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Few copies available. Exclusive translucent red vinyl. Limited to 500 numbered copies. Includes In Concert At Yale University and Nommo with reproduction of hand-painted sleeve and historical inserts.
The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the v…
Bomb! Sourced from the master tapes. First-time vinyl reissue Black vinyl single LP version. The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny …
** 2023 much-needed repress ** A Free Jazz masterpiece is again on the block—bigger and better than ever. Rashied Ali & Frank Lowe Duo Exchange is legitimately re-released on LP for the first time, mastered from original tapes for the first time, and expanded with nearly an hour's music from the session never before heard. You know Duo Exchange as the flagship release of Rashied Ali's Survival Records. When the record was made, Survival still belonged jointly to Ali and Frank Lowe, and the reco…
2022 Repress. "Joe McPhee's solo album, Tenor literally changed my life. The recording (one of his first for Hat Hut, in September 1976) displayed his unique ability to integrate unconventional sounds and extended techniques with pure melodicism, and it permanently altered my perspective on what the saxophone could do and what music could be. Nation Time was recorded six years earlier, but ideas regarding the integration of means and methods were already at the forefront of McPhee's approach to …
Complete rendition of the saxophonist’s famed divinely inspired suite was recorded at Seattle’s Penthouse in 1965. Despite being John Coltrane’s most celebrated album, and one of the most beloved jazz albums of all time, A Love Supreme wasn’t a record that the saxophonist touched on much in the live setting. Up until now, most Coltrane enthusiasts have only ever heard a single live performance of the literally divinely inspired four-movement suite that makes up the LP. That will change in Octobe…
I think it's important and proper to play Steve Lacy's music today and that we have to take the risk. Keeping his example alive means to me every time to question the results achieved. My relationship with his music is not occasional. Steve is present in three tracks of my first album "trochus". Later I played his music alone and in various groups. I would like to remember at least the Fish Horn Quartet, with Fabio Martini, Jean Jaques Avenel and John Betsch, the sextet 5or6 Bones with Sebi Tram…
US sax player Stanley J. Zappa and Finnish drummer Simo Laihonen come together on the new album "Muster Point" on We Jazz Records. The two students of Milford Graves add bassist Ville Rauhala on a couple of tracks to make a bold and adventurous album captured both live and in the studio while Zappa was touring in Finland with the Black Motor musicians. This is a set full of fire and thunder, but also features some more meditative spiritual jazz. RIYL: Milford Graves, ESP-Disk', spiritual jazz
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In September 1968, Marion Brown, who moved to Europe two years earlier, recorded the soundtrack of the movie by Marcel Camus entitled 'Le Temps Fou' in the legendary Parisian studio Davout. The movie starring Nino Ferrer was released in 1970 under the title 'Un Été Sauvage'. Soon fallen into oblivion, 'Le Temps Fou' was printed in very few copies by the French arm of Polydor and is almost impossible to find in its original pressing. Finally, more than fifty years later, Le Tres Jazz Club has bro…
* 2025 stock. First ever reissue * Composer and saxophonist Gil Ok-yun was a central figure in Korea’s golden age of gayo (1960s to 1980s), and has given us countless gems through his collaborations with greats such as Hye Eun-yi and others. Gil never did let go of his jazz roots, and would occasionally release gayo records in the jazz-tinged kayokoku style with the help of musical colleagues during his time in Japan such as Keitaro Miho and Shungo Sawada. It was through his meeting with Korean…
Digipack CD edition. An unearthed treasure from the '70s Italian avant garde archives! A previously unreleased recording from the legendary Beat72 club in Rome in 1973, featuring a one-off Italian-American all-star ensemble with Roberto Laneri founding member of the experimental vocal group Prima Materia, maverick American composer Alvin Curran co-founder of Musica Elettronica Viva. Trombone specialist Giancarlo Schiaffini from the historical Gruppo di improvvisazione Nuova Consonanza. Cello vir…
