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Big Tip! Directed in 1972 by Romano Scavolini, "Un Bianco Vestito Per Mariale" features a cast with some familiar faces from the Italian thriller genre like Evelyn Stewart and Ivan Rassimov. The film was scored by a great name of the Italian film music scene, Fiorenzo Carpi, whose music was superbly arranged and conducted with his own and unique great style by Bruno Nicolai. Originally released on vinyl by Gemelli in 1975, three years after the release of the movie, this score is dominated by th…
*In process of stocking. 2022 stock.* Fred Frith continues to be one of the most important composer/performers of his generation—a groundbreaking, genre busting musical master whose work ranges from improvisation to rock, classical, folk and more. The third volume of his film soundtrack music is his most diverse and accomplished work to date, and includes studio work from the past six years. Features some of the greatest musicians in the Bay Area music scene.
Big Tip! Originally released in 1968 as part of the "Serie Sonorizzazioni" series on Piero Umiliani's iconic Omicron label, "Preistoria" is the perfect example of a library music collection perfectly tailored to a theme. Through the use of orchestral accompaniment, jazzy arrangements, and tribal experimentation thrown in for good measure, the legendary Italian composer brings you back to the stone age, creating and ominous and primitive landscape, rich of caveman-style drums and deep bass lines.…
CAM Sugar is proud to celebrate the 50th anniversary of this masterpiece of Italian Giallo cinema, La Dama Rossa Uccide Sette Volte (The Red Queen Kills Seven Times), with a special vinyl reissue of the soundtrack by Bruno Nicolai. This 2 LP set has been fully remastered from the original tapes and enriched by two bonus tracks, one of which was previously unreleased.
The film was first released in 1971 and tells the story of two young women who are haunted by a family portrait depicting a Red Q…
Sandro Brugnolini's soundtrack to “L'Uomo dagli Occhiali a Specchio” is an unbeatable mix of dark psychedelic themes with heavy jazz drums, exotic percussions, obsessive piano bits, creepy harpsichord, free jazz to wah-drenched psychedelia, stiff funk, and abstract avant-gardism with atonal sounds and tonal passages. Originally issued in 1975, it has long remained one of the most coveted and sought after artifacts of the fertile soil surrounding the 1970’s Italian library and soundtracks. For ma…
When the bunch of filmmakers known as The Pattern Group (Roland Moreau, Georges Perdriaud and Jean Talansier) did Libra, their second movie, in 1973 they thought it would be a good idea to use bits from Pink Floyd's Ummagumma and Atom Heart Mother to create its soundtrack. The movie, a 90-minute film with no dialogue, depicts the story of four youngsters living in communion with nature, an idyllic life that is drastically changed when a U.S. satellite crashes in the area and attracts the attenti…
Tip! *First re-release ever - 500 copies on clear orange vinyl* “Musiche per un Telefilm” by A.R. Luciani and Paolo Renosto is an exclusive release by Redi Edizioni Musicali, an historical company from Milan that, in addition to curating the digital catalogue of Edizioni Leonardi’s library music and sonorizzazioni, is also re-printing faithful vinyl reproductions of the most prestigious titles from Leonardi’s catalogue. These records were originally released in very limited editions, often as no…
In 1977, in the midst of a period of political turmoil and social unrest that went down in Italian history as “years of lead”, screenwriter and director Massimo Pirri made a film no one else had the courage to make: Italia: ultimo atto? (Could It Happen Here?). Here, Pirri explores the controversial (and, in the 70s, very current) topic of left-wing armed struggle. He does so through a storyline that is almost prophetic: in the film, a mysterious ultra-leftwing armed group plans and executes the…
** 2021 Repress ** Killer! Four Flies Records is proud to exhume another classic soundtrack from the world of Italian giallo with Nora Orlandi’s incredible score to the 1969 Riccardo Freda film, “A Doppia Faccia” (a.k.a. “Liz & Helen”). Starring Klaus Kinksi, Margaret Lee, and Annabella Incontrera, this film is from a story by the king of the macabre, Lucio Fulci. For the first time ever on vinyl, this mysterious and charming soundtrack, leads off with a sensuous main theme; a powerful track wit…
Reissue of this amazing 1986 album where drum machines meet improv jazz. Wayne Horvitz gathers together his drum machine and synths along with his talented friends -Elliot Sharp included- for this really original record that is both composed and improvised. An obscure gem by one of the most spirited musicians to populate NY 80's avant-garde, a golden era for vanguard attitudes and sounds. Horvitz, keyboard player at Naked City (along with John Zorn, Bill Frisell, and Fred Frith) had classical mu…
Death Waltz Recording Company & Mondo are proud to present the mind-melting score to Umberto Lenzi’s 1980 contaminated zombie(?) film, Incubo Sulla Citta Contaminata (a.k.a. Nightmare City)! Composed and conducted by Stelvio Cipriani, the record you are holding in your hands is another stellar work by the late Italian maestro. Features 18 previously unreleased cues and pressed on 140 Gram Contamination Green Vinyl.
