recording, and his first on the superb Belgian imprint Aspen Edities. The percussionist digs even deeper into his sonic research, transforming a massive bass drum used in orchestral music, as a resonant surface for otherworldly, texture-rich excursions that mix-and-match rhythm and color in ever-shifting combinations.
Variations (LP)
* 250 copies, hand numbered * On Nils Vermeulen’s first solo album, the sound of the double bass is the  main variable. Recorded at the empty Ghent Opera, where every note, attack and vibration comes through, including the creaking of the wooden floor.  There is no hiding in reverb, nor in easy playing. The strings Vermeulen uses on this recording (‘Tempera’ strings by Gerold Genssler), are inspired by traditional gut strings, and have lower tension to let the instrument resonate freely. The pie…
Goodbye Ground
Sakina Abdou has expressed herself in many contexts, in musical fields both broad and eclectic. With this solo album, she invites herself within, focus and anchors herself for the first time in her own language, where she summons the many influences which have nurtured her. Through «homemade» recording, naked, raw, without effects or tricks, we meet her on her own, at home. Grab a chair or settle on the floor next to her, on the edge of the bell, almost touching, and find yourself captured in a …
Opinions
Torbjörn Zetterberg’s new record, Opinions, is not a conventional “solo” outing. It doesn’t represent the bassist, composer, and bandleader stepping away from all that to prove his mettle as a virtuoso unaccompanied improvisor. Anyone familiar with Zetterberg’s small group recordings needs no confirmation of his prowess. And anyway, strutting his stuff is not his vibe. Certainly not the vibe of this record, where the bassist plays more than bass, a solo venture on which he is occasionally joined…
Signe Emmeluth
Its an honor for the AFJ-Series to introduce the self-titled debut album by Danish Oslo resident Signe Emmeluth. Recorded at Flerbruket, in the forest an hour outside of Oslo - Emmeluth alone in a room with her alto and tenor saxophones. A fantastic session of sax solo ecstasies recorded by Magnus Hemnes Nergård. Much like Joe McPhee's Tenor and Peter Brötzmann's 14 Love Songs, this album share the same beautiful intimacy. It is close, sparse, poetic and raw at the same time. Minimalist and soul…
Refracion Solo
An intimate solo set by Portuguese tenor saxophon player Rodrigo Amado, recorded at the Church of The Holy Ghost (Igreja do Espírito Santo), Caldas da Rainha (Portugal) on 4th July 2021. Amado is a key player of the current European jazz scene and has regular bandprojects with Joe McPhee, Chris Corsano, Hernani Faustino, Alexander Schlippenbach and leads his own groups Lisbon Freedom Unitand Motion Trio. "The lockdown meant focusing on a different kind of dialogue, a conversation with the tenor …
Respiration
Respiration adds to the Cecil Taylor oeuvre a nearly perfect 43 minutes of Taylor’s solo power recorded at a beautiful level of quality. It comes from early-ish in his career—it’s always surprising to me, even though I know the history very well, how early Taylor was going this far away from the rails—when he had only just cemented his mature vision ( Conquistador! and Unit Structures were 1966). It feels as joyfully playful for him as it does for him as it does for us. It’s hard to tell sometim…
Silver Lining
*In process of stocking. 2022 stock.* Gyan Riley is a virtuoso guitarist and composer living in Brooklyn whose unique work expands the rich legacy of classical guitar music with influences from minimalism, flamenco, bossa nova, collection of music for solo guitar. Fluid, compelling, and beautiful, this is music you will return to again and again.  "This album pays homage to several of my musical mentors. I am forever grateful to these artists for the inspiration they have given me, not only for …
Intervals 2
*In process of stocking.* “Well, isn’t it always now?” Joel Futterman’s audible smile, in response to my simple query about the time during a phone conversation, bespeaks and accentuates the deeper truths embodied in his creativity. Grounded, sometimes adrift, forced to live in the world of duality, we capitulate too willingly to the whims and whiles of intervals, to their capricious grip on our intersecting realities, to their encapsulation of alternating mood and ebb-and-flow vitality. Doors o…
Clearing
