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*249 copies limited edition* The "static noise" project of Richard Ramirez, Werewolf Jerusalem was introduced to the world fully formed and consumed with darkness. Ramirez is no stranger to confrontation, which makes this album's mysterious approach all the more sinister. No track titles, murky and dystopian samples, and overwhelming sound that pulses and stutters but retains all of its lurching power, plowing endlessly forward until it all just stops. 24 years after its release, Werewolf Jerusa…
*249 copies limited edition* Reissue of the long out of print 1996 album. In the 22 years since "God Has Shot Himself" was released as a CDr by Legion Sudan, it has gained a somewhat mythic status as a notably disquieting release. Some might say disturbing — and they'd be right. But it's also more than that. "God Has Shot Himself" is the sound of abandonment, of spiritual collapse. It is just over a half hour of total blackening annihilation that still must be heard to be understood. Now on viny…
The two masters, thousands of miles apart, released this fearsome collaboration in 1997 on Sterilized Decay. Matthew Bower's source sounds were processed, mangled and reassembled by Masami Akita for 50 minutes of unbridled destruction. At once a summation and reconfiguration of both artist's incredible work throughout the 1990s. Remastered and with a new layout based on the original tape.
First released by Extreme in the massive, infamous 'Merzbox,' "Red Magnesia Pink" is extracted and recontextualized as a standalone release for the first time. Recorded in 1995, "Red Magnesia Pink" sees Merzbow in peak form. A psychedelic whirlwind of synthetic transmissions; harsh, wet, screeching sounds that could only be produced by Masami Akita. Featuring two previously unreleased bonus tracks from the same era.
Reissue of the long out of print 1997 album. All performed, recorded and edited at Acty Hanazono, Summer 1997. Used Instruments: Microphone, Colorsound Pedals, Romero Theremin, 60'sFuzz, Expj Ring Modulator, Arion & Guyatone Digital Delay, Evans Super Echo and Noise Canister.
*2025 stock. 300 copies limited edition* The third offering in No Holiday's September 7-inch batch comes courtesy of Merzbow, offering up twin bursts of total electronic punishment that could have been made by no one else. Avian electronics for white-cheeked starlings the world over.
Reissue of 1998 CD release originally via Solipsism
Recorded at Less Than Zero Studio and Oncosonik Laboratory Dec. 1996 - Feb. 1998.Edited Feb. 11, 1998.
Originally released as Solipsism-05, 1998Archival materials courtesy of Kyle Wright
Tip! Masonna is the solo noise project of Yamazaki Mazo, who, along with Merzbow and Emergency Staircase, has earned the respect of the entire world as an iconic figure of Japanoise. In 2002, Masonna, Christine 23 Onna, and Space Machine, the three units Yamazaki Mazo is involved with, released three albums simultaneously as the "Yamazaki Maso 15th Anniversary Freakout Triplex Series" to celebrate the 15th anniversary of their activities. The albums of these three units, Masonna, Christine 23 On…
Reissue of 1994 cassette originally on Art Konkret. A notable deviation from the earliest Macro tapes yet still building up to the sonic form of the '95 era. Last track features voice samples from Keith Brewer.
"Burning, screaming, terror assault on your ears. Hot wax on someone else's body - what more could you want? Once ya check this out, you'll never be able to save your desire for noise. More noise, roaring, raging noise. Noise!"
*199 copies limited edition* Originally released in 1987, this album stands as a defining statement of the Japanese noise and industrial music scene - an unrelenting fusion of harsh and heavy electronics paired with mechanized rhythms. The brainchild of Ichiro Tsuji, Dissecting Table’s sonic assault exists in the same lineage as the dystopian brutality of Whitehouse, the mechanical terror of early SPK and the raw sonic deconstruction of early Einstürzende Neubauten. At the crossroads of noise, i…
Phantasmagoria is a landmark release from Japan’s legendary noise collective C.C.C.C. Originally unleashed in the early '90s, this album represents the group’s masterful balance between overwhelming sonic force and hypnotic, psychedelic intensity.
Led by Hiroshi Hasegawa and fortified by the presence of Mayuko Hino, C.C.C.C. blended the raw power of Japanese harsh noise with elements of cosmic electronic music, creating a sound that resonates with the crushing density of Merzbow, the ecstatic di…
*199 copies limited edition* KontaktAudio presents the first-ever official release of the ultra rare and sought after B-Semi Live 24/5/1984 cassette, a rare and explosive document capturing a crucial moment in Japan’s underground noise and industrial music scene. Recorded at the legendary B-Semi venue in Tokyo, this performance brings together three pioneers - Merzbow, Null (K.K. Null), and Nord - delivering a raw, unfiltered onslaught of early Japanese noise music in its most intense form.
This…
*300 copies limited edition* Masonna is one of the early peeoners of Japanoise. This CD is the combined re-release of two classic first-era Masonna albums: Masonna Vs. Bananamara - very first vinyl release originally produced by Vanilla Records / Japan in 1989 and Shinsen Na Clitoris = 新鮮なクリトリス - very first CD release originally produced by Vanilla Records / Japan in 1990
Masonna sound is true harsh Japanoise but always inspired by Psychedelic-Music and mainly perfomred using distorted vocals, a…
It all started here... “Eternal Paralysis” and “Peony Crackers” is two fantastic works produced by T. Mikawa's Pariah Tapes label in 1981 and 1983, which were not sold publicly and only friends could receive them. The red and green paper is used as in the original release, and the handwritten logo and titles by T. Mikawa on the master tape case are reproduced in full. The result is the fruit of early acoustic experimentation, including the destructive sounds of the self-made noise generator “The…
It all started here... “Eternal Paralysis” and “Peony Crackers” is two fantastic works produced by T. Mikawa's Pariah Tapes label in 1981 and 1983, which were not sold publicly and only friends could receive them. The red and green paper is used as in the original release, and the handwritten logo and titles by T. Mikawa on the master tape case are reproduced in full. The result is the fruit of early acoustic experimentation, including the destructive sounds of the self-made noise generator “The…
Matte laminate and embossed sleeve, with insert card and fold out poster + vinyl sticker (20cm long). Recorded in 1996, Merzbow's The Prosperity Of Vice, The Misfortune Of Virtue is one of a series of unique editions from his vast catalogue that reveals a side of his practice often under represented. During the late 1980s and into the 1990s, Masami Akita was sometimes working on film and theatre music. In this space he created a series of recordings that capture the full scope of his sound world…
Most intros to a Richard Ramirez album mention he's an artist that needs no introduction. Presenting a brand new album with five tracks of harsh noise, low end drone thrumming, crunchy textures and good old fashion sleaze. Further indication that Richard remains one of the most consistent and important artists in noise.