Piero Piccioni
Born in 1921, the son of an eminent judge, soundtrack composer Piero Piccioni followed his father's footsteps and practised as a lawyer before abandoning the legal profession to pursue a career in music. A highly skilled pianist and organist, he played regularly for friends in the Italian film world and it was director Michelangelo Antonioni ("Blow Up"; "Zabriskie Point") who first suggested he try to compose for the big screen.
Born in 1921, the son of an eminent judge, soundtrack composer Piero Piccioni followed his father's footsteps and practised as a lawyer before abandoning the legal profession to pursue a career in music. A highly skilled pianist and organist, he played regularly for friends in the Italian film world and it was director Michelangelo Antonioni ("Blow Up"; "Zabriskie Point") who first suggested he try to compose for the big screen.
Io So che Tu Sai che Io So
Beat Records is pleased to present on a double CD set the complete score by Piero Piccioni for the movie Io So che Tu Sai che Io So (aka “I Know that You Know that I Know”), a comedy directed by Alberto Sordi in 1982, with a screenplay by Rodolfo Sonego, Alberto Sordi and Augusto Caminito, photography by Sergio D'Offizi, editing by Tatiana Casini Morigi and music score by Piero Piccioni, starring Alberto Sordi, Monica Vitti, Isabella De Bernardi, Salvatore Jacono, Giuseppe Mannajuolo, Micaela P…
Una Vita Violenta
* 2021 restock, killer price. Last copies * LP Gatefold 180 Gram. The dark jazz masterpiece by Piero Piccioni written for the film directed by Paolo Heusch in 1962, played by Franco Citti and taken from the novel under the same title written by Pier Paolo Pasolini. Produced and made by CAM on a rare and sophisticated LP, the music of Piero Piccioni for this film embraces the jazz big band's frantic pulsations, directed by the Master - who sits on the piano - with symphonism and the best popular …
Io la Conoscevo Bene
** 2021 Stock ** We continue releasing the film music of Piero Piccioni, adventuring even further into the '60s with a beautiful score composed in 1965 for the movie Io la conoscevo bene, directed by Antonio Petrangeli and starring Stefania Sandrelli , Mario Adorf, Nino Manfredi, Enrico Maria Salerno, Ugo Tognazzi, Jean-Claude Brialy, Turi Ferro and Franco Nero. The film denounced the morally despicable attitude that was spreading in the Italian jet-set, dominated by those in search of a place i…
Mafioso
Èl proudly presents Piero Piccioni - Mafioso and Others (1962), the original motion picture soundtrack. Mafioso is an Italian black comedy directed by Alberto Lattuada which casts Alberto Sordi as a factory manager who visits his hometown in Sicily and is tasked with performing a hit for the Mafia.
Le Altre
* 2021 restock, killer price. Last copies * LP 180 Gram. Black vinyl edition. Easily comparable to the vaste number of movies from the erotic-dramatic genre popular between sixties and seventies, Alessandro Fallay’s Le Altre – a pretty much unknown director of Iranian origins – boasts an amazing soundtrack from the unforgettable Piero Piccioni, one of the acclaimed masters of the genre. The album moves between easy listening atmospheres to jazz and lounge, among Roma and Cinecittà’s summers parf…
Un Tentativo Sentimentale
Un Tentativo Sentimentale is the first film by the novelist Pasquale Festa Campanile, written and directed together with Massimo Franciosa in 1963. The film fits into the path traced by Michelangelo Antonioni with his "trilogy of incommunicability" in the early years of the decade, staging a bourgeois existential drama shot between the Roman districts of Parioli and Vigna Clara and the beach of Sabaudia. The original soundtrack is one of the most beautiful and particular among those composed in …
Il Diavolo
Winner of the Goldener Bär at the 1963 Berlin Film Festival, Il Diavolo is the third feature film by director Gian Luigi Polidoro, an Italian film irregular who has signed only a handful of films poised between comedy and eroticism between the '60s and '80s. Written by Rodolfo Sonego and interpreted by an Alberto Sordi in a state of grace, Il Diavolo takes up a theme already addressed by Polidoro and Sonego in Le Svedesi of 1960, that is the Italic myth of the Swedish woman and trips to Scandina…
Il Boom
WHP preset a reissue of Piero Piccioni's original score for Il Boom, originally released on CAM in 1963. Written by Cesare Zavattini, directed by Vittorio De Sica, and interpreted by Alberto Sordi, Il Boom can be easily considered as one of the most peculiar film comedies in the Italian post-war era. Premiered in the USA in 2017, more than 50 years after its release in 1963, the film has been described as something between Buster Keaton, David Lynch, and Billy Wilder. Some sort of very current d…
Fumo Di Londra
Music from the Original Motion Picture Score, composed, arranged and conducted by Piero Piccioni. Vocals: Lydia MacDonald, Alberto Sordi, I Cantori Moderni di Alessandroni. This masterful composer collaborated many times with Sordi, writing themes that were to became Albertone's career trademarks; "Marcia di Esculapio" from the movie "Il Medico della Mutua" and "Rugido Do Leao" from "Finché cé guerra, ce speranza" (which was used later for a series called "TV Storia di un Italiano").