*In process of stocking. 2022 stock.* Fred Frith is one of the world’s greatest originals on the guitar, a composer/performer who has been at the forefront of avant garde music since the early ’70s. Clearing is his first solo guitar recording in over twenty years (since his classic Live In Japan of 1981) and his first solo studio recording since his groundbreaking Guitar Solos of 1974. Of the three existing solo recordings by this quirky musical master, Clearing is undoubtedly the most dynamic, …
Correspondence
Aaron Burnett is “a standout new voice on the saxophone. In a very short time, the young musician has already lent his personal and unhindered approach to a breadth of bandleaders including Esperanza Spalding, Wynton Marsalis, Anti-Pop Consortium‘s HPRIZM, and Weasel Walter. He also toured with three time Grammy winner, Esperanza Spalding in her 2012 world tour with Radio Music Society. Aaron has the also retained the true nature of jazz in his music and his playing, constantly searching for new…
Fukiya
*In process of stocking* The sublime first solo saxophone release of Masayo Koketsu is deeply steeped in the free jazz tradition of Japan. From Coltrane's visit to Japan in 1966 to the free jazz exploits of Kaoru Abe, Masayo Koketsu's astonishing solo session marks her as a force to be reckoned with. A single 46 minute piece of achingly beautiful wails and declarations punctuate the bedrock of silence then retreat back. A singular effort.
Searching in Grenoble : The 1978 Solo Piano Concert
Searching In Grenoble: The 1978 Solo Piano Concert is a previously unissued recording of jazz icon Mal Waldron's mesmerizing performance at the "Five Days of Jazz" series in Grenoble, France on March 23, 1978. Waldron was Billie Holiday’s final accompanist, played on classic sessions with John Coltrane, Charles Mingus and Jackie McLean among others, and recorded dozens of solo albums as a leader before his passing in 2002. Originally produced by the legendary André Francís and transferred from t…
Marc Ribot Plays Solo Guitar Works of Frantz Casseus
*2020 stock.* Long before Marc Ribot made a name for himself as a pioneering force in NYC's downtown music scene, and as guitarist for luminaries like Tom Waits, Wilson Pickett and The Lounge Lizards, he began his guitar studies as a teenager with close family friend, the Father of Haitian classical guitar, Frantz Casséus. In 1946, Frantz came to NYC from his native Port-au-Prince, Haiti with the ambition to compose a distinctly Haitian classical guitar music, to fuse the European classical trad…
Music For Violin Alone
*In process of stocking. 2022 stock.* Music for Violin Alone is the debut date as leader for virtuoso violinist Mark Feldman, who has performed as a sideman with countless musicians, in genres ranging from country to avant-garde jazz. Here he performs original, classically styled pieces that exude high drama. The violin arcs over small measures of time, plummets into hurt, soars back up into the air, then lands lightly spinning. Feldman bows out grit and texture with ribbed vibratos, and achieve…
Still Here, Still Ripping
*Limited edition of 200 copies.* Ideas generate electric guitar technique-- novel finger picking, manual LFO-- from which emerge Songs as technique recedes into the background. Listen to imagine adding your sound. In the moment, it happens: music made together. I am one person, ready. These songs are searching for people, for meaning. In one, I find it. The electric guitar as a folk instrument unfinished in its evolution, invites engagement in its becoming. I have chosen to add and also subtract…
L'Epaisseur De L'Air
*2022 stock.* After more than three decades with the alto, heavyweight French artist and multi-instrumentalist Jean-Luc Guionnet arrives with his debut solo saxophone recording, a double-LP masterpiece, “l’épaisseur de l'air” (the thickness of air). Recorded in a barn in Brittany, the album merges texture, repetition, gesturality and architectural acoustics to create a definitive statement on the profound physical relationship between improviser and instrument. A student of Xenakis’ at the Sorbo…
Unfolding to Be You
*In process of stocking* 15 self-portraits by Sebi Tramontana. The shortest is about 30 seconds and the longest is almost nine minutes.In these fifteen pieces the trombone is explored in multiple directions. There are techniques dear to the world of European improvised music as well as echoes of Duke Ellington's trombone masters, Italian accounting as well as the pure sound of the air. Tramontana is a northern wind but Tramontana comes from the south, they have met and through a tube they take u…
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