Don Cherry
From the very beginning, Los Angeles-raised Don Cherry (1936) displayed an anti-virtuoso attitude that contrasted with the ruling dogmas of jazz music. Cherry shunned both acrobatic exhibitions and radical experiments in favor of humility and pathos (thus appealing more to the rock crowd than to the jazz crowd). His style focused on the idiosyncratic timbres of his pocket trumpet and on languid phrases that evoked ancestral worlds via the abstraction of exotic styles, predating Jon Hassell's "fourth world" music (and the whole world-music bandwagon) by more than a decade.
From the very beginning, Los Angeles-raised Don Cherry (1936) displayed an anti-virtuoso attitude that contrasted with the ruling dogmas of jazz music. Cherry shunned both acrobatic exhibitions and radical experiments in favor of humility and pathos (thus appealing more to the rock crowd than to the jazz crowd). His style focused on the idiosyncratic timbres of his pocket trumpet and on languid phrases that evoked ancestral worlds via the abstraction of exotic styles, predating Jon Hassell's "fourth world" music (and the whole world-music bandwagon) by more than a decade.
Live at Café Monmartre 1966
First release of this 1966 recording from the ESP-Disk vaults; featuring: Don Cherry (trumpet); Gato Barbieri (tenor saxophone); Bo Stief (bass); Karl Berger (vibraphone); Aldo Romano (drums). Live performance from the legendary Café Montmartre in Copenhagen, Denmark, recorded in 1966. Digitally remastered. Also included: the ESP DVD-audio sampler, featuring selections of almost every ESP artist. Over 12 hours of music! Digitally remastered. "Don Cherry, more than any other artist in the jazz of…
New York Eye And Ear Control 1964, Revisited
Ezz-Thetics presents New York Eye And Ear Control 1964, Revisited. Albert Ayle tenor saxophone, Don Cherry cornet & trumpet, John Tchicai alto saxophone, Roswell Rudd trombone, Gary Peacock double bass and Sunny Murray drums.
As a visitor of the Albert Ayler Quintet concert 1966 in Lörrach, Germany and producer of his recordings since 1982, I like to present New York Eye And Ear Control by Albert Ayler, remastered, given permission for it by Desiree Ayler-Fellows of the Albert Ayler Estate and M…
Evidence
Soprano saxophonist Steve Lacy continued his early exploration of Thelonious Monk’s compositions on this 1961’s Evidence Lacy worked extensively with Monk, absorbing the pianist’s intricate music and adding his individualist soprano saxophone mark to it. On this date, he employs the equally impressive Don Cherry on trumpet, who was playing with the Ornette Coleman quartet at the time, drummer Billy Higgins, who played with both Coleman and Monk, and bassist Carl Brown. Cherry proved capable of p…
The Third World-Underground
** Edition of 102 hand numbered copies. Crystal, slightly orange/blue marbled vinyl ** A stunning little session – and every bit as wonderful as you'd expect from a lineup that includes Dollar Brand, Don Cherry, and Carlos Ward! The three players work together here in open, spiritual styles – with really long-flowing lines from Brand on piano, in a more modal style that's different from some of his other records – balanced out with bold trumpet lines from Cherry, and soaring alto sax from Ward –…
Organic Music Theatre - Festival de jazz de Chateauvallon 1972
* 2xLP on black vinyl, pressed at RTI and housed in a heavy-duty tip-on gatefold Stoughton jacket. * In the late 1960s, the American trumpet player and free jazz pioneer Don Cherry (1936–1995) and the Swedish visual artist and designer Moki Cherry (1943–2009) began a collaboration that imagined an alternative space for creative music, most succinctly expressed in Moki’s aphorism “the stage is home and home is a stage.” By 1972, they had given name to a concept that united Don’s music, Moki’s art…
The Summer House Sessions
* LP on black vinyl, pressed at RTI and housed in a heavy-duty tip-on Stoughton jacket, with insert. * In 1968, Don Cherry had already established himself as one of the leading voices of the avant-garde. Having pioneered free jazz as a member of Ornette Coleman’s classic quartet, and with a high profile collaboration with John Coltrane under his belt, the globetrotting jazz trumpeter settled in Sweden with his partner Moki and her daughter Neneh. There, he assembled a group of Swedish musicians …
New York Total Music Company 1968 - SWR Broadcast
Restocked, very last copies ** Private edition, limited to 107 hand-numbered copies ** Broadcast from SWR, recorded at 10th Deutsches Jazzfestival Frankfurt, Germany, on March 24, 1968. This is is Cherry at his absolute best, encountering him with a stellar line up comprised of Don Cherry (tpt, cnt, bamboo fl); Steve Lacy (ss); Karl Berger (vb, p); Kent Carter (b); Jacques Thollot (d). This live set captures a pitch perfect image of his roving, restless and ambitious creative mind – an artist p…
Live In Paris, March 1979
Superb performance recorded in Paris, March 1967, and broadcast on French radio station ORTF.From the very beginning, Los Angeles-raised Don Cherry (1936) displayed an anti-virtuoso attitude that contrasted with the ruling dogmas of jazz music. Cherry shunned both acrobatic exhibitions and radical experiments in favor of humility and pathos (thus appealing more to the rock crowd than to the jazz crowd). His style focused on the idiosyncratic timbres of his pocket trumpet and on languid phrases t…
European Recordings Autumn 1964 - Revisited
"Albert Ayler With Don Cherry European Recordings Autumn 1964 Revisited” in this context will inevitably make some people think of Revenant, the label that in 2004 issued a nine-CD box of Albert Ayler materials, almost all of them rare and unissued. The release prompted some revisionist thinking about Ayler, who has remained a controversial figure in modern jazz, hailed as a genius, dismissed as a hoax or a man in the grip of an autism, an avant-gardist who suddenly decided to be a populist inst…
Relativity Suite
**Strictly limited to 300 copies. Clear Vinyl** Finally available again on vinyl! Don Cherry's Relativity Suite, recorded with the Jazz Composer's Orchestra in 1973. At this time, Cherry was becoming increasingly interested in Middle Eastern and traditional African and Indian music, having traveled extensively and studied with Indian musician Vasant Rai. This suite of songs was particularly influenced by the Indian karnatic singing tradition, as can be heard from the very opening moments of the …
The Avant-garde
**180 gram vinyl** Though Ornette Coleman and John Coltrane were two of the prime forces in what came to be known as free jazz, their approaches couldn't have been more different. While Coleman's music dispensed with chords and rejected instrumental virtuosity in favour of unbroken horizontal development of melodic line, Coltrane's music for the most part relied on stacking up chords in blocks and exploring the results with fearsomely complex, passionate harmonic interrogations.