Pursued by the most ambitious, well-armed, and over/radioactive mutant zombies on…
** Edition of 100 Colored LP ** The world of Italian Library music surprises us again with an extremely evocative record. Released in 1972 with the name of Maria Teresa Luciani but really produced and composed by her brother Maestro Antonino Riccardo Luciani, Situazioni del Terzo Mondo ranks among the most important abstract soundscape records. Spontaneous tribalisms tainted with concrete sounds support the looming psychedelic vein, with different solutions from track to track.
Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents our first seven-inch single with the premiere release of Teo Usuelli’s infectious score for Marco Ferreri’s 1969 cult film Dillinger e’morto, starring Michel Piccoli, Anita Pallenberg and Annie Girardot. The story is a darkly satiric blend of fantasy and reality. It follows a bored, alienated man over the course of one summer night in his home. Teo Usuelli had previously scored five films for Ferriri, a…
**In process of stocking** Following two successful volumes of ‘Journey Into Deep Jazz’ on BBE, proprietor of London’s ‘IF Music’ record store and walking musical encyclopedia Jean-Claude kicks off a new “Introduction To…” album series with this affectionate retrospective of sister labels Black Saint and Soul Note. Cited by some as Italy’s answer to Blue Note, Black Saint and Soul Note have together amassed a catalogue in excess of five hundred albums between 1975 and 2008.
Founded by Giacomo Pe…
* 2021 Stock. Language: English, Finnish *Noise after Babel is the result of artistic-theoretical research. It examines the multi-accentuality of language as a potential ground for political engagement. Our general metaphor coupling the words »Babel« and »noise« is based on the idea of a perfectly working system of univocality — the phenomenon whereby a linguistic term has only one meaning assigned to it — that functions without coercion (Babel) but which, after an intervention/change (loss of i…
Sploosh Records presents La Región Salvaje, the original soundtrack of the 2016 movie directed by Amat Escalante. Original Music: Guro Skumsnes Moe. Soundscapes: Lasse Marhaug. Performing musicians: Ole-Henrik Moe: Violins, violin. Kari Rønnekleiv: Violins. John McCowen: Bass Clarinet. Ane Marthe Sørlien Holen: Percussion. Jenny Hval: Voice. Jacob Felix Heule: Drum. Håvard Skaset: Guitar Rule. Danishta Rivero: Hydrafon. Lasse Marhaug: Electronics. Soundtrack Supervision: Martín Escalante.
**300 copies** By the time the 1980s rolled around, most of the old guard had either hung up their saxophones or sold their souls to the synthesizer in ways that made you want to weep into your Campari. Not Sandro Brugnolini. The man who'd spent the late '50s channeling Miles Davis through the smoke-filled clubs of Rome with the Modern Jazz Gang, who'd scored jungle goddesses and naked panthers for Ruggero Deodato, who'd descended into the psych-fuzz inferno of Underground and Overground when th…
**150 copies, black vinyl** Miscellanea – originally released in 1969 on cult italian label Sermi SR Records (home of famous composer such as Bruno Nicolai, Francesco De Masi, I Marc 4 and more) – is the debut of composer Luigi Zito, an in-demand session player and music director throughout all the seventies. An extremely brilliant music library with lots of jazz licks, descriptive and improvisational themes composed with a multitude of instruments, including the famous whistle by the one and on…
**Special discounted bundle** You may have noticed, over the last few years, a slow trickle of remarkable, genre defiant works emerging from the small, Milan based imprint, Intervallo. Largely falling under the banner of Library Music, the label’s effort have illuminated this fascinating context as an artistic Trojan horse - compositions of profound worth, often explicitly experimental and avant-garde, created within the shadows of the commercial world. After brief period of silence, the label r…
**300 copies** The great fame of Antonino Riccardo Luciani, a musician and composer from Palermo, is due above all to his work for television and to one in particular, namely the music for the Almanacco del giorno dopo (Almanac of the Coming Day), a famous program that has been broadcast on the first channel of RAI - Italian Television for over twenty years. Chanson Balladée, this is the title, is for many people an indelible memory of a television now disappeared and radically changed, for whic…