Th…
Le Streghe
Digitmovies is proud to present the complete OST by Piero Piccioni for the 1967 anthology film ''Le streghe'' (aka ''The Witches'' - Les sorcières), also including episodes ''La strega bruciata viva'' ( ''The Witch Scorched Alive'') by Luchino Visconti and ''Una sera come le altre'' (''A Night Like Any Other'') by Vittorio De Sica, as well as "La Terra vista dalla Luna" by Pier Paolo Pasolini - produced by Dino de Laurentiis.Remastered from the original tapes, that were kept in the private archi…
Il Medico Della Mutua / Il Prof. Dott. Guido Tersilli ...
"Il medico della Mutua" and "Il Prof. Dott. Guido Tersilli..." are two Italian cult films, released in theaters in 1968 and 1969 respectively; both see Alberto Sordi as main character, an initially unknown doctor that makes its way in a rigid and almost impenetrable system as that of the Italian health, and eventualy manages to open his own private clinic in which to speculate at the expense of his patients.The two films, while dealing with the problems and contradictions of a system still 'sick…
Tre Notti D'Amore
A superb album expressing the grooviest and jazziest side of Piero Piccioni. From Pop-Jazz to Exotica, with a truly percussive rhythm section spiced by charming flute phrases (played by Gino Marinacci) and baritone sax passages (played by Gato Barbieri). A must-have for any serious soundtrack jazz lover. Four Flies launches its new jazz series dedicated to top Italian soundtracks from the 1960’s with this extraordinary work by Piero Piccioni: 3 Notti D'Amore (3 Nights of Love). Originally releas…
Dopo di che..Uccide il Maschio e lo Divora
For the first time in a single 7’’ the gorgeous soul ballads that Piero Piccioni composed for the title credits of two Italian-Spanish thrillers, both magnificently sung by Shawn Robinson’s divine voice. Two pop-downtempo gems shining with the power of their melodies and the quality of their proto- hip hop arrangements that immediately carry us into the dreamlike, mellow atmosphere of the early 1970’s European thriller cinema. This music is characterised by timeless, unbounded elegance, poised b…
Il Terrorista
Doxy present Piero Piccioni's complete soundtrack for the 1963 film Il Terrorista on vinyl for the first time. Directed in 1963 by Gianfranco De Bosio and starring Gian Maria Volontè, Anouk Aimée, Tino Carraro, Philippe Leroy, the great Piero Piccioni created "easy listening" music such as foxtrots, band music, waltzes as opposed to serious music for large orchestras that dramatically describes all the historical and political aspect of the story. Complete version for the first time on vinyl. Ed…
Soundtracks - 3° Collection / 4 LPs in bundle
All the four new Spettro groundbreaking Soundtrack LPs in bundle!
Al Cinema Con Piero Piccioni
**300 copies only** to present the reissue of the legendary session "Al Cinema con Piero Piccioni", originally composed of 2 volumes and released on the famed RCA SP series in 1968 - compiled with a curated selection of the best tracks and presented with renewed striking artwork. 2 absolutely cult and impossible to find albums of Italian discography released in a unique LP strictly limited to 300 copies, carefully remastered by from the original RCA master tapes, with heavy cardboard sleeve like…
Musica Amore
"Musica amore" is an extraordinary album (1972) by Maestro Piccioni which includes songs from various soundtracks showing his many facets. He utilizes the gorgeous voice of Shawn Robinson in "Right Or Wrong" and "Once and Again" (from giallo thriller “...Dopo di che, uccide il maschio e lo divora” aka "Marta” e "La Volpe Dalla Coda Di Velluto” aka "Eye Of The Hurricane”), the choir I Cantori Moderni di Alessandro Alessandroni, the band of I Marc 4 (M. Majorana, A. Vannucchi, R. Podium, C. Pes) a…
Cadaveri Eccellenti
Dagored present a reissue of Piero Piccioni's soundtrack for Cadaveri Eccellenti, originally released in 1976. A superb soundtrack composed for Francesco Rosi's film Cadaveri Eccellenti, based on the novel Il Trattato by Leonardo Sciascia. A portrait of Italy during the infamous Years of Lead ("Anni di Piombo"), Cadaveri Eccellenti, presented in 1976 at the Cannes Film Festival, caused an outcry for the inconvenient issues addressed. Jazz and funky tunes are mixed here with a big orchestra-st…
7 Cadaveri Per Scotland Yard (Color)
Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The maestro Piero Piccioni is in rare groove mode here, lost between acid jazz breaks and deep funk rhythms. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate is reminiscent of the compositions of the late '60s from the master; memorable sessions that would lead to the publication of the classic posthumo…
7 Cadaveri Per Scotland Yard
Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The maestro Piero Piccioni is in rare groove mode here, lost between acid jazz breaks and deep funk rhythms. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate is reminiscent of the compositions of the late '60s from the master; memorable sessions that would lead to the publication of the classic posthumo…