Psych /
His Greatest Misses
The track selection seems to have been designed as an ideal introduction to the former Soft Machine drummer's solo work, collecting key album recordings and even one or two bonafide hits (regardless of what the album title says). Wyatt's debut single, a cover of the Neil Diamond/Monkees song 'I'm A Believer' is included in its extended form (although, as ever it sounds jarringly out of place when set among his own compositions), as is the 1998 remaster of 'Shipbuilding', Wyatt's memorable 1982 r…
Gudang Garam
First time on CD by this progressive lost Swedish music jewel. The 2nd out of 2 albums, whereof the debut "Tramsebox" was released in '75. This '78 release contained 8 tracks filled with extensive use of moog and guitars and female vocals by Carin Bohlin, taking the musical journey to it's highlight in the 15 minute "Flugornas morgon". Have some nice krautrockish keyboard sequences, as well as a UK progressive touch, an album standing in their own corner, and hard to compare with other.
The End of the Game
* 180 gram vinyl * This strong psychedelic trip record clearly shows how great Peter Green was at the time. The End of the Game is a hallucinatory mix of jazz, fusion, and blues. The edited pieces of a long jam session are experimental and all instrumentals. Peter Green's wah-wah Gibson guitar is incredibly expressive as is his band. It's a journey that Fleetwood Mac didn't want to make, but Green did it in a mind-blowing way.
In 1967 Peter Green, Mick Fleetwood, and John McVie played in the leg…
Daily Dance
After meeting at a Stooges/MC5 concert, drummer Bob Thompson and guitarist Doug Snyder met one fine day in October 1972 in Thompson's kitchen and bashed out this set of fiery improvisations, seemingly influenced as much by Iggy's proto-punk moves as John Coltrane's whole sheets of sound ethos; the result is a mythical frenzy of distorted guitar and improvised drums, creating walls of psychedelic noise; its sound is unparalleled for its time, preceding its closest kin, New York's no-wave explosio…
The Deviants
The Deviants were an English rock group originally active in the late 1960s, and later as a project of the singer-songwriter and bandleader Mick Farren. The self-tiled third album was the beginning of the definite split between the band members. This record shows how they were still rocking in a wonderful mix between psychedelic, garage, blues, and rock. The overall vibe is amazing and it is a fascinating glimpse into the underground music of the late '60s. The album has aged quite well and is s…
Orphee 2000
Reissue of very rare French spiritual / political Avant-garde Jazz - Think Brigitte Fontaine meets Alice Coltrane via the Middle East. The soundtrack of a cult play from the “Chêne Noir” Theatre. A spiritual jazz work tinged with poetry and oriental music. A sonorous UFO of which only the 70s had the secret. To be classified between Brigitte Fontaine Marc Moulin’s Placebo and Strata East.
Shaggs' Own Thing
*Red coloured LP* When The Shaggs’ Philosophy Of The World came out in 1969, some people couldn’t or wouldn’t understand it. But many musicians, including Frank Zappa and Kurt Cobain, cited the Shaggs as a major influence. Heck, Zappa exclaimed they were “better than the Beatles!” NRBQ’s Terry Adams and Keith Spring were such fans, and after reissuing Philosophy in 1980 on their own Red Rooster label, Adams began work on a collection of recordings the Wiggin sisters had made in the years followi…
Aurora
**Limited to 150** Exclusive silkscreen printed outer Sleeve Numbered and Signed by Visual Artist Stefan Thanneur. Aurora Remastered Lp Housed in Restored Original Sleeve + Miss Madona 7'' W/ Alternate Cover + Gatefold Vinyl Replica Cd of Both Recordings 12'' & 7'' Ultra Clear Vinyls .
