We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Yellow vinyl edition. Quite possibly the greatest Morricone score ever – and one whose dreamy bossa-inflected title theme has been covered a number of times over the years (most recently by the group Balanco!) From the first minutes of the album, you'll instantly recognize the main theme – as it's swells of voices and lilting keyboards are among one of Morricone's best signatures from the time. Don't worry about getting bored because you may already know it, though – as the album has loads of ot…
Cinedelic returns on the back of some pretty incredible releases over the last year with one of their most exciting and unexpected records to date, the first ever release of the legendary composer Egisto Macchi's soundtrack for Mino Guerrini’s 1968 film, “Gangsters '70”. Created in collaboration with his Gruppo di Improvvisazione Nuova Consonanza associate, Walter Branchi, it's among the most strikingly experimental of all his soundtrack work and remains startlingly urgent more than half a centu…
On May 28, 1969, four American musicians — reed/wind players Roscoe Mitchell and Joseph Jarman, bassist Malachi Favors, and (accompanied by his wife, singer Fontella Bass) trumpeter Lester Bowie — boarded the ocean liner S.S. United States, bound for Le Havre, France. After landing five days later, they moved on to Paris, where they got to work. On August 22, 1970, in the waning days of their stay overseas, the group, with Bass on vocals, would record their second release for EMI’s Pathé Marconi…
Laura Poitras’ Oscar-nominated film »All the Beauty and the Bloodshed« is an epic, emotional and interconnected story about internationally renowned artist and activist Nan Goldin. Told through intimate interviews, photography, and footage, central to the story is her personal fight to hold the Sackler family accountable for the opioid crisis. The film cuts to the bone with its incandescent celebration of life and condemnation of those who threaten it. Art and activism are one and the same.
Help…
*In process of stocking* Santa Sangre is a 1989 film directed by Alejandro Jodorowsky and written by the director himself in collaboration with the screenwriter Roberto Leoni and the well-known producer Claudio Argento; a surrealist and avant-garde work, hallucinatory and psychedelic and horror-tinged, whose themes include that of childhood trauma and the relationship between mother and child. All the typical ingredients of Simon Boswell's style are in this album, multi-instrumentalist, music pr…
*Limited edition of 200 copies.* Over the last decades, South Africa has become a new hub for exploratory music and sound art. There a community of practitioners of experimental, improvisational, and otherwise avant-garde musicians is growing each year with a focus on creating a supporting, nurturing environment. With increased public exposure to these alternative forms of musical creativity, the future of this experimentation is bright. Music festivals like SENSA (Sonic Exploration Network Sout…
** First ever vinyl pressing, orange vinyl ** Bali is a 1970 movie directed by Ugo Liberatore with leading actors Laura Antonelli and John Steiner; the film belongs to those year's exotic/erotic popular genre, and benefits of a soundtrack composed and directed by pianist, composer and arranger Giorgio Gaslini, soon to be a collaborator of Dario Argento for the music of “Le Cinque Giornate” (1973) and “Profondo Rosso” (1975).The "Bali" soundtrack has two distinct souls. The first, corresponding t…
Undiscovered Morricone Soundtrack, Newly Remastered! Quando l'amore è sensualità (1973) is one of the undiscovered gems of the production of Ennio Morricone. Still unpublished in its entirety, this score is the manifesto of the "Morricone Segreto" concept. With its tonal experiments and compositional complexity, it shows the most obscure, dark-tinged, and psychedelic side of the Maestro and his unbridled creativity.
The score masterfully mirrors the lustful bourgeois hypocrisy portrayed in the c…
Ominous drums, obscure cellos, fuzzy and distorted guitars, psychedelic piano sequences: legendary Italian composer Alessandro Alessandroni creates a somber and gritty war atmosphere on this classic library album "Storie Di Guerra". Originally released on the Octopus Records imprint by Flipper Music in 1972, this obscure and spooky library has been long out of print — 50 years past its release we are happy to bring this back on vinyl in collaboration with Flipper Music as a limited edition of 50…
Big Tip! Directed in 1972 by Romano Scavolini, "Un Bianco Vestito Per Mariale" features a cast with some familiar faces from the Italian thriller genre like Evelyn Stewart and Ivan Rassimov. The film was scored by a great name of the Italian film music scene, Fiorenzo Carpi, whose music was superbly arranged and conducted with his own and unique great style by Bruno Nicolai. Originally released on vinyl by Gemelli in 1975, three years after the release of the movie, this score is dominated by th…
*In process of stocking. 2022 stock.* Fred Frith continues to be one of the most important composer/performers of his generation—a groundbreaking, genre busting musical master whose work ranges from improvisation to rock, classical, folk and more. The third volume of his film soundtrack music is his most diverse and accomplished work to date, and includes studio work from the past six years. Features some of the greatest musicians in the Bay Area music scene.
