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Fripp & Eno

Fripp & Eno is a musical side-project composed of Brian Eno and Robert Fripp. The duo have released four studio albums, beginning with the 1973 album (No Pussyfooting). The music created by this pair is entirely instrumental and has made extensive use of Frippertronics, a tape delay technique, combined with Fripp's guitar, the Fripp Pedalboard and Frizzbox (with subsequent sound treatments by Eno) along with Eno playing various keyboards, synthesizers and modified Revox A77 tape recorders.

Fripp & Eno is a musical side-project composed of Brian Eno and Robert Fripp. The duo have released four studio albums, beginning with the 1973 album (No Pussyfooting). The music created by this pair is entirely instrumental and has made extensive use of Frippertronics, a tape delay technique, combined with Fripp's guitar, the Fripp Pedalboard and Frizzbox (with subsequent sound treatments by Eno) along with Eno playing various keyboards, synthesizers and modified Revox A77 tape recorders.

Small Craft On A Milk
If you were to dig through a random neighbor's record collection, chances are you'd come across something with Brian Eno's fingerprints on it. Maybe massive-selling offerings by Coldplay or U2, the still commercially viable art-rock of The Talking Heads and Devo — or, if your neighbor is anything like a TMT reader, perhaps there are a few Roxy Music albums, the Eno-curated No New York no-wave compilation, Bowie's Krautrock-leaning "Berlin Trilogy," or My Life in the Bush of Ghosts, Eno's 19…
More music for films
A listener familiar with the pedigree of the albums of Brian Eno might assume that the Virgin/Astralwerks release More Music for Films is merely a repackaging of Music for Films, Vol. 2, a bonus album included within the LP boxed set Working Backwards. Such an assumption would be incorrect, as More Music for Films represents a new spin on a variety of soundtrack material made by Eno in the years 1976-1983, including some tracks drawn from Music for Films, Vol. 2, others from Eno Box I: Instrumen…
Apollo: Atmospheres and Soundtracks
Unlike Music for Films, the music for Apollo: Atmospheres and Soundtracks was entirely written for a specific film project—a documentary about the NASA Apollo lunar missions, by director Al Reinert. Additionally, by this time, Eno had found a sympathetic partner in Canadian Daniel Lanois, having already worked with Lanois on the 80 collaboration with Harold Budd, Ambient 2: The Plateaux of Mirror and the 82 release, Ambient 4: On Land. Lanois would bring an equally vivid imagination, and a more …
Ambient 4
Ambient 4: On Land is even more about experience and less about conventional listening; music that is meant more to be felt than heard. Music that, through its combinations of found sounds processed and placed in well-considered places in the stereo image - this is a recording that is best listened to in headphones - evokes strong imagery of places real and imagined.Brian Eno even references earlier works, extracting bits and pieces and subsuming them into a new whole. Eno compares this process …
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