** 2021 Repress ** If Conversations celebrates the memory, the artistic and spiritual heritage of bassist Fred Hopkins -- a historical member of the revolutionary Association for the Advancement of Creative Musicians of Chicago -- who died in January 1999, it also marks the amazing collaboration between the Ritual Trio of Kahil El'Zabar (with Ari Brown and Malachi Favors) and the intrepid veteran Archie Shepp, the great voice of the '70s Afro-free-jazz. Being a tribute that invites to an intimat…
Original Glued Prints on Thick Cardboard / handily gluing / Original Black and White Private Press artwork/ 100 copies limited edition worldwide. Legit reissue of this obscure privately pressed album from 1975. Black Fairy is a fairy tale, but not in the traditional sense. When writing this play, i did not want to re-create the types of fantasies which are so common in Childrens theater. There is no kind of magic that can relieve black children from the oppression that retards their development.…
Here it is, naked to the bone, free jazz in all its glory, loose, intense and furious, not in hanger but with "joie de vivre." A sax-drums duo like comprised of Thomas Beaudelin on saxophone and Erwan Cornic on percussion, makes you anticipate an essentialist approach to the communicative powers of improvisation. The music is dense and intense, seeming to drag everything that happens to be in their path with vehement free sounding and shamanic interplay. Don't miss this one
**2CD version** «My favorite albums have always been the ones that take the listener on a journey. I aim to do that, to create worlds with my albums - universes. I wanted The Other Side of Time to unfold like a story and I've continued that process with The Shadows and The Light. I'm influenced by so many different styles of creative music and I like to try and bring all those influences into harmony on these records. There is long-form and short-form composition. You have groove and you have fr…
Reissue, originally released in 1985. Gentle, incisive solo music for violin and electronics by one of the unsung giants of free improvisation. Philipp Wachsmann emerged in the fertile mid '70s underground free music scene in London, playing with everyone from Simon Mayo to Barry Guy to Derek Bailey to Evan Parker, starting a band called Chamberpot, making albums for the collective artist-run label he managed: Bead Records. These LPs, 26 of them in total, were made in tiny batches and are now ra…
"Cepi is a solid reality located in the south of France. It’s Barre Phillips’ vision about improvisation. It can be flexible about the team but not about the idea above it all. Hic stands for Hidden Improvisers Consort; it’s a study group under the guide of Claudio Lugo. This meeting has been organized and strongly desired by Barre Phillips and Tommaso Rolando. We made a big circle, we played with the fire."The Cepi Nomads: Barre Phillips - Contrabass / György Kurtag - Electronics / Laurent Char…
Pour Alto Seul is Johan Arrias’ first solo work. It came about as a result of a work period early 2018 and does not claim to provide a comprehensive picture of the artist, but is an exploration of more specific ideas. In eight tracks with strong musical identities Arrias explores the saxophone as a sole voice and sound source and, to some extent, his own identity.The recordings create an atmosphere of being alone among ruins; a desolate environment, a harsh but promising and exiting place full o…
Blend 3 is an organism made up of three different but similar personalities. The group explores the diverse sonorities of a trio that, without a predetermined set, utilizes composition and improvisation as its only resources. By means of this combination of composition and improvisation, what is already written is proposed in an original and revisited way time after time. Concurrently, improvisation as an actual practice rather than as a genre is developed with a deep compositional function. Ble…
My relationship with Steve Lacy’s music is not occasional. It was for me the “door”. Since 2009, titled So Long!, I have presented several times a program with his compositions on bass clarinet. In the summer of 2013, on the mountains, I recorded the solo using the Bb clarinet, finding a bare, naked and raw dimension that marks an important point in my personal process with the music of Steve. “I try to be empty and to see what sounds” (Tom Raworth) Giancarlo nino LocatelliLacy’s tunes are devis…
Corbett Vs. Dempsey presents a reissue of Milford Graves's Bäbi, originally issued in 1977 on Graves's own IPS label. This is the first reissue of one of the most legendary albums in the history of free music. Recorded live in concert in 1976, when Graves' trio with saxophonists Arthur Doyle and Hugh Glover was at the height of its powers, Bäbi is a testament to the absolutely unique approach the drummer had established for himself. He had reconfigured the drum kit, removing the second heads on …