Le Théâtre du Chêne Noir "Aurora" (1971)Souffle Continu Records present a reissue Le Théâtre du Chêne Noir's Aurora, originally released in 1971. In 1972, Steve Lacy recorded Solo, one of the gems in his discogra…
Brigitte Fontaine est folle
2020 repress. French poet and chameleonic vocalist Brigitte Fontaine's career spans over four decades. Only a few years before her 1968 debut, Brigitte Fontaine Est Folle, she moved to Paris to become an actress and took her prodigiously mature voice into the studio. Rich in the drama she brought to theater, Fontaine synthesized chanson (French pop song) and world music, which eventually won her international acclaim as a performer and collaborator with a variety of artists from around the world…
Music To Eat
"Why would we reissue a record that is reputed to be the second worst-selling release in the history of Columbia Records? (Legend has it that it was undersold only by a yoga instructional album.) Well, because in the 47-some years since its release, the Hampton Grease Band's Music To Eat has steadily ascended the list of Greatest Cult Records of All Time so that now it resides at the tippety-top. Indeed, modern-day jam bands genuflect at the sight of the trippy cover art alone (Col. Bruce Hampto…
Paternoster
Paternoster, that UFO of a rock album released unceremoniously on a custom-pressed CBS Austria long player in 1972, is the stuff of legend. It's been known to the rock collecting elite since the 1980s, when it was first rediscovered, and it quickly became one of those rock records, the records you hear about only if you know someone who knows someone with a copy, much like Damon's Song of a Gypsy. Paternoster is a terrifying album, a collection of songs that traverses the sublime, and thus neces…
Maledetti (Maudits) - Color LP
**2020 Remastered Reissue. Red Vinyl** 1976 was a year of flux and change. For the recording of the fifth Area album, the core membership of Stratos, Fariselli, Tofani and Tavolazzi were present, but drummer Capiozzo only appears on about half of the album, replaced on various tracks by either Walter Calloni or Paul Lytton. Steve Lacy augments the band, as do several other studio musicians (including a string quartet). Perhaps it was the contributions of this eclectic group of guests that gives …
Clear Memory
Mental Experience present the first ever vinyl reissue of Bomis Prendin, a collective of experimental “noisicians” from Washington DC formed in 1978, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene. Using cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects, and cheap keyboards, they recorded and released in the late '70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being…
Aurora / Miss Madona
This special bundle collects the reissues of Le Théâtre du Chêne Noir's Aurora LP and Miss Madona 7" EP:Le Théâtre du Chêne Noir "Aurora" (1971)Souffle Continu Records present a reissue Le Théâtre du Chêne Noir's Aurora, originally released in 1971. In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence…
Aphorisms Insane
The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two piece…
Miss Madona (EP)
First vinyl reissue. Two years after having recorded Aurora, which Gérard Terronès released on his Futura Records label in 1971, the Théâtre du Chêne Noir put on another show, Miss Madona, first at Avignon, and then at Ariane Mnouchkine's Théâtre du Soleil. From this play, Gérard Gelas's group took three sound extracts which they made, with no further ado, into a single. Miss Madona is thus the second recording by Théâtre du Chêne Noir. The two sides (and three tracks) offer up an unbelievable i…
Balancing Tear
"A glorious re-match for Chicago’s superb free-rock trio, Mako Sica, and the jazz world’s percussionist of choice, Hamid Drake. Their last collaboration, Ronda, was a glorious, open-ended studio conversation spread across two LPs. Balancing Tear is a mix of studio and live recordings, awash with calmly oceanic passages, interspersed with compressed and feverish form-blurts.As with Ronda, the heft of the material is dynamically advanced. The album begins with passages worthy of Morricone’s wester…
Albergo Intergalattico Spaziale
** 500 copies only reissue, housed in its original artwork with the addition of a bonus 7" EP, a reproduction of a giant original poster and 3 inserts** Giacomo “Mino” di Martino started his musical career in several early 1960s Italian beat bands. By 1968 he had found enormous success with pop superstars I Giganti. After a brief split in 1970 –during which Mino formed Il Supergruppo with Ricky Gianco and other greats of the Italian scene– he came back to I Giganti in 1971. With them and with ne…
Obsolete
**Very small repress in replica textured sleeve! This can be considered as close to the original as one can be, few copies available.** "Here's another Gong album no one seems to know about, as this is basically Gong plus poet/musician Dashiell Hedayat (otherwise known as Melmoth). Evidently the lyrical content (especially on the suite "Eh, Mushroom will you mush my room?") is hallucinogen-related, and if you are an early David Allen-period Gong fan, you are sure to love this one as it is classi…
Acnalbasac Noom
Acnalbasac Noom -- meant to be the German-English-American avant-pop group Slapp Happy's second album -- was originally recorded in 1973 but did not see release originally until 1980. Recorded with legendary German art-rock group Faust accompanying the Slapp Happy core of Anthony Moore on keyboards, Peter Blegvad on guitar, and Dagmar Krause on vocals, and with Faust's brilliant producer Uwe Nettelbeck at the helm, Acnalbasac Noom was initially rejected by the group's label Polydor as not being …