Sovrapposizione di Immagini
2020 Repress. Groundbreaking! One of the best, and most necessary reissues of the past few years, as well as n extraordinary collection of experimental, ambient and electronic tracks from the Italian cult composer and guitarist Daniela Casa.In an alternate universe, the Rome-born female synthesist Daniela Casa would be a household name. A genuine pioneer of experimental pop music, abstract electronics, giallo jazz, and even heavy drone rock jams, her elusive and infectious music joins the dots a…
Mr. Ondioline
Since the true identity of this sinister masked electronic keyboard villain was revealed in Jean-Jacques Perrey's recent autobiography, the Mr. Ondioline EP has become a desirable record amongst collectors of early electronics. As a controversial figure amongst the early musique concrete pioneers due to his painstaking ambition to put popular melody into edited tape music, this debut release from 1960 hears Mr. Ondioline showcasing Perrey's Ondioline electronic keyboard (and synth precursor) …
Immagini per Diana Baylon
Small repress available. The long and mesmerizing single piece of analogue electronic music that develops over the two sides of the latest Die Schachtel "silver series" LP is a soundscape composed by Teresa Rampazzi for the artist Diana Baylon's 1972 exhibition at the modern art gallery "Il Fiore" in Florence (Italy). Diana Baylon (1920-2013) was a cross-disciplinary artist active in abstract and programmatic art. In the summer of 1969 she appeared – along with with Alberto Burri, Pablo Picasso…
Asasin in Lege
The soundtrack to the investigative documentary Asasin in Lege by John Atkinson (of the long-running Brooklyn experimental rock ensemble Aa) is the inaugural release from Florabelle, a New York-based label for experimental music and media founded by Ned Milligan. Debuting on Romanian and Moldovan national TV in November 2014, Asasin in Lege (Killers Inc.) investigates the assassination of an influential Russian businessman, tracing a barely-underground war between Kremlin-connected businessmen a…
15 Corners of the World, motion picture sound essay
The film 15 Corners of the World includes simultaneous audio and images. Images do not supplement the music here, nor does the music simply illustrate the photos. Meanings, senses, feelings, and scenes are created where those two spheres cross. Without vision, there is no “moving of the viewer’s imagination, the inventory of his feelings, experiences, and associations”, as Eugeniusz Rudnik defines the goal of art in general.
Speaking about vision and sound forces us to find some sort of prin…
Temi Ritmici e Dinamici
**CD version** If you are among those who own the two previous Braen's Machine LPs, Underground and Quarta pagina, you're probably already well aware of one of Italian library music best kept secrets, that is the real identities of those hiding behind the pseudonyms Braen and Gisteri. These were the monikers of Alessandro Alessandroni and Oronzo De Filippi, directed by Piero Umiliani and his record label Liuto. With Temi ritmici e dinamici (Rhythmic and dynamic themes) the plot thickens and give…
Bioritmi
First ever reissue for this ultra-rare Library lp from 1971. One of the strongest examples of Egisto Macchi's tactile and meditative approach to composition, an engrossing, intuitive refinement of the techniques and practice he honed over prior years with Gruppo di Improvvisazione Nuova Consonanza. 'Bioritmi' breaks down to seven pieces making up a mesmerising voyage to the heart of modular composition and electronically processed percussions, looped up and effected with various early tape techn…
Aguirre
Werner Herzog's 1972 film Aguirre, The Wrath Of God was the first collaboration between the famed director and Popol Vuh. Florian Fricke was approached by old friend Herzog to do the soundtrack for his third movie. Three years later, in 1975, after the international success of Herzog's film, Popol Vuh issued the LP Aguirre. It featured material recorded for the movie plus some other songs. Some of them recorded prior to 1975 - the Aguirre soundtrack ones, of course, plus there is the pres…
Musique Idiote
180-gram vinyl. Roger Roger (August 5 1911 - June 12 1995) was a French film composer and bandleader. His aliases included Eric Swan and Cecil Leuter, the latter a pseudonym he used for his electronic productions. He was one of the first, along with Pierre Henry and Jean-Jacques Perrey, to experiment with the Moog synth; his Pop Electronique album was released in 1969, five years after Bob Moog put his synth on the market. Musique Idiote is his super-rare experimental Moogy LP with beautiful cov…
The Spacey Bruce Lacey: Film Music and Improvisations Vol. 1
LP version, vol 1. Bruce Lacey is the quintessential British eccentric. Bruce Lacey is an artist, a musician, a filmmaker, a shaman, a genius and visionary. Since the 1950s he's made film, music, art and performances, and collaborated with everyone from The Beatles to Throbbing Gristle. He was part of the groundbreaking Cybernetic Serendipity exhibition in 1968. He even built a robot that won the Alternative Miss World. This is the first time his extraordinary music has been released. Made …
Musiques de films (1966-1968)
** Edition of 300 copies on 180 gram vinyl ** Awesome and obscure musician/film director, Étienne O’Leary made essentially three experimental films completed in Paris between 1966 and 1968. Day Tripper, Homeo (aka Homeo: Minor Death: Coming Back from Going Home) and Chromo Sud constitute a cinema of resistance. These brutally personal and subversive films form a body of work with few precedents. O’Leary’s contribution to French underground cinema is not, however, limited to the introduction of a…
Soundtracks
"Malcolm Mooney passes the baton to Damo Suzuki for Soundtracks, a collection of film music featuring contributions from both vocalists. The dichotomy between the two singers is readily apparent: Suzuki's odd, strangulated vocals fit far more comfortably into the group's increasingly intricate and subtle sound, allowing for greater variation than that allowed by Mooney's stream-of-consciousness discourse." -- Jason Ankeny