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Instrumental jazz-rock, recorded perfectly in the Stuttgart sound studio Zuckerfabrik in April 1978. Its style resembles that of its predecessor, 'Dr. Aftershave And The Mixed Pickles', but with distinctive jazz-rock/Embryo alike touch. 'Space Guerilla' (originally out on Schneeball) was the fourth and last LP by Missus Beastly. All of the eight tracks were written by the band members themselves. The 24-page booklet in LP size contains a detailed band history in German and in English language, a…
Reissue of 'Sterntaler', the second studio album by the German solo artist Michael Rother. It was released in 1978 and includes the single "Sterntaler" b/w "Sonnenrad".
"The album was recorded between September and November 1977 in Germany at Rother's own studio in Forst and Conny's Studio. Receiving positive reviews the album was released as an LP in 1977 before it was re-released by Polydor in 1982. The album was reissued on CD in 1993 with bonus tracks and having been remastered. The artwork …
Reissue of Katzenmusik, the third studio album by the German solo artist Michael Rother. It was released in 1979 and includes the single "Katzenmusik 9" b/w "Katzenmusik 2".
"The album was recorded between March and July 1979 in Germany at Rother's own studio in Forst and Conny's Studio. Receiving positive reviews the album was released as an LP in 1979 before it was re-released by Polydor in 1982. The album was issued on CD in 1990, and then reissued again in 1993 with bonus tracks and having …
Reissue of Fernwärme, the fourth studio album by the German solo artist Michael Rother. It was released in 1982 and includes the singles "Silberstreif" b/w "Erlkönig" and "Hohe Luft" b/w "Fortuna".
"The album was recorded in 1981 in Germany at Rother's own studio Flammende Herzen Studio in Forst. Receiving positive reviews the album was released as an LP and Cassette in 1982. In some English speaking territories, the album was retitled Silver Streak, which is the English translation of track one…
**Coloured vinyl edition. 180 gr. vinyl, remastered** A cornerstone in European experimental and popular modern composition. Formed around the core of jazz vibrafonist Christian Burchard and drummer Dieter Serfas, the band started their career in Munich in 1969. 40 years later, more than 300 musicians have passed thru' their ranks, from their colleagues of Amon Duül II (Lother Meid, Chris Karrer, Jimmy Jackson), Xhol (Hansi Fischer), Between (Roberto Detree, Peter Hamel) to renowned jazzmen (Cha…
**Random color edition** A cornerstone in European experimental and popular modern composition. Formed around the core of jazz vibrafonist Christian Burchard and drummer Dieter Serfas, the band started their career in Munich in 1969. 40 years later, more than 300 musicians have passed thru' their ranks, from their colleagues of Amon Duül II (Lother Meid, Chris Karrer, Jimmy Jackson), Xhol (Hansi Fischer), Between (Roberto Detree, Peter Hamel) to renowned jazzmen (Charlie Mariano, Mal Waldron) or…
Virus, from the Bielefeld area in Westphalia, were the best and most famous local progressive group there in the early seventies. In 1970, they won the well-known competition in the Recklinghausen Vestlandhalle – still under their old name of Man’s World. The first prize: Recordings for their first own LP, under the direction of sound magician Conny Plank. That LP, “Revelation”, was released in 1971 and is partly reminiscent of the early Pink Floyd, e. g. in the final part of “Endless game”. The…
**Picture Disc** Jazz Rock ensemble from Munich led by German drummer Klaus Weiss and Austrian pianist Fritz Pauer and found in 1971. When Pauer presented Weiss some new songs, the two of them gathered Belgian guitarist Philip Catherine, Dutch flutist Ferdinand Povel and American drummer Jimmy Woode (R.I.P.) and formed Sunbirds. The recordings of their debut took place at the Union Studios in Munich on 24th August 1971. Weiss had good connections with various labels and the album was eventually…
Stunning quality, rare live performance recordings of krautrock pioneers Guru Guru, from one of their earliest ever live concerts on Sunday October the 25th 1970. Three long slabs of prime classic psychedelic prog, two from the ‘UFO’ album and one off ‘Hinten’, show the band at their apex, defining a sound that had never been heard before. Sourced from tapes recorded directly from the sound desk at the show, the recording quality is phenomenal for something of this vintage era. The original line…
The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two piece…