However Coltrane…
Universal Silence / Duo
This special bundle collects the CD reissues of Don Cherry's Universal Silence and his collaboration with Terry Riley in Duo:Don Cherry "Universal Silence" (1972)What can be said about Don Cherry that hasn’t been said? He was a musical bridge between countless cultures - a titan of the avant-garde and jazz - one of the great, visionary voices of 20th century music for whom there was, and remains, no equivalent. A giant. Like Miles, Ayler, Mingus, Bird, Dizzy, Trane, Ornette, and Pharaoh, the pow…
Universal Silence
What can be said about Don Cherry that hasn’t been said? He was a musical bridge between countless cultures - a titan of the avant-garde and jazz - one of the great, visionary voices of 20th century music for whom there was, and remains, no equivalent. A giant. Like Miles, Ayler, Mingus, Bird, Dizzy, Trane, Ornette, and Pharaoh, the power of his voice carved such a deep path that, more than half a century after he first emerged on the scene, you can still fear the earth shake.With this in hand, …
Terry Riley and Don Cherry Duo
Another incredible treasure from the vaults of Cologne radio, recorded in late February 1975. In this duo improvisation Terry Riley's organ intersections just define the geometry of the hyper-dimensional space where Don Cherry's outwordly trumpet lives. Mantric and evocative, we could go on and on listening to the very same track all day long, it could last forever...In 1975, pioneering minimalist composer Terry Riley and jazz trumpet cosmonaut Don Cherry joined forces for a magnetic performance…
Baden Baden Free Jazz Meeting, December 1967 - SWR Broadcast
"Broadcast from SWR and recorded at the legendary 1967 Free Jazz Meeting in Baden-Baden, Germany this is a collection of four different performances by different line-ups, featuring big names in the European free jazz '60s scene of the time along such top players as Don Cherry, Marion Brown, Evan Parker, and John Stevens."
Actions
Recorded live at the Donaueschingen Music Festival on October 17, 1971, Actions features a truly mind-bending confluence of musicians of the avant-garde, in the broadest sense of the term. Don Cherry -- the brilliant American free jazz trumpeter -- had recently expatriated to Sweden and was finding his way not only among the emerging free-jazz scene of Europe but also within his own constantly expanding musical palette that had begun to incorporate elements of African rhythms, Turkish folk idiom…
El Corazon
The trumpeter sketches a succession of melodies and moods around and over the rich textural detail and earthy solidity of Mr Blackwell’s drumming,” noted Robert Palmer in The New York Times. “The melodies come from Spain, Africa, Jamaica and the modern jazz compositions of Thelonious Monk, but Don Cherry and Ed Blackwell transform them into a personal music that is as urbane and international as they are. Together, they make El Corazón one of the most impressive duet albums of recent years.” Thi…
Live at Yubin Chokin Kaikan Hall, Tokyo,14.05.1986
For this historical concert held at the Yubin Chokin Hall, in Tokyo on May 14, 1986, the legendary Japanese drummer Masahiko Togashi brought together an amazing line-up with such modern jazz luminaries as Steve Lacy (soprano sax), Don Cherry (pocket trumpet) and Dave Holland (bass). This particular album consists of four previously unpublished tracks (on vinyl), including some highly regarded Lacy's compositions such as The Crus and Quakes, and Don Cherry's African flavored anthem called Mopti. …
Live in Frankfurt 82
2019 small repress. First of all, Bengt Berger -- a pioneer of the Swedish underground of the '70s and historical member of bands such as Archimedes Badkar and Arbete Och Fritid -- is a versatile drummer-percussionist and well-educated ethnomusicologist with several research sojourns in India and Ghana. Deeply influenced by Hindustani, Carnatic, and West Africa music, he founded the Bitter Funeral Beer Band in 1980, an ensemble of 12 elements, basing his ideas on the traditional funeral music of…
Complete Communion Live
Complete Communion was Don Cherry's first Blue Note release. One of the groundbreaking pieces of work from the mid-sixties Jazz scene, and here is the same great line up caught live in Hilversum (Holland) in May 1966, just five months after the studio recording session. Don Cherry - cornet, Gato Barbieri - tenor sax, Henry Grimes - bass and Ed Blackwell - drums, a marvelous quartet based on four of the most distinctive Free Jazz voices of the time. This highly energetic performance consists of a…