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* 2021 Stock. English Edition* Exploring the infra-spaces between images, sound, and voice in the work of artist Marcelline Delbecq, in conversation with art historian Pascale Cassagnau (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).
After studying photography in Chicago (Columbia College) and New York (ICP), Marcelline Delbecq (born 1977, lives and works in Paris) graduated from the Beaux-Arts school in Caen (France), then received a masters degree in curator…
* 2021 Stock. English edition * This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).
Romain Kronenberg is a film director and composer.…
Trifoglio is a portable mid/side stereo speaker. The device is designed to be listened to while holding it in the hands (like a book) and plays music created specifically for it* by different artists: as soon as new contributions are available they are published online.
Current sound compositions by: Adam Asnan, Alessandro Bosetti, Andrea Belfi, Andy Guhl, Attila Faravelli, Choi Joonyong, Dario Lozano-Thornton, Enrico Malatesta, Fabio Selvafiorita, Felicity Mangan, Francisco Meirino, Giovanni L…
A sound composition based on a workshop focusing on questions of sound, listening, collaboration, and community. Matters of Listening took place as a workshop and public event held at the Museo de la Solidaridad Salvador Allende, Santiago de Chile, on June 30, 2019. Focusing on questions of sound, listening, collaboration, and community, the workshop developed as an explorative gathering for sharing, discussing, and making together: to pull from the closets and backrooms various materials and ob…
**Edition of 431 copies** Alga Marghen in collaboration with Expanded Media Editions is proud to present the final issue of “Soft Need”, a publication centered on the work of William Burroughs and expanding its deep influences into contemporary consciousness.
Founded in 1973 as a reaction to the aftermath of a three weeks’ stay across Xmas and New Year’s with Brion Gysin and Burroughs by their confidant Udo Breger, “Soft Need“ had its roots in the underground press of the previous two decades a…
This new release from Lovely Music features Robert Ashley's famous ensemble, the "band" who interpreted his work for 20 years, from 1992 through 2012. They included Sam Ashley, Thomas Buckner, Marghreta Cordero, Tom Hamilton, Jacqueline Humbert, Joan La Barbara, and Amy X Neuburg. This recording was made at the Hebbel Theater, Berlin on May 12, 1995. The opera was also heard live at the Festival d'Avignon, the Brooklyn Academy of Music, Musica Strasbourg, and Site Santa Fe. Foreign Experiences i…
**Edition of 100 copies, signed & stamped by Wolfgang Müller** "Music lessons from the Walther-von-Goethe-Foundation: with nightingale and frog songs, calls from the crane, a fantasy song by Ahmad Hamad, a song by Tabea Blumenschein, a music box and a dancing vibrator from The Deadly Doris (German/English Edition).“
**In process of restock** "Pentiments continues its collaboration with the legendarily enigmatic American sound art pioneer Leif Brush, this time with an extensive double LP release representing the most comprehensive collection of his recorded work to date. In plumbing the depths of his archives, weve unearthed and gathered a great breadth of his decades-long sonic research, spanning from his early work as a grad student to various lecture documents from his eventual tenure at UMD, with many cu…
First historical edition! Limited to 500 copies. This three-disc box collects Number One Intersystems (1967), presenting the correct side sequence and (for the first time) the original tracks' sub-section divisions; Peachy (1967), with (for the first time) the correct track separations, timings, and titles; and Free Psychedelic Poster Inside (1968), with (for the first time) the original (double) track titles. All works remastered by Intersystems founding member John Mills-Cockell for this editi…
Liam O'Gallagher's audio work, People's Opera aka Aerosol/or the Computer That Couldn’t Hear: An Inter-Media Opera, features nine transistor radios (four tuned to FM stations and five to AM stations), a telephone system, and soloists on tambourine, flute, oboe, and French horn. Here are the notes on the presentation, by O'Gallagher's himself: “The ‘conductor’ signals the operators of the radios to approach the microphones or recede from them. Soloists play according to any predetermined plan. Tw…
Here comes a new welcome entry in the ‘private sounds’ series of the now growing 13 catalogue. "Ghosts of Industrial Sunday" is a short film by Maria Assunta Karini and Francesco Paolo Paladino, whose music were composed by Simon Fisher Turner. This release consists of a video DVD, which contains the film, and a audio CD that features the original soundtrack and other compositions inspired by this project that Turner created on purpose; they are accompanied by an oversize 20 pages booklet that o…
A special bundle edition for this double CD-set with accompanying 4 books that provide an outline of the programme series as het Apollohuis from the fall of 1980 to the mid 90s. Four catalogues and the two discs with thirty-eight excerpts are arranged in chronological order and give a truthful and appealing view of the width, the depth and the diversity of the concert programme of Het Apollohuis. The CDs feature Derek Bailey / Ernst Reijseger, Tom Johnson, David Gibson, Group 180, Rolf Juliu…
Gatefold 180 gram vinyl reissue, originally released in 1971. "In this long-awaited masterwork, Harry Partch rises above all attempts at descriptive containment and becomes quite simply heroic. Delusions Of The Fury, proceeding from tragedy to comedy, is nothing less than the full, ritualistic expression, in vocal instrumental and corporeal terms, of the reconciliation by the living both with death and with life. It is a total Partch statement, incorporating voices, mime, his celebrated instrume…
Long-lost recordings culled from performances between 1979 and 1982 from the loose group of feminist performers known as Disband. Ilona Granet, Donna Henes, Barbara Kruger, Ingrid Sischy, Diane Torr, and Martha Wilson screamed, shouted, sang, and stomped through the heyday of New York City's new- and no-wave scenes, blurring the line between performance art and live music. Mirroring the chaos and temporarity of that time, the band split up in 1982 having never produced a record. This is the firs…
Housed in a gatefold sleeve with a 36-page catalogue. The first LP is John Cage Speaks MUREAU by John Cage, its title assembled from the first syllable of the word "music" and the author's name "Thoreau." Malte Hubrig writes "The performance of Mureau -- its letters, syllables and words read by John Cage in a uniform intonation of the voice -- frees language of its meaning and opens it to sound." The second LP is Terry Fox's Culvert, a performance that took place at the University of Montana in …
Sound poetry and poetry of sound. Edited and assembled by Joachim Montessuis. Joël Hubaut, Erik Samakh, Atau Tanaka, AGF, José Iges, Lee Ranaldo, R.H.Y. Yau, Rainier Lericolais, Francisco López, Gary Hill, Charles Pennequin, Ira Cohen, Phill Niblock, Joachim Montessuis, Le Dépeupleur, Julien Ottavi, Robin Minard, Guillermo Goméz Peña, Guillermo Galindo, Brandon LaBelle, Pierre André Arcand, Christina Kubisch, Fréderic Dumond, Christophe Charles, Henning Christiansen, EHB, laboiteblanche, Tommi G…
Specially re-mixed material Francisco Lopez created for the dance work, Geography, by the The Ralph Lemon Dance Co. which premiered at Yale in New Haven. At the time Francisco already had established himself as an important new composer working with huge pools of silence that then build in time stretching waves of sonic purity. This work is certainly in the vein but there’s also subtle percussive elements woven in, drawn from an African percussion ensemble that performed live during the perfor…