The story of Klamm started in Martorell, 30km near Barcelona, in 1976. Teenagers Josep Saus "Toto", Antonio K. Puertas and Leo Mariño got together under the influence of bands like Can and King Crimson. The original line up consisted of guitar, bass guitar and drums, and they were barely 16 years old when they began. From there, they evolved and also went though different personnel changes, added new influences, had experimental progressive jazz-rock periods, were touched by the works of bands l…
LP version. During the legendary Forst years, Roedelius had a private workspace with a Farfisa organ, a Revox-A77 tape machine, an echo device and a synthesizer which he borrowed from the Cluster studio next door now and again. Here he experimented, practiced, allowed his imagination to flow, at any hour of the day or night, whenever he was not in the studio with Dieter Moebius and/or Michael Rother at work on new Cluster or Harmonia material. Roedelius always let the tape run, in order to analy…
LP version. The first part of Hans-Joachim Roedelius's Selbstportrait (Self-Portrait) series was originally released under the title Sanfte Musik on Sky Records in 1979. Now, some forty years later, a new instalment has arrived in the form of an album entitled Wahre Liebe. One of the initiators of the Berlin Zodiak Free Arts Lab in 1967, Roedelius went on to co-found Kluster/Cluster and Harmonia, unleashing a new and free form of music which, with the benefit of hindsight, can be considered a mi…
Originally released in 1975. Remastered by Manuel Göttsching. Recorded July-August 1974, Inventions for Electric Guitar is Manuel Göttsching's first solo album, however it was released with the subtitle Ash Ra Temple VI technically making it the sixth and final album under the Ash Ra Temple name. Written and performed entirely by Göttsching on electric guitar, with a four-track TEAC A3340, Revox A77 for echoes, wah-wah pedal, volume pedal, Schaller Rotosound, and Hawaiian steel bar.
A seminal mi…
Weiss der Teufel (1971), the first Rufus Zuphall album has gradually gained legendary status. All tracks were recorded live in the studio, resulting in a raw and unpolished sound. The side-long title track developed into a very twisted and frenetic flute solo! Some people regard this track as one of the finest moments of German rock. Weiss der Teufel is a great album, typifying the raw-edged, largely instrumental early progressive rock. Here it comes with original album sleeve cover art and inse…
Originally released in 1971 on famous German Pilz Label, Thoughts was the second and last album of a band which is often regarded as one of the most legendary krautrock bands. While 1st album Revelation was full of inventions and surprises within long tracks with extensive guitar workout, swirling organ and lots of improvisations, Thoughts showed a different style to the debut. With two different lead vocalist (Jürgen Schäfer and Werner Vogt) Virus' music was now more song oriented, more hard-ro…
**CD collection in gatefold sleeve LP-cover size** "This set contains all previously released Improved Sound Limited 5 CDs (eponymous double album, Catch a Singing Bird On the Road, Rathbone Hotel, Road Trax, The Final Foreword) and one bonus CD entitled Bell Cantos, Ezra Pound Revisited with music the band recorded in 1969 for Bavarian Radio with heavy fuzz guitar, moog synthesizer, music of that time, a little bit experimental but constantly melodic (no white noise). This is the ultimate colle…
Finally, a brilliant exploration of the German rock band Can's 1971 album Tago Mago. This hugely unique and influential album deserves close analysis from a fan, rather than a musicologist. Novelist Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded - including the history of the album in terms of its release, promotion and art work. This tale of Tago Mago is also the tale of a young man obsessed with record collecting in the dark and mysterio…
**2020 stock** Sua-Hiam-Zun was based on their original drone metal/psychedelic folk style, but the duo had been diving deeper into synthesizer layering, sequencing. While keeping their original ambience, they combined krautrock influences such as Popol Vuh and Cluster to industrial music influences such as SPK in this recording, giving the ancient ethereal vibe a new modern sound texture. Comes With Digital Download
Formed in Taipei, Taiwan in 2013, comprised of member Lu Li-Yang and Lu Jiachi…
**2020 stock** Kikagaku Moyo 1st self-titled album reissue. Originally released by Cosmic Eye Records in Sep 2013. Kikagaku Moyo's debut album exerts an elemental power. Enlivening their sound with sitars, percussive drums, theremins, wind instruments and ethereal vocals, the band manages to sound powerfully spacious and lazily serene all at once. Their songs can be light as air, or heavy as earth. comes with digital download Many evolve out of intense experiences of engagement with the natural …