Big Tip! Originally released in 1968 as part of the "Serie Sonorizzazioni" series on Piero Umiliani's iconic Omicron label, "Preistoria" is the perfect example of a library music collection perfectly tailored to a theme. Through the use of orchestral accompaniment, jazzy arrangements, and tribal experimentation thrown in for good measure, the legendary Italian composer brings you back to the stone age, creating and ominous and primitive landscape, rich of caveman-style drums and deep bass lines.…
Tip! *First re-release ever - 500 copies on clear orange vinyl* “Musiche per un Telefilm” by A.R. Luciani and Paolo Renosto is an exclusive release by Redi Edizioni Musicali, an historical company from Milan that, in addition to curating the digital catalogue of Edizioni Leonardi’s library music and sonorizzazioni, is also re-printing faithful vinyl reproductions of the most prestigious titles from Leonardi’s catalogue. These records were originally released in very limited editions, often as no…
In 1977, in the midst of a period of political turmoil and social unrest that went down in Italian history as “years of lead”, screenwriter and director Massimo Pirri made a film no one else had the courage to make: Italia: ultimo atto? (Could It Happen Here?). Here, Pirri explores the controversial (and, in the 70s, very current) topic of left-wing armed struggle. He does so through a storyline that is almost prophetic: in the film, a mysterious ultra-leftwing armed group plans and executes the…
Reissue of this amazing 1986 album where drum machines meet improv jazz. Wayne Horvitz gathers together his drum machine and synths along with his talented friends -Elliot Sharp included- for this really original record that is both composed and improvised. An obscure gem by one of the most spirited musicians to populate NY 80's avant-garde, a golden era for vanguard attitudes and sounds. Horvitz, keyboard player at Naked City (along with John Zorn, Bill Frisell, and Fred Frith) had classical mu…
Death Waltz Recording Company & Mondo are proud to present the mind-melting score to Umberto Lenzi’s 1980 contaminated zombie(?) film, Incubo Sulla Citta Contaminata (a.k.a. Nightmare City)! Composed and conducted by Stelvio Cipriani, the record you are holding in your hands is another stellar work by the late Italian maestro. Features 18 previously unreleased cues and pressed on 140 Gram Contamination Green Vinyl.
Pursued by the most ambitious, well-armed, and over/radioactive mutant zombies on…
** Edition of 100 Colored LP ** The world of Italian Library music surprises us again with an extremely evocative record. Released in 1972 with the name of Maria Teresa Luciani but really produced and composed by her brother Maestro Antonino Riccardo Luciani, Situazioni del Terzo Mondo ranks among the most important abstract soundscape records. Spontaneous tribalisms tainted with concrete sounds support the looming psychedelic vein, with different solutions from track to track.
**In process of stocking** Following two successful volumes of ‘Journey Into Deep Jazz’ on BBE, proprietor of London’s ‘IF Music’ record store and walking musical encyclopedia Jean-Claude kicks off a new “Introduction To…” album series with this affectionate retrospective of sister labels Black Saint and Soul Note. Cited by some as Italy’s answer to Blue Note, Black Saint and Soul Note have together amassed a catalogue in excess of five hundred albums between 1975 and 2008.
Founded by Giacomo Pe…
* 2021 Stock. Language: English, Finnish *Noise after Babel is the result of artistic-theoretical research. It examines the multi-accentuality of language as a potential ground for political engagement. Our general metaphor coupling the words »Babel« and »noise« is based on the idea of a perfectly working system of univocality — the phenomenon whereby a linguistic term has only one meaning assigned to it — that functions without coercion (Babel) but which, after an intervention/change (loss of i…
Sploosh Records presents La Región Salvaje, the original soundtrack of the 2016 movie directed by Amat Escalante. Original Music: Guro Skumsnes Moe. Soundscapes: Lasse Marhaug. Performing musicians: Ole-Henrik Moe: Violins, violin. Kari Rønnekleiv: Violins. John McCowen: Bass Clarinet. Ane Marthe Sørlien Holen: Percussion. Jenny Hval: Voice. Jacob Felix Heule: Drum. Håvard Skaset: Guitar Rule. Danishta Rivero: Hydrafon. Lasse Marhaug: Electronics. Soundtrack Supervision: Martín